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Il Castello Di Kenilworth
(or, under its original name in 1829, ''Elisabetta al castello di Kenilworth'')Ashbrook and Hibberd (2001), p. 229 is a ''melodramma serio'' or tragic opera in three acts by Gaetano Donizetti. Andrea Leone Tottola wrote the Italian libretto after Victor Hugo's play ' (1828) and Eugène Scribe's play ''Leicester'', both of which following from Sir Walter Scott's novel ''Kenilworth'' (1821). Daniel Auber composed another opera on the same subject, '' Leicester, ou Le chateau de Kenilworth'' in 1823. This opera was the first of Donizetti's excursions into the Tudor period of English history, and it was followed in 1830 by ''Anna Bolena'', (which was based on the life of Anne Boleyn, the second wife of King Henry VIII), then by ''Maria Stuarda'' (named for Mary, Queen of Scots) which appeared in different forms in 1834 and 1835. All represented the interests (even obsessions) of many Italian composers of the era, Donizetti's included, in the character of Elizabeth I, whose life he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy '' Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary, Queen Of Scots
Mary, Queen of Scots (8 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 until her forced abdication in 1567. The only surviving legitimate child of James V of Scotland, Mary was six days old when her father died and she inherited the throne. During her childhood, Scotland was governed by regents, first by the heir to the throne, James Hamilton, Earl of Arran, and then by her mother, Mary of Guise. In 1548, she was betrothed to Francis, the Dauphin of France, and was sent to be brought up in France, where she would be safe from invading English forces during the Rough Wooing. Mary married Francis in 1558, becoming queen consort of France from his accession in 1559 until his death in December 1560. Widowed, Mary returned to Scotland in August 1561. Following the Scottish Reformation, the tense religious and political climate that Mary encountered on her return to Scotland was further agitated b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Equerry
An equerry (; from French 'stable', and related to 'squire') is an officer of honour. Historically, it was a senior attendant with responsibilities for the horses of a person of rank. In contemporary use, it is a personal attendant, usually upon a sovereign, a member of a royal family, or a national representative. The role is equivalent to an aide-de-camp, but the term is now prevalent only in the Commonwealth of Nations. Australia Australian equerries are commissioned officers in the Australian Defence Force, appointed on an ''ad hoc'' basis to the King of Australia, Governor General, state governors or to visiting foreign heads of state. Canada Canadian equerries are drawn from the commissioned officers of the Canadian Armed Forces, and are most frequently appointed to serve visiting members of the Canadian Royal Family. The equerry appointed for the King of Canada is a senior officer, typically a major or a lieutenant-commander, while the equerry appointed for a child o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigia Boccabadati
Luigia Boccabadati (1800-12 Oct 1850) was an Italian operatic soprano. Elizabeth Forbes. ''The Grove Dictionary of Music and Musicians'', 2001. Born in Modena, Boccabadati made her professional opera debut at the Teatro Regio di Parma in 1817. She then appeared in opera houses in Venice and Rome. She performed the roles of Giulietta in Nicola Vaccai's '' Giulietta e Romeo'' and the title heroine in Giacomo Meyerbeer’s ''Margherita d'Anjou'' at La Scala in 1826. She went on to appear in five world premiere in operas by Gaetano Donizetti in Naples, singing Amelia in ''Il castello di Kenilworth'' (1829), Sela in '' Il diluvio universale'' (1830), Cristina in '' I pazzi per progetto'' (1830), the title role in '' Francesca di Foix'' (1831), and Chiarina in '' La romanziera e l'uomo nero'' (1831). She retired from the stage in 1844 and died in Turin Turin ( , Piedmontese: ; it, Torino ) is a city and an important business and cultural centre in Northern Italy. It is the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amy Robsart
Amy, Lady Dudley (née Robsart; 7 June 1532 – 8 September 1560) was the first wife of Robert Dudley, Earl of Leicester, favourite of Elizabeth I of England. She is primarily known for her death by falling down a flight of stairs, the circumstances of which have often been regarded as suspicious. Robsart was the only child of a substantial Norfolk gentleman. In the vernacular of the day, her name was spelled as Amye Duddley. At nearly 18 years of age, she married Robert Dudley, a son of John Dudley, 1st Duke of Northumberland. In 1553, Robert Dudley was condemned to death and imprisoned in the Tower of London, where Amy Dudley was allowed to visit him. After his release the couple lived in straitened financial circumstances until, with the accession of Elizabeth I in late 1558, Dudley became Master of the Horse, an important court office. The Queen soon fell in love with him and there was talk that Amy Dudley, who did not follow her husband to court, was suffering fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni David
Giovanni David (15 September 1790 in Naples – 1864 in Saint Petersburg) was an Italian tenor particularly known for his roles in Rossini operas. Overview David (also known as Davide) was the son of the tenor Giacomo David, with whom he studied. He made his operatic début in Siena in 1808 in ''Adelaide de Guesclino'' by Johann Simon Mayr. He is notable for the principal roles written for him by Gioachino Rossini, mostly for Domenico Barbaia's theatres in Naples: *Narciso in '' Il turco in Italia'' (1814) *Rodrigo in ''Otello'' (1816) *Ricciardo in '' Ricciardo e Zoraide'' (1818) *Oreste in ''Ermione'' (1819) *Uberto (James IV of Scotland) in '' La donna del lago'' (1819) *Ilo in '' Zelmira'' (1822) He also created the roles of Fernando in the revised version of Bellini's '' Bianca e Fernando'' (1828) and Leicester in Donizetti's '' Il castello di Kenilworth'' (1829). David was noted for his vocal range of almost 3 octaves in performance (up to b′&prime). However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Dudley, 1st Earl Of Leicester
Robert Dudley, 1st Earl of Leicester, (24 June 1532 – 4 September 1588) was an English statesman and the favourite of Elizabeth I from her accession until his death. He was a suitor for the queen's hand for many years. Dudley's youth was overshadowed by the downfall of his family in 1553 after his father, The 1st Duke of Northumberland, had failed to prevent the accession of Mary I. Robert Dudley was condemned to death but was released in 1554 and took part in the Battle of St. Quentin under Mary's husband and co-ruler, Philip, which led to his full rehabilitation. On Elizabeth I's accession in November 1558, Dudley was appointed Master of the Horse. In October 1562, he became a privy councillor and, in 1587, was appointed Lord Steward of the Royal Household. In 1564, Dudley became Earl of Leicester and, from 1563, one of the greatest landowners in North Wales and the English West Midlands by royal grants. The earl of Leicester was one of Elizabeth's leading statesm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Tosi
Adelaide Tosi ( – 27 March 1859) was an Italian operatic soprano. Born in Milan, Tosi studied singing with Girolamo Crescentini. She made her professional debut in her native city on 26 December 1820, singing Ippolito in Simon Mayr's '' Fedra''.Ashbrook (1982), p. 612, note 149. On 12 March 1822 she portrayed Azema in the premiere of Giacomo Meyerbeer's ''L'esule di Granata'' at La Scala. Her debut in Naples was on 29 September 1824 at the Teatro di San Carlo in the premiere of Giovanni Pacini's '' Alessandro nelle Indie''. On 7 April 1828, she portrayed Bianca in Vincenzo Bellini's '' Bianca e Fernando'' for the grand opening of the Teatro Carlo Felice in Genoa. She returned to that house later that season to sing Pamira in Gioachino Rossini's ''Le siège de Corinthe''. She went on to portray roles in three world premieres of operas by Gaetano Donizetti in Naples: Argelia in ''L'esule di Roma'' (1828), Neala in ''Il paria'' (1829), and Elisabetta in '' Il castello di Kenilworth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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