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István Sárközy
István Sárközy (26 November 1920 – 6 July 2002) was a Hungarian classical composer, music critic, editor and academic teacher. His compositions date from the 1940s to 1979, and include works for musical theatre, choral works and songs, orchestral and chamber works, and works for piano. Notable examples include the stage works ''Liliomfi'' (1950) and ''Szelistyei asszonyok'' (''The Women of Szelistye''; 1951), the chamber cantata ''Júlia énekek'' (''Julia Songs''; 1956), the overture ''Az ifjúsághoz'' (''To Youth''; 1957), and the Sinfonia concertante for clarinet and strings (1963). He taught at the Franz Liszt Academy of Music from 1959. Biography Sárközy was born in the Pesterzsébet suburb of Budapest in 1920. As a youth, he studied the piano with Lula Földessy-Hermann. He trained in composition with the composers Zoltán Kodály, Ferenc Farkas and János Viski at Budapest's Higher Music School (1938–39) and the Franz Liszt Academy of Music, Budapest (from 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to List of classical and art music traditions, non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and Harmony, harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated music notation, notational system, as well as accompanying literature in music analysis, analytical, music criticism, critical, Music history, historiographical, musicology, musicological and Philosophy of music, philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoltán Kodály
Zoltán Kodály (, ; , ; 16 December 1882 – 6 March 1967) was a Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education. Life Born in Kecskemét, Kingdom of Hungary, Kodály learned to play the violin as a child. In 1900, he entered the Department of Languages at the University of Budapest and at the same time Hans von Kössler's composition class at the Royal Hungarian Academy of Music. After completing his studies, he studied in Paris with Charles-Marie Widor for a year. In 1905 he visited remote villages to collect songs, recording them on phonograph cylinders. In 1906 he wrote a thesis on Hungarian folk song, "Strophic Construction in Hungarian Folksong". At around this time Kodály met fellow composer and compatriot Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Kurtág
György Kurtág (; born 19 February 1926) is a Hungarian composer of contemporary classical music and pianist. According to ''Grove Music Online'', with a style that draws on " Bartók, Webern and, to a lesser extent, Stravinsky, his work is characterized by compression in scale and forces, and by a particular immediacy of expression". In 2023 he was described as "one of the last living links to the defining postwar composers of the European avant-garde". He was an academic teacher of piano at the Franz Liszt Academy of Music from 1967, later also of chamber music, and taught until 1993. Life and career György Kurtág was born on 19 February 1926 in Lugoj, Romania, to Jewish Hungarian parents. From the age of 14, he took piano lessons from Magda Kardos and studied composition with Max Eisikovits in Timișoara. He moved to Budapest in 1946 and became a Hungarian citizen in 1948. There, he began his studies at the Franz Liszt Academy of Music, where he met his wife, Márta Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of California Press
The University of California Press, otherwise known as UC Press, is a publishing house associated with the University of California that engages in academic publishing. It was founded in 1893 to publish scholarly and scientific works by faculty of the University of California, established 25 years earlier in 1868. As the publishing arm of the University of California system, the press publishes over 250 new books and almost four dozen multi-issue journals annually, in the humanities, social sciences, and natural sciences, and maintains approximately 4,000 book titles in print. It is also the digital publisher of Collabra and Luminos open access (OA) initiatives. The press has its administrative office in downtown Oakland, California, an editorial branch office in Los Angeles, and a sales office in New York City, New York, and distributes through marketing offices in Great Britain, Asia, Australia, and Latin America. A Board consisting of senior officers of the University of Cali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Endre Szervánszky
Endre Szervánszky (27 December 191125 June 1977) was a Hungarian composer. Biography Szervánszky was born in Kistétény and studied the clarinet at the Budapest Academy of Music (1922–27). He played in various orchestras before returning to the academy to study composition with Albert Siklós (1931–36). He then worked as an orchestrator for the Hungarian Radio and taught musical theory. He was appointed professor of composition at the Budapest Academy in 1948. Szervánszky first came to public attention with his First String Quartet (1936–38) and his works of this period were influenced by his compatriots, Zoltán Kodály and Béla Bartók. Works for this time include the Clarinet Serenade (1950) and the Flute Concerto (1952–53). From the early 1950s Szervánszky embarked on a series of larger compositions, one of the longest being the Concerto for Orchestra in memory of Attila József. Each of the concerto's five movements is based on a quotation from József. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. Other types of serialism also work with sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called " parameters"), such as duration, dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architecture, and the musical concept has also been adapted in literature. Integral serialism or total serialism is the use of series for aspects su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
