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Isabella, Or The Pot Of Basil
''Isabella, or the Pot of Basil'' (1818) is a narrative poem by John Keats adapted from a story in Boccaccio's ''Decameron'' (IV, 5). It tells the tale of a young woman whose family intend to marry her to "some high noble and his olive trees", but who falls for Lorenzo, one of her brothers' employees. When the brothers learn of this, they murder Lorenzo and bury his body. His ghost informs Isabella in a dream. She exhumes the body and buries the head in a pot of basil which she tends obsessively, while pining away. The poem was a precursor to '' The Eve of Saint Agnes''. Both are set in the Middle Ages and concern passionate and dangerous romances. It was published in 1820 along with the latter work and others. The poem was popular with Pre-Raphaelite painters, who illustrated several episodes from it, notably ''Isabella and the Pot of Basil'' by William Holman Hunt, ''Isabella and the Pot of Basil'' by John William Waterhouse and '' Isabella'' (also known as ''Lorenzo and Isabe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella (Millais Painting)
''Isabella'' (1848-1849) is a painting by John Everett Millais, which was his first exhibited work in the Pre-Raphaelite style, completed shortly after the formation of the Pre-Raphaelite Brotherhood in 1848. It was first exhibited at the Royal Academy in 1849, and is now in the collection of the Walker Art Gallery in Liverpool. Subject The painting illustrates an episode from Giovanni Boccaccio's Decameron novel ''Lisabetta e il testo di bassilico'' (1349 - 1353), reprised by John Keats's poem, ''Isabella, or the Pot of Basil'', which describes the relationship between Isabella, the sister of wealthy medieval merchants, and Lorenzo, an employee of Isabella's brothers. It depicts the moment at which Isabella's brothers realise that there is a romance between the two young people, and plot to murder Lorenzo so they can marry Isabella to a wealthy nobleman. Isabella, wearing grey at the right, is being handed a blood orange on a plate by the doomed Lorenzo. A cut blood orange is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1818 Poems
Events January–March * January 1 ** Battle of Koregaon: Troops of the British East India Company score a decisive victory over the Maratha Empire. ** Mary Shelley's ''Frankenstein'' is published anonymously in London. * January 2 – The British Institution of Civil Engineers is founded. * January 3 (21:52 UTC) – Venus occults Jupiter. It is the last occultation of one planet by another before November 22, 2065. * January 6 – The Treaty of Mandeswar brings an end to the Third Anglo-Maratha War, ending the dominance of Marathas, and enhancing the power of the British East India Company, which controls territory occupied by 180 million Indians. * January 11 – Percy Bysshe Shelley's '' Ozymandias'' is published pseudonymously in London. * January 12 – The Dandy horse (''Laufmaschine'' bicycle) is invented by Karl Drais in Mannheim. * February 3 – Jeremiah Chubb is granted a British patent for the Chubb detector lock. * February 5 – Upon his death, Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetry By John Keats
Poetry (derived from the Greek '' poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the '' Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Poems
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *'' Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Bridge
Frank Bridge (26 February 187910 January 1941) was an English composer, violist and conductor. Life Bridge was born in Brighton, the ninth child of William Henry Bridge (1845-1928), a violin teacher and variety theatre conductor, formerly a master lithographic printer from a family of cordwainers, and his second wife, Elizabeth (née Warbrick; 1849-1899). His father "ruled the household with a rod of iron", and was insistent that his son spend regular long hours practising the violin; when Frank became sufficiently skilled, he would play with his father's pit bands, conducting in his absence, also arranging music and standing in for other instrumentalists. He studied at the Royal College of Music in London from 1899 to 1903 under Charles Villiers Stanford and others. He played in a number of string quartets, including second violin for the Grimson Quartet and viola for the English String Quartet (along with Marjorie Hayward). He also conducted, sometimes deputising for Henr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts, Boston
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John White Alexander
John White Alexander (7 October 1856 – 31 May 1915) was an American portrait, figure, and decorative painter and illustrator. Early life Alexander was born in Allegheny, Pennsylvania, now a part of Pittsburgh, Pennsylvania. Orphaned in infancy, he was reared by his grandparents and, at the age of 12, became a telegraph boy in Pittsburgh. Edward J. Allen became an early supporter and patron of John W. Alexander, adopting the orphaned Alexander while he worked at the Pacific and Atlantic Telegraph Co. as a young man. Allen brought Alexander to the Allen home at "Edgehill" where Alexander painted various members of the Allen family, including Colonel Allen. His talent at drawing attracted the attention of one of his employers, who assisted him to develop them. Training He moved to New York City at the age of 18 and worked in an office at ''Harper's Weekly'', where he was an illustrator and political cartoonist at the same time that Abbey, Pennell, Pyle, and other celebrated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting '' Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, '' Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John William Waterhouse
John William Waterhouse (6 April 184910 February 1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Many of his paintings are based on authors such as Homer, Ovid, Shakespeare, Tennyson, or Keats. Waterhouse's work is displayed in many major art museums and galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009. Biography Early life Waterhouse was born in the city of Rome to English painters William and Isabella Wat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the '' Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular " Ode to a Nightingale", " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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