Imharhan
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Imharhan
Tartit (meaning "union") are a band from the Tombouctou Region of Mali. The group consists of five women and four men, all of whom are Tamasheq-speaking Tuareg. They formed in 1992 in a refugee camp in Mauritania. Imharhan, an expanded group that includes current and former Tartit members, incorporates electric instruments and cross-cultural experiments into their music. History In 1995, Tartit performed their debut concert at the MASA Trade Fair for African Arts in Abidjan, Côte d'Ivoire. In the same year they were invited to the Festival of Women's Voices in Liège, Belgium. Tartit toured Europe in 1998 and then in 2000 toured North America. At the WOMAD Festival in Seattle, after performing their own set, the group joined fellow Malians Ali Farka Touré and Afel Bocoum on stage. In 2003 they appeared at the Festival in the Desert, where they again played with Touré and Bocoum, and also joined Tinariwen, Robert Plant, Oumou Sangaré, Lo'Jo and Baba Salah. Tartit has collab ...
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Festival Au Désert
The Festival au désert (Festival in the Desert) was an annual concert in Mali, showcasing traditional Tuareg music as well as music from around the world between 2001 and 2012. It was founded and directed by Manny Ansar, and attracted thousands of visitors, bringing a huge boost to the economy. The first festival took place in 2001 in Tin Essako, then in Tessalit in 2002, and in Essakane from 2003 to 2009. From 2010 to 2012 it was held on the outskirts of Timbuktu. After an incursion of Timbuktu by Islamist militants in 2012, the festival was postponed, and has not been held since then since then due to security concerns. Several film documentaries have been made about or at the festival: ''Le Festival au Désert'' (2004), '' Dambé: The Mali Project'' (2008), ''The Last Song Before the War'' (2013), and ''Woodstock in Timbuktu'' (2013). The album ''Festival au Desert Live from Timbuktu'' (2013) has performances from the 2012 festival. From 2013, a collaborative venture kn ...
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Tombouctou Region
Tombouctou Region ( Bambara: ߕߎߡߎߕߎ ߘߌߣߋߖߊ tr. Tumutu Dineja) is one of the administrative regions of Mali. For administrative purposes, the region is subdivided into five cercles. The region is part of northern Mali that was separated and declared independent by the National Movement for the Liberation of Azawad (MNLA) during the Tuareg rebellion of 2012. In the course of the conflict, the MNLA lost control of the territory to Islamist militias. Tombouctou Region is world-famous for its capital, the ancient city Timbuktu (french: Tombouctou), synonymous to 19th-century Europeans with an elusive, hard-to-reach destination. The city gained fame in 1390 when its ruler, Mansa Musa, went on a pilgrimage to Mecca, stopping with his entourage in Egypt and dispensing enough gold to devalue the Egyptian currency. This started the legend of a city in the interior of Africa, where roads were said to be paved with gold and buildings topped with roofs of gold. History ...
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Timbuktu
Timbuktu ( ; french: Tombouctou; Koyra Chiini: ); tmh, label=Tuareg, script=Tfng, ⵜⵏⴱⴾⵜ, Tin Buqt a city in Mali, situated north of the Niger River. The town is the capital of the Tombouctou Region, one of the eight administrative regions of Mali and one town of Songhai people. It had a population of 54,453 in the 2009 census. Timbuktu began as a seasonal settlement and became a permanent settlement early in the 12th century. After a shift in trading routes, particularly after the visit by Mansa Musa around 1325, Timbuktu flourished from the trade in salt, gold, ivory and slaves. It gradually expanded as an important Islamic city on the Saharan trade route and attracted many scholars and traders. It became part of the Mali Empire early in the 14th century. In the first half of the 15th century, the Tuareg people took control of the city for a short period until the expanding Songhai Empire absorbed the city in 1468. A Moroccan army defeated the Songhai in 159 ...
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Xalam
Xalam (in Serer, or khalam in Wolof) is a traditional stringed musical instrument from West Africa with 1-5 strings. The xalam is commonly played in Mali, Gambia, Senegal, Niger, Northern Nigeria, Northern Ghana, Burkina Faso, Mauritania, and Western Sahara; it, and its variants, are also known in other languages as bappe, diassare, hoddu (Pulaar), koliko (Gurunsi), kologo ( Frafra), komsa, kontigi, gurmi, garaya (Hausa), koni, konting (Mandinka), molo ( Songhay/ Zarma), ndere, ngoni ( Bambara), and tidinit ( Hassaniyya and Berber). In Wolof, who plays the xalam is called a ''xalamkat'' (a word composed of the verbal form of xalam, meaning "to play the xalam", and the agentive suffix ''-kat'', thus meaning "one who xalams"). In Mande, this is ''ngonifola'' or ''konting fola''. In Hausa, this is ''mai gurmi'' or ''mai kontigi''. Construction and tuning The xalam, in its standard form, is a simple lute chordophone with one to five strings. The wooden body (soundbox) membran ...
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Tinde
Tinde ( grc, Τίνδη), also known as Tindium or Tindion (Τίνδιον), was a town of Chalcidice in ancient Macedonia. It belonged to the Delian League since it appears in the tribute registry of ancient Athens, Athens for the year 434/3 BCE, where it paid a ''phoros'' of 3000 ancient Greek drachma, drachmas jointly with the cities of Cithas, Gigonus, Smila (Macedonia), Smila and Lisaea.Inscriptiones Graecae, IG]I³ 278, col. VI,30./ref> Its site is unlocated, but probably in Bottiaea. References

Populated places in ancient Macedonia Former populated places in Greece Geography of ancient Chalcidice Members of the Delian League Lost ancient cities and towns Bottiaea {{AncientMacedonia-geo-stub ...
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Imzad
The imzad (alternately amzad) is a single-string bowed instrument used by the Tuareg people in Africa. Its body is made out of a calabash Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed ... or wood which is covered by animal skin. The strings are made from horse hair and are connected near the neck, and runs over a two-part bridge. The round bow is also equipped with horse hair. The imzad is only played by the women for example to accompany songs, often during an evening ceremony called '' takket''. However, there are modern attempts to promote the instrument as inherent to Tuareg culture. References External links * Project page "Sauver l'imzad" with images and music examples {{Authority control Violins Tuareg musical instruments ...
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Call-and-response
Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of antiphony. African cultures In some African cultures, call-and-response is a widespread pattern of democratic participation—in public gatherings, in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression (see call and response in music). African bondsmen and bondswomen in the Americas continued this practice over the centuries in various forms of expression—in religious observance; public gatherings; even in children's rhymes; and, most notably, in music in its multiple forms: blues, gospel, rhythm and blues, soul, jazz, hip-hop and go-go. Many work songs sung on plantations by enslaved men and women also incorporate the call and response format. African-American Women Work Son ...
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Ballads
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ...
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United Nations
The United Nations (UN) is an intergovernmental organization whose stated purposes are to maintain international peace and international security, security, develop friendly relations among nations, achieve international cooperation, and be a centre for harmonizing the actions of nations. It is the world's largest and most familiar international organization. The UN is headquarters of the United Nations, headquartered on extraterritoriality, international territory in New York City, and has other main offices in United Nations Office at Geneva, Geneva, United Nations Office at Nairobi, Nairobi, United Nations Office at Vienna, Vienna, and Peace Palace, The Hague (home to the International Court of Justice). The UN was established after World War II with Dumbarton Oaks Conference, the aim of preventing future world wars, succeeding the League of Nations, which was characterized as ineffective. On 25 April 1945, 50 governments met in San Francisco for United Nations Conference ...
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Susan McKeown
Susan McKeown (born February 6, 1967) is an Irish folk singer, songwriter, arranger and producer. Early years Susan McKeown was born on February 6, 1967 in Terenure, Dublin, Ireland. She briefly attended the Municipal College of Music, Chatham Row, Dublinnow incorporated into the Dublin Institute of Technology)as a teenager before abandoning a potential career in opera order to sing folk and rock. Together with John Doyle, McKeown formed The Chanting House in 1989. Mainly performing as a duo, they toured Europe with Donogh Hennessy and other musicians, playing original songs and traditional tunes. They released a cassette-only album titled ''The Chanting House'' in 1990. Move to New York Upon graduating from University College Dublin, McKeown was awarded a scholarship to attend the American Musical and Dramatic Academy in Manhattan. In 1990, with a bursary from the Arts Council of Ireland, she relocated to New York City. Doyle followed and they were soon to join forces with Se ...
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Baba Salah
Baba and similar words may refer to: Places * Baba mountain range, also known as ''Koh-i-Baba'', in the Hindu Kush of Afghanistan * Baba Canton, a canton in Los Ríos Province, Ecuador * Baba, Iran, a village in Kurdistan Province * Baba, Kohgiluyeh and Boyer-Ahmad, a village in Kohgiluyeh and Boyer-Ahmad Province, Iran * Baba, Masovian Voivodeship (east-central Poland) * Baba, Mogilno County in Kuyavian-Pomeranian Voivodeship (north-central Poland) * Baba, Rypin County in Kuyavian-Pomeranian Voivodeship (north-central Poland) * Baba, Greater Poland Voivodeship (west-central Poland) * Baba, a village in Horea Commune, Alba County, Romania * Baba, a village in Coroieni Commune, Maramureș County, Romania * Baba, a tributary of the river Ghelința in Covasna County, Romania * Baba, a tributary of the river Putna in Vrancea County, Romania * Baba River (Ouham), in Central African Republic, a tributary of the Ouham River * Baba River, in North Macedonia, noted for Kolešino Falls ...
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Lo'Jo
Lo'Jo (formerly Lo'Jo Triban) is a French band, gathering a group of France-based musicians of various origins, performing and recording a blend of world music, with strong gipsy, North African as well as French folk elements. History The band was founded in 1982 in Angers, France, by singer/keyboardist Denis Péan and Richard Bourreau (violin/kora). These two have remained central to Lo'Jo throughout their history. For several years, with a rotating cast of members, they played events locally, working with acrobats, street theatre, mime, dancers and film as part of their overall presentation. They have subsequently maintained a communal lifestyle, based in Angers. By the end of the 1980s, they were playing throughout Europe and had appeared in New York as part of an artists' collective. Including Nicholas 'Kham' Meslien (bass) and Matthieu Rousseau (drums) (later replaced by Franck Vaillant), they consolidated their line-up, and their first album, ''Fils de Zamal'', was relea ...
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