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Invagination (philosophy)
In Continental philosophy, the term invagination is used to explain a special kind of metanarrative. It was first used by Maurice Merleau-Ponty (french: invagination) to describe the dynamic self-differentiation of the 'flesh'. It was later used by Rosalind E. Krauss and Jacques Derrida ("The Law of Genre", ''Glyph 7'', 1980); for Derrida, an invaginated text is a narrative that folds upon itself, "endlessly swapping outside for inside and thereby producing a structure '' en abyme''". He applies the term to such texts as Immanuel Kant's ''Critique of Judgment'' and Maurice Blanchot's ''La Folie du Jour''. Invagination is an aspect of différance is a French term coined by Jacques Derrida. It is a central concept in Derrida's deconstruction, a critical outlook concerned with the relationship between text and meaning. The term means "difference and deferral of meaning." Overview Derr ..., since according to Derrida it opens the "inside" to the "other" and denies both inside an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Continental Philosophy
Continental philosophy is a term used to describe some philosophers and philosophical traditions that do not fall under the umbrella of analytic philosophy. However, there is no academic consensus on the definition of continental philosophy. Prior to the twentieth century, the term "continental" was used broadly to refer to philosophy from continental Europe. A different use of the term originated among English-speaking philosophers in the second half of the 20th century, who used it to refer to a range of thinkers and traditions outside the analytic movement. Continental philosophy includes German idealism, phenomenology, existentialism (and its antecedents, such as the thought of Kierkegaard and Nietzsche), hermeneutics, structuralism, post-structuralism, deconstruction, French feminism, psychoanalytic theory, and the critical theory of the Frankfurt School as well as branches of Freudian, Hegelian and Western Marxist views. The term ''continental philosophy'' lacks cle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metanarrative
A metanarrative (also meta-narrative and grand narrative; french: métarécit) is a narrative ''about'' narratives of historical meaning, experience, or knowledge, which offers a society legitimation through the anticipated completion of a (as yet unrealized) master idea. Etymology " Meta" is Greek for "beyond"; "narrative" is a story that is characterized by its telling (it is communicated somehow). Although first used earlier in the 20th century, the term was brought into prominence by Jean-François Lyotard in 1979, with his claim that the postmodern was characterised precisely by a mistrust of the "grand narratives" (Progress, Enlightenment, Emancipation, Marxism) that had formed an essential part of modernity. Skepticism In '' The Postmodern Condition: A Report on Knowledge'' (1979), Lyotard highlights the increasing skepticism of the ''postmodern condition'' toward the totalizing nature of metanarratives and their reliance on some form of "transcendent and universal trut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Merleau-Ponty
Maurice Jean Jacques Merleau-Ponty. (; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art, politics, religion, biology, psychology, psychoanalysis, language, nature, and history. He was the lead editor of ''Les Temps modernes'', the leftist magazine he established with Jean-Paul Sartre and Simone de Beauvoir in 1945. At the core of Merleau-Ponty's philosophy is a sustained argument for the foundational role that perception plays in the human experience of the world. Merleau-Ponty understands perception to be an ongoing dialogue between one's lived body and the world which it perceives, in which perceivers passively and actively strive to express the perceived world in concert with others. He was the only major phenomenologist of the first half of the twentieth century to engage extensively with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosalind E
Rosalind or Rosalinde is a girls' name derived from the Germanic ''hros'', which meant horse, and ''lind'' which meant ''soft'' or ''tender'': People *Rosalind Ashford (born 1943), American singer, member of Martha and the Vandellas *Rosalind Blauer (1943–1973), Canadian economist * Rosalind Brett, writer of romance novels *Rosalind Cash (1938–1995), American singer and actress *Rosalind Chao (born 1957), American actress born in Anaheim, California * Rosalind Creasy (born 1939), American landscape designer and author * Rosalind Franklin (1920–1958), British physical chemist and crystallographer who made very important contributions to the understanding of the fine structures of coal and graphite, DNA and viruses * Rosalind Hackett, American historian *Rosalind Halstead (born 1984), British actress *Rosalind Hamilton, Duchess of Abercorn (1869–1958), British aristocrat *Rosalind Heywood (1895–1980), British psychical researcher * Rosalind Hicks (1919–2005), British li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Derrida
Jacques Derrida (; ; born Jackie Élie Derrida; See also . 15 July 1930 – 9 October 2004) was an Algerian-born French philosopher. He developed the philosophy of deconstruction, which he utilized in numerous texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology.Jacques Derrida . ''Encyclopædia Britannica''. Britannica.com. Retrieved 19 May 2017. He is one of the major figures associated with and postmodern philosophy [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mise En Abyme
In Western art history, ''mise en abyme'' (; also ''mise en abîme'') is a formal technique of placing a copy of an image within itself, often in a way that suggests an infinitely recurring sequence. In film theory and literary theory, it refers to the technique of inserting a story within a story. The term is derived from heraldry and literally means "placed into abyss". It was first appropriated for modern criticism by the French author André Gide. A common sense of the phrase is the visual experience of standing between two mirrors, seeing as a result an infinite reproduction of one's image. Another is the Droste effect, in which a picture appears within itself, in a place where a similar picture would realistically be expected to appear. That is named after the 1904 Droste cocoa package, which depicts a woman holding a tray bearing a Droste cocoa package, which bears a smaller version of her image. Heraldry In the terminology of heraldry, the ''abyme'' or ''abisme'' is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Immanuel Kant
Immanuel Kant (, , ; 22 April 1724 – 12 February 1804) was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential figures in modern Western philosophy. In his doctrine of transcendental idealism, Kant argued that space and time are mere "forms of intuition" which structure all experience, and therefore that, while " things-in-themselves" exist and contribute to experience, they are nonetheless distinct from the objects of experience. From this it follows that the objects of experience are mere "appearances", and that the nature of things as they are in themselves is unknowable to us. In an attempt to counter the skepticism he found in the writings of philosopher David Hume, he wrote the '' Critique of Pure Reason'' (1781/1787), one of his most well-known works. In it, he developed his theory of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critique Of Judgment
The ''Critique of Judgment'' (german: Kritik der Urteilskraft), also translated as the ''Critique of the Power of Judgment'', is a 1790 book by the German philosopher Immanuel Kant. Sometimes referred to as the "third critique," the ''Critique of Judgment'' follows the '' Critique of Pure Reason'' (1781) and the ''Critique of Practical Reason'' (1788). Context Immanuel Kant's ''Critique of Judgment'' is the third critique in Kant's Critical project begun in the ''Critique of Pure Reason'' and the ''Critique of Practical Reason'' (the ''First'' and ''Second Critiques'', respectively). The book is divided into two main sections: the ''Critique of Aesthetic Judgment'' and the ''Critique of Teleological Judgment'', and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The so-called ''First Introduction'' was not published during Kant's lifetime, for Kant wrote a replacement for publication. The Critical project, that of explori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Blanchot
Maurice Blanchot (; ; 22 September 1907 – 20 February 2003) was a French writer, philosopher and literary theorist. His work, exploring a philosophy of death alongside poetic theories of meaning and sense, bore significant influence on post-structuralist philosophers such as Gilles Deleuze, Michel Foucault, Jacques Derrida and Jean-Luc Nancy. Biography Pre-1945 Blanchot was born in the village of Quain (Saône-et-Loire) on 22 September 1907. Blanchot studied philosophy at the University of Strasbourg, where he became a close friend of the Lithuanian-born French Jewish phenomenologist Emmanuel Levinas. He then embarked on a career as a political journalist in Paris. From 1932 to 1940 he was editor of the mainstream conservative daily the ''Journal des débats''. In 1930 he earned his DES ('), roughly equivalent to an M.A. at the University of Paris, with a thesis titled "La Conception du Dogmatisme chez les Sceptiques anciens d'après Sextus Empiricus" ("The Conception of Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Différance
is a French term coined by Jacques Derrida. It is a central concept in Derrida's deconstruction, a critical outlook concerned with the relationship between text and meaning. The term means "difference and deferral of meaning." Overview Derrida first uses the term in his 1963 paper "". The term then played a key role in Derrida's engagement with the philosophy of Edmund Husserl in ''Speech and Phenomena''. The term was then elaborated in various other works, notably in his essay "" and in various interviews collected in ''Positions''. The of is a deliberate misspelling of , though the two are pronounced identically, ( plays on the fact that the French word means both "to defer" and "to differ"). This misspelling highlights the fact that its written form is not heard, and serves to further subvert the traditional privileging of speech over writing (see arche-writing and logocentrism), as well as the distinction between the sensible and the intelligible. The difference ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deconstruction
The term deconstruction refers to approaches to understanding the relationship between text and meaning. It was introduced by the philosopher Jacques Derrida, who defined it as a turn away from Platonism's ideas of "true" forms and essences which take precedence over appearances, instead considering the constantly changing complex function of language, making static and idealist ideas of it inadequate. Deconstruction instead places emphasis on the mere appearance of language in both speech and writing, or suggests at least that essence as it is called is to be found in its appearance, while it itself is "undecidable", and everyday experiences cannot be empirically evaluated to find the actuality of language. Deconstruction argues that language, especially in idealist concepts such as truth and justice, is irreducibly complex, unstable and difficult to determine, making fluid and comprehensive ideas of language more adequate in deconstructive criticism. Since the 1980s, these p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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