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Indian Classical Music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ''Hindustani classical music, Hindustani'' and the South Indian expression known as ''Carnatic classical music, Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal Empire, Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is ''Odissi music'', which has evolved over the last two thousand years. The roots of the classical music of India are found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Music
Art music (alternatively called classical music, cultivated music, serious music, and canonic music) is music considered to be of high culture, high phonoaesthetic value. It typically implies advanced structural and theoretical considerationsJacques Siron, "Musique Savante (Serious music)", ''Dictionnaire des mots de la musique'' (Paris: Outre Mesure): 242. or a written musical tradition.Denis Arnold, "Art Music, Art Song", in ''The New Oxford Companion to Music, Volume 1: A–J'' (Oxford and New York: Oxford University Press, 1983): 111. In this context, the terms "serious" or "cultivated" are frequently used to present a contrast with ordinary, everyday music (i.e. popular music, popular and folk music, also called "vernacular music"). List of classical and art music traditions, Many cultures have art music traditions; in the Western world, the term typically refers to Western classical music. Definition In Western literature, "Art music" is mostly used to refer to music des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedanga
The Vedanga ( ', "limb of the Veda-s"; plural form: वेदाङ्गानि ') are six auxiliary disciplines of Vedic studies that developed in Vedic and post-Vedic times.James Lochtefeld (2002), "Vedanga" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , pages 744-745 List of the Vedanga #Shiksha (Sanskrit: शिक्षा ', "instruction, teaching"): phonetics, phonology, pronunciation. This auxiliary discipline has focused on the letters of the Sanskrit alphabet, accent, quantity, stress, melody and rules of euphonic combination of words during a Vedic recitation. # Chanda (Sanskrit: छन्द ', "metre"): prosody.James Lochtefeld (2002), "Chandas" in The Illustrated Encyclopedia of Hinduism, Vol. 1: A-M, Rosen Publishing, , page 140 This auxiliary discipline has focused on the poetic meters, including those based on fixed number of syllables per verse, and those based on fixed number of morae per verse. # Vyakarana (Sanskrit: व्� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nirukta
''Nirukta'' (, , "explained, interpreted") is one of the six ancient Vedangas, or ancillary science connected with the Vedas – the scriptures of Hinduism.James Lochtefeld (2002), "Nirukta" in The Illustrated Encyclopedia of Hinduism, Vol. 2: N–Z, Rosen Publishing, , page 476 Nirukta covers etymology, and is the study concerned with correct interpretation of Sanskrit words in the Vedas. ''Nirukta'' is the systematic creation of a glossary and it discusses how to understand archaic, uncommon words. The field grew probably because almost a quarter of words in the Vedic texts composed in the 2nd-millennium BCE appear just once. Date The study of ''Nirukta'' can be traced to the last centuries of the 2nd-millennium BCE Brahmanas layer of the Vedic texts. The most celebrated scholar of this field is , who wrote the ''Nighaṇṭu'' (book of glossary), the first book on this field. His text is also referred simply as ''Nirukta''. The study of ''Nirukta'' has been closely related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yāska
Yāska (7th–5th century BCE) was an ancient Indian grammarian and Vedic linguist. Preceding Pāṇini (7th–4th century BCE), he is traditionally identified as the author of '' Nirukta,'' the discipline of "etymology" (explanation of words) within the Sanskrit grammatical tradition, and the '' Nighantu'', the oldest proto-thesaurus in India. Nirukta is one of the six Vedāṅgas (limbs of the Veda) in Hinduism. Yaska is widely regarded as the precursive founder of the discipline of what would become etymology in both the East and the West. Dating Pāṇini cites at least ten grammarians and linguists before him. According to Sumitra Mangesh Katre, the ten Vedic scholar names he quotes are of Apisali, Kashyapa, Gargya, Galava, Cakravarmana, Bharadvaja, Sakatayana, Sakalya, Senaka and Sphotayana. Determining the exact century of Yaska is difficult, and opinions of different scholars vary from 7th–5th century BC. Contribution Yaska is the author of the '' Nirukta'', a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In Ancient India
Music in ancient India, can be reproduced from written works dating to the Indian classical period, such as the '' Nātya Shastra'', and through surviving examples of liturgical music such as the hymns of the Samaveda. Musical instruments dating to the prehistoric period have been recovered from archaeological excavations. Prehistoric music Archaeological discoveries Musical instruments, such as the seven-holed flute and various types of stringed instruments such as ravanahatha, cymbals have been recovered from Indus Valley Civilization archaeological sites. Evidence suggests use of drum or dhol in the Indus Valley Civilization. There have not been a lot of depictions of musical instruments from IVC, but contemporary BMAC civilization which traded with it has archaeological depictions of lyre and many cylinderical drums were also discovered from Indus Valley. A kind of harp is also depicted in the Chalcolithic cave drawings of India along with Gong. There is also evidence of da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. * Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
In Western music theory, a chord is a group of notes played together for their harmony, harmonic Consonance and dissonance, consonance or dissonance. The most basic type of chord is a Triad (music), triad, so called because it consists of three distinct notes: the Root (chord), root note along with Interval (music), intervals of a Third (chord), third and a Fifth (chord), fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factor (chord), factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Music
Classical music generally refers to the art music of the Western world, considered to be #Relationship to other music traditions, distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" can also be applied to List of classical and art music traditions, non-Western art musics. Classical music is often characterized by formality and complexity in its musical form and Harmony, harmonic organization, particularly with the use of polyphony. Since at least the ninth century, it has been primarily a written tradition, spawning a sophisticated music notation, notational system, as well as accompanying literature in music analysis, analytical, music criticism, critical, Music history, historiographical, musicology, musicological and Philosophy of music, philosophical practices. A foundational component of Western culture, classical music is frequently seen from the perspective of individual or com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calendar
A calendar is a system of organizing days. This is done by giving names to periods of time, typically days, weeks, months and years. A calendar date, date is the designation of a single and specific day within such a system. A calendar is also a physical record (often paper) of such a system. A calendar can also mean a list of planned events, such as a court calendar, or a partly or fully chronological list of documents, such as a calendar of wills. Periods in a calendar (such as years and months) are usually, though not necessarily, synchronized with the cycle of the solar calendar, sun or the lunar calendar, moon. The most common type of pre-modern calendar was the lunisolar calendar, a lunar calendar that occasionally adds one intercalary month to remain synchronized with the solar year over the long term. Etymology The term ''calendar'' is taken from , the term for the first day of the month in the Roman calendar, related to the verb 'to call out', referring to the " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
