|
Idealism (art)
In the arts, Idealism encourages imagination and attempts to realize a mental conception of beauty, a standard of perfection. Juxtaposed to aesthetic Naturalism (philosophy), naturalism and Realism (arts), realism. See also * Jean Delville * Le Fils des étoiles * Vienna School of Art History References {{DEFAULTSORT:Idealism (Arts) Art movements Visual arts theory Art history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naturalism (philosophy)
In philosophy, naturalism is the idea or belief that only natural laws and forces (as opposed to supernatural ones) operate in the universe. According to philosopher Steven Lockwood, naturalism can be separated into an ontological sense and a methodological sense. "Ontological" refers to ontology, the philosophical study of what exists. On an ontological level, philosophers often treat naturalism as equivalent to materialism. For example, philosopher Paul Kurtz argues that nature is best accounted for by reference to material principles. These principles include mass, energy, and other physical and chemical properties accepted by the scientific community. Further, this sense of naturalism holds that spirits, deities, and ghosts are not real and that there is no "purpose" in nature. This stronger formulation of naturalism is commonly referred to as ''metaphysical naturalism''. On the other hand, the more moderate view that naturalism should be assumed in one's working methods ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Delville
Jean Delville (19 January 1867 – 19 January 1953) was a Belgian symbolist painter, author, poet, polemicist, teacher, and Theosophist. Delville was the leading exponent of the Belgian Idealist movement in art during the 1890s. He held, throughout his life, the belief that art should be the expression of a higher spiritual truth and that it should be based on the principle of Ideal, or spiritual Beauty. He executed a great number of paintings during his active career from 1887 to the end of the second World War (many now lost or destroyed) expressing his Idealist aesthetic. Delville was trained at the ''Académie des Beaux-arts'' in Brussels and proved to be a highly precocious student, winning most of the prestigious competition prizes at the Academy while still a young student. He later won the Belgian Prix de Rome which allowed him to travel to Rome and Florence and study at first hand the works of the artists of the Renaissance. During his time in Italy he created his celeb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Fils Des étoiles
''Le Fils des étoiles'' (''The Son of the Stars'') is an incidental music score composed in December 1891 by Erik Satie to accompany a three-act poetic drama of the same name by Joséphin Péladan. It is a key work of Satie's "Rosicrucian" period (1891–1895) and played a role in his belated "discovery" by the French musical establishment in the 1910s. Satie provided some 75 minutes' worth of music for Péladan's play, apparently intended for flutes and harps, and this represents his longest through-composed surviving score. However, only his three short act ''Preludes'' were performed at the premiere in Paris on March 22, 1892. Satie subsequently arranged the ''Preludes'' for solo piano and published them in 1896. It is through these keyboard excerpts that the music for ''Le Fils des étoiles'' is primarily known. The ''Preludes'' have been cited as among Satie's most radical compositions, with their forward-looking explorations of quartal harmony and the composer's conception ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna School Of Art History
{{Distinguish, Vienna School of History The Vienna School of Art History (german: Wiener Schule der Kunstgeschichte) was the development of fundamental art-historical methods at the University of Vienna. This school was not actually a dogmatically unified group, but rather an intellectual evolution extending over a number of generations, in which a series of outstanding scholars each built upon the achievements of their forerunners, while contributing their own unique perspectives. Essential elements of this evolution became fundamental for modern art history, even if the individual methods can today no longer claim absolute validity. A characteristic trait of the Vienna School was the attempt to put art history on a "scientific" ("wissenschaftlich") basis by distancing art historical judgements from questions of aesthetic preference and taste, and by establishing rigorous concepts of analysis through which all works of art could be understood. Nearly all of the important representa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movements
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality (figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy (abstract art). Concept According to theories associated with modernism and the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. The peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Arts Theory
The visual system comprises the sensory organ (the eye) and parts of the central nervous system (the retina containing photoreceptor cells, the optic nerve, the optic tract and the visual cortex) which gives organisms the sense of sight (the ability to detect and process visible light) as well as enabling the formation of several non-image photo response functions. It detects and interprets information from the optical spectrum perceptible to that species to "build a representation" of the surrounding environment. The visual system carries out a number of complex tasks, including the reception of light and the formation of monocular neural representations, colour vision, the neural mechanisms underlying stereopsis and assessment of distances to and between objects, the identification of a particular object of interest, motion perception, the analysis and integration of visual information, pattern recognition, accurate motor coordination under visual guidance, and more. The neu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
