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Inharmonic Waveform
In music, inharmonicity is the degree to which the frequencies of overtones (also known as partials or partial tones) depart from whole multiples of the fundamental frequency ( harmonic series). Acoustically, a note perceived to have a single distinct pitch in fact contains a variety of additional overtones. Many percussion instruments, such as cymbals, tam-tams, and chimes, create complex and inharmonic sounds. Music harmony and intonation depends strongly on the harmonicity of tones. An ideal, homogeneous, infinitesimally thin or infinitely flexible string or column of air has exact harmonic modes of vibration. In any real musical instrument, the resonant body that produces the music tone—typically a string, wire, or column of air—deviates from this ideal and has some small or large amount of inharmonicity. For instance, a very thick string behaves less as an ideal string and more like a cylinder (a tube of mass), which has natural resonances that are not whole num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Inharmonic Spectrum
A bell /ˈbɛl/ () is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roughness (psychophysics)
Roughness is studied by examining how textures are perceived and encoded by an individual's somatosensory system. In an experiment to measure and compare the roughness of different sounds, listeners are presented with different sounds and asked to rate their roughness, for example on a rating scale. Recent research has displayed that there are two different codes, at least, for roughness: a vibrotactile code used for fine surfaces, and a spatial code used for coarse to medium surfaces. Details According to psychophysical theory, the roughness of a complex sound (a sound comprising many partials or pure tone components) depends on the distance between the partials measured in critical bandwidths. Any simultaneous pair of partials of about the same amplitude that is less than a critical bandwidth apart produces roughness associated with the inability of the basilar membrane to separate them clearly. Roughness is physiologically determined and therefore universal, but it is apprais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (acoustics)
In acoustics, a beat is an interference pattern between two sounds of slightly different frequencies, ''perceived'' as a periodic variation in volume whose rate is the difference of the two frequencies. With tuning instruments that can produce sustained tones, beats can be readily recognized. Tuning two tones to a unison will present a peculiar effect: when the two tones are close in pitch but not identical, the difference in frequency generates the beating. The volume varies as in a tremolo as the sounds alternately interfere constructively and destructively. As the two tones gradually approach unison, the beating slows down and may become so slow as to be imperceptible. As the two tones get further apart, their beat frequency starts to approach the range of human pitch perception, the beating starts to sound like a note, and a combination tone is produced. Mathematics and physics of beat tones This phenomenon is best known in acoustics or music, though it can be found in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Tuning
Piano tuning is the process of adjusting the tension of the strings of an acoustic piano so that the musical intervals between strings are in tune. The meaning of the term 'in tune', in the context of piano tuning, is not simply a particular fixed set of pitches. Fine piano tuning requires an assessment of the vibration interaction among notes, which is different for every piano, thus in practice requiring slightly different pitches from any theoretical standard. Pianos are usually tuned to a modified version of the system called equal temperament. (See Piano key frequencies for the theoretical piano tuning.) In all systems of tuning, every pitch may be derived from its relationship to a chosen fixed pitch, which is usually A440 (440 Hz), the note A above middle C. For a classical piano and musical theory, the middle C is usually labelled as C4 (as in scientific pitch notation); However, in the MIDI standard definition this middle C (261.626 Hz) is labelled C3. In pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stretched Tuning
Stretched tuning is a detail of musical tuning, applied to wire-stringed musical instruments, older, non-digital electric pianos (such as the Fender Rhodes piano and Wurlitzer electric piano), and some sample-based synthesizers based on these instruments, to accommodate the natural inharmonicity of their vibrating elements. In stretched tuning, two notes an octave apart, whose fundamental frequencies theoretically have an exact 2:1 ratio, are tuned slightly farther apart (a stretched octave). If the frequency ratios of octaves are greater than a factor of 2, the tuning is ''stretched''; if smaller than a factor of 2, it is ''compressed''." ''Melodic stretch'' refers to tunings with fundamentals stretched relative to each other, while ''harmonic stretch'' refers to tunings with harmonics stretched relative to fundamentals which are not stretched.Hartmann (1997), p.276. For example, the piano features both stretched harmonics and, to accommodate those, stretched fundamentals. Fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standing Wave
In physics, a standing wave, also known as a stationary wave, is a wave that oscillates in time but whose peak amplitude profile does not move in space. The peak amplitude of the wave oscillations at any point in space is constant with respect to time, and the oscillations at different points throughout the wave are in phase. The locations at which the absolute value of the amplitude is minimum are called node (physics), nodes, and the locations where the absolute value of the amplitude is maximum are called antinodes. Standing waves were first described scientifically by Michael Faraday in 1831. Faraday observed Faraday wave, standing waves on the surface of a liquid in a vibrating container. Franz Melde coined the term "standing wave" (German: ''stehende Welle'' or ''Stehwelle'') around 1860 and demonstrated the phenomenon in his classic experiment with vibrating strings. This phenomenon can occur because the medium is moving in the direction opposite to the movement of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dispersion Relation
In the physical sciences and electrical engineering, dispersion relations describe the effect of dispersion on the properties of waves in a medium. A dispersion relation relates the wavelength or wavenumber of a wave to its frequency. Given the dispersion relation, one can calculate the frequency-dependent phase velocity and group velocity of each sinusoidal component of a wave in the medium, as a function of frequency. In addition to the geometry-dependent and material-dependent dispersion relations, the overarching Kramers–Kronig relations describe the frequency-dependence of wave propagation and attenuation. Dispersion may be caused either by geometric boundary conditions ( waveguides, shallow water) or by interaction of the waves with the transmitting medium. Elementary particles, considered as matter waves, have a nontrivial dispersion relation, even in the absence of geometric constraints and other media. In the presence of dispersion, a wave does not propagate with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stiffness
Stiffness is the extent to which an object resists deformation in response to an applied force. The complementary concept is flexibility or pliability: the more flexible an object is, the less stiff it is. Calculations The stiffness, k, of a body is a measure of the resistance offered by an elastic body to deformation. For an elastic body with a single degree of freedom (DOF) (for example, stretching or compression of a rod), the stiffness is defined as k = \frac where, * F is the force on the body * \delta is the displacement produced by the force along the same degree of freedom (for instance, the change in length of a stretched spring) Stiffness is usually defined under quasi-static conditions, but sometimes under dynamic loading. In the International System of Units, stiffness is typically measured in newtons per meter (N/m). In Imperial units, stiffness is typically measured in pounds (lbs) per inch. Generally speaking, deflections (or motions) of an infinitesima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tension (physics)
Tension is the pulling or stretching force transmitted axially along an object such as a string, rope, chain, rod, truss member, or other object, so as to stretch or pull apart the object. In terms of force, it is the opposite of ''compression''. Tension might also be described as the action-reaction pair of forces acting at each end of an object. At the atomic level, when atoms or molecules are pulled apart from each other and gain potential energy with a restoring force still existing, the restoring force might create what is also called tension. Each end of a string or rod under such tension could pull on the object it is attached to, in order to restore the string/rod to its relaxed length. Tension (as a transmitted force, as an action-reaction pair of forces, or as a restoring force) is measured in newtons in the International System of Units (or pounds-force in Imperial units). The ends of a string or other object transmitting tension will exert forces on the objects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a synthetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
