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Ileana Cotrubaș
Ileana Cotrubaș (; born 9 June 1939) is a Romanian operatic soprano whose career spanned from the 1960s to the 1980s. She was much admired for her acting skills and facility for singing opera in many different languages. Life and career Cotrubaș was born in Galați. She grew up in a musical family; her father, Vasile, was a tenor in an amateur choir. Cotrubaș' musical career began at the age of nine when she became a member of a children's radio choir. By the age of eleven, she was one of its leading soloists. In 1952, she moved to Bucharest to study at the ''Școala Specială de Muzică'' school for the musically gifted. Cotrubaș made her stage debut with the Bucharest Opera as Yniold in Debussy's '' Pelléas et Mélisande'' in 1964. She subsequently expanded her repertory to include roles such as Oscar in Verdi's '' Un ballo in maschera'', Gilda in ''Rigoletto'', and Blonde in Mozart's ''Die Entführung aus dem Serail'' and began appearing in productions throughout Europe. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galați
Galați ( , , ; also known by other #Etymology and names, alternative names) is the capital city of Galați County in the historical region of Western Moldavia, in eastern Romania. Galați is a port town on the river Danube. and the sixth-largest of all List of cities and towns on the river Danube, cities on the river Danube. According to the 2021 Romanian census, 2021 census it is the 8th most populous city in Romania. Galați is an economic centre based around the port of Galați, the Galaţi shipyard, naval shipyard, and the largest steel factory in Romania, Galați steel works. Etymology and names The name ''Galați'' is derived from the Cuman language, Cuman word . This word is ultimately borrowed from the Persian language, Persian word Qila, , "fortress". Other etymology, etymologies have been suggested, such as the Serbian language, Serbian . However, the ''galat'' root appears in nearby toponyms, some of which show clearly a Cuman origin, for example Gălățui Lake, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin State Opera
The Staatsoper Unter den Linden ( State Opera under the Lime Trees), also known as the Berlin State Opera (), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the world´s oldest state opera" and "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ('Royal Opera'), the company was renamed the ('Prussian State Opera') in 1919. After World War II it began operating as the national opera company for Communist East Germany, taking the name ('German State Opera') in 1955. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Knut Skram
Knut Skram (born 18 December 1937) is a Norwegian baritone. Considered one of the most important Norwegian opera singers of his generation, his career has spanned more than four decades. Life and career Born in the village of Sæbø in western Norway, Skram was one of the six children of Kari Totland and Asbjørn Skram, a pastor. When he was 19, he went to the United States to work on his uncle's ranch in Montana for a year. He then trained as an architect at Montana State University and concurrently studied singing there with the lyric baritone George Buckbee. In the summer before his final year at university he sang with Chautauqua Opera Company and a few months later won the Spokane district Metropolitan Opera Auditions for the second time. After a brief stint working as an architect in New York City, he returned to Norway to pursue his singing career. In 1964, following further singing study with Paul Lohmann in Wiesbaden and Luigi Ricci in Rome, he made his official stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Opera Of Chicago
Lyric Opera of Chicago is an American opera company based in Chicago, Illinois. The company was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox (Chicago opera), Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in ''Norma (opera), Norma''. Fox re-organized the company in 1956 under its present name. Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by Lyric. Opera in Chicago, 1850–1954 The first opera to be performed in Chicago was Bellini's ''La sonnambula'', presented by a traveling opera company on 29 July 1850. Chicago's first opera house opened in 1865 but was destroyed in the Great Fire of Chicago in 1871. The second opera house, the Chicago Auditorium, opened in 1889. In 1929, the current Civic Opera House on 20 North Wacker Drive was opened, though the Chicago Civic Opera Company itself collapsed in the Great Depression. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel ''Les amours du chevalier de Faublas'' and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, with Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, as "Ochs" means "ox", which describes the Baron's manner.) The opera has four main characters: the aristocratic Marschallin; her 17-year-old lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs's prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs's ''Rosenkavalier'' by presenting a ceremonial silver rose to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bohème
''La bohème'' ( , ) is an opera in four acts,Puccini called the divisions '':wikt:quadro, quadri'', ''wikt:tableau, tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''La Vie de Bohème, Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemianism, Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio (Turin), Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, 50 years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theatre (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the success of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Nozze Di Figaro
''The Marriage of Figaro'' (, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of the 20 operas featured, with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' (, ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. There are several recordings of it, and it is regularly performed. The work's title refers to the protagonist. Composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is a theatre in Covent Garden, central London. The building is often referred to as simply Covent Garden, after a previous use of the site. The ROH is the main home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House (now known collectively as the Royal Ballet and Opera). The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Calisto
''La Calisto'' is an Italian opera by Francesco Cavalli from a libretto by Giovanni Faustini based on the mythological story of Callisto (mythology), Callisto. The opera received its first performance on 28 November 1651 at the Teatro Sant'Apollinare, Venice, where it drew limited audiences for its run of eleven performances. In the twentieth century it was successfully revived. Libretto The libretto was published in 1651 by Giuliani and Batti. The story combines two myths: Jupiter's seduction of Calisto, and Diana's adventure with Endymion (mythology), Endymion. The plot is somewhat formulaic: Jane Glover has commented on how the librettist had to invent complications to meet audience expectations in the context of Venetian opera. Performance history Faustini, who was an impresario as well as a librettist, rented the Sant'Apollinare Theatre in 1650. He and Cavalli put on three operas there before his death in December 1651 during the run of ''La Calisto''. The theatre was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
