Ileana Cosânzeana
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Ileana Cosânzeana
Ileana Cosânzeana is a figure in Folklore of Romania, Romanian mythology. She is represented as a beautiful and good-natured princess or daughter of an Emperor,Ileana Cosanzeana
Petre Ispirescu, Great Romanian Characters, Retrieved 16 April 2017
or described as a fairy with immense powers.


Names

According to professor Nina Cuciuc, her name can also be translated or written as the following: Cosînzeana, Cosenzeana, Sânziana, Sînziana, Ileana Kossinzana, Hélène Cossinzana and Ileana Cosînzeana Sora Soarelui ("Sister of the Sun"). She can also be described as "Queen of Flowers". According to Adela Ileana Draucean, the name Ileana derives from Elena, and ''cosânzeana'' is linked to ''sânziană'', a Romanian holiday and another term to designate fairies in Romanian ...
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Bukura E Dheut
E Bukura e Dheut (the "Beauty of the Earth" or "Earthly Beauty") is an epithet in Albanian mythology and folklore, used in some traditions for a crafty fairy, and in other traditions for a chthonic/earth goddess, the counterpart of e Bukura e Detit (the Beauty of the Sea) and i Bukuri i Qiellit (the Beauty of the Sky). As a goddess of the underworld and at the same time a personification of springtime, the Beauty of the Earth is evidently an epithet of the Albanian equivalent of the Ancient Greek Persephone, which is considered to be Prende, the Albanian dawn goddess, goddess of love, beauty, fertility, health, and protector of women, also referred to as ''Zoja e Bukuris'' "Goddess/Lady of Beauty". In central Albanian folklore E Bukura e Dheut appears as the sister of e Bukura e Detit and the consort of Baba Tomor. The quest for the ''e Bukura e Dheut'' is a very popular and frequent motif in Albanian folktales: the princely hero must search for or rescue the Earthly Beauty, eve ...
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Mythological Princesses
Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by religious (when they are closely linked to religion or spirituality) and secular authorities. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. Etymology The word "myth" comes from Ancient G ...
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List Of Romanian Fairy Tales
Fairy tales are stories that range from those originating in folklore to more modern stories defined as literary fairy tales. This is a list of Romanian fairy tales: A *"Aleodor împărat" ("Emperor Aleodor"), by Petre Ispirescu B *"Băiatul care vorbea cu florile", by Petre Crăciun *"Balaurul cel cu șapte capete" *"Broasca țestoasă cea fermecată" ("The Enchanted Turtle") *"Băiatul cel bubos și ghigorțul" C *"Cămașa fermecată", by Petre Crăciun *"Călătorie în spicul de grâu", by Petre Crăciun *" Capra cu trei iezi", by Ion Creangă" *"Cei trei frați împărați" *"Cele douăsprezece fete de împărat și palatul cel fermecat" *"Cele trei rodii aurite", by Petre Ispirescu" *"Ciobănașul cel isteț sau țurloaiele blendei" *"Copiii văduvului și iepurele, vulpea, lupul și ursul" *"Cotoșman năzdrăvanu" D *"Departe, departe" *"Dochia" (Dimitrie Bolintineanu) *"Doi feți cu stea în frunte" ("The Boys with the Golden Stars"), by Ioan Slavici *"Două oale", ...
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Ileana Simziana
''Ileana Simziana'' or ''Ileana Sînziana'' (also translated to English as ''The Princess Who Would be a Prince or Iliane of the Golden Tresses'' and ''Helena Goldengarland'') is a Romanian fairy tale collected and written down by Petre Ispirescu between 1872 and 1886. It tells the story of an unnamed youngest daughter of an emperor, who dresses up as a man, goes to serve another emperor and rescues the titular princess Ileana. The protagonist later goes on a quest to obtain the Holy Water and is hit by a monk's curse that causes her to transform into a man, Făt-Frumos, a Prince Charming figure. Făt Frumos then marries Ileana in the happy ending. Synopsis The tale introduces an emperor with three daughters, who is sad that he didn't have a son. The oldest daughter goes to the emperor and asks him what problem he is having and tells him that she will go to serve another emperor as a soldier only to make him happy. Then the emperor makes a copper bridge and turns into a wolf. Th ...
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Dragonslayer
A dragonslayer is a person or being that slays dragons. Dragonslayers and the creatures they hunt have been popular in traditional stories from around the world: they are a type of story classified as type 300 in the Aarne–Thompson classification system. They continue to be popular in modern books, films, video games and other forms of entertainment. Dragonslayer-themed stories are also sometimes seen as having a chaoskampf themein which a heroic figure struggles against a monster that epitomises chaos. Description A dragonslayer is often the hero in a " Princess and dragon" tale. In this type of story, the dragonslayer kills the dragon in order to rescue a high-class female character, often a princess, from being devoured by it. This female character often then becomes the love interest of the account. One notable example of this kind of legend is the story of Ragnar Loðbrók, who slays a giant serpent, thereby rescuing the maiden, Þóra borgarhjörtr, whom he later ma ...
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Princess And Dragon
Princess and dragon is an Archetype, archetypical premise common to many legends, fairy tales, and chivalric romances. Northrop Frye identified it as a central form of the quest romance. The story involves an upper-class woman, generally a princess or similar high-ranking nobility, saved from a dragon, either a literal dragon or a similar danger, by the virtuous hero (see damsel in distress). She may be the first woman endangered by the peril, or may be the end of a long succession of women who were not of as high birth as she is, nor as fortunate. Normally the princess ends up married to the dragonslayer. The motifs of the hero who finds the princess about to be sacrificed to the dragon and saves her, the false hero who takes his place, and the final revelation of the true hero, are the identifying marks of the Aarne–Thompson folktale type 300, the Dragon-Slayer. They also appear in type 303, the Two Brothers. These two tales have been found, in different variants, in countrie ...
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Romanian Folklore
The folklore of Romania is the collection of traditions of the Romanians. A feature of Romanian culture is the special relationship between folklore and the learned culture, determined by two factors. First, the rural character of the Romanian communities resulted in an exceptionally vital and creative traditional culture. Folk creations (the best known is the ballad Miorița) were the main literary genre until the 18th century. They were both a source of inspiration for cultivated creators and a structural model. Second, for a long time learned culture was governed by official and social commands and developed around courts of princes and boyars, as well as in monasteries. Overview Creation of the world Stories suggest God made the Earth with the help of animals, while the Devil was trying to thwart his plans.Cosma, Aurel. ''Cosmogonia poporului român'' (The Cosmogony of the Romanian People) (1942). Bucharest: Tipografia Ziarului "Universul".Leeming, David Adams. ''Creati ...
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Verea Viteazul
Verea Viteazul is a character of Romanian folklore, a powerful and courageous hero, and the elder brother of Ileana Cosânzeana. Role in folktales He appears as the main character in Romanian fairy tale "Chiperi Viteazul lumii, Verea Viteazul and Mucha-far-de-moarte" (first published in 1901) by Alexandru Vasiliu, in Moldavian folk tale "Verea-Viteazul" (published in the scientific collection "Genuri si specii folkloristice", by Chisinau "Stiinta", in 1972), and in tale "Fat-Frumos and Verea Viteazul", first published in 1973 in a compilation by author and folklorist . All of them are based on ancient folk Romanian traditions and legends. All these tales, with some variations, describe a single plot: having shot three pigeons on a hunt, Verea Viteazul rests under a huge tree with his horse and his dogs and lights a fire to fry the pigeons. He then hears from the tree the voice of an old woman who complains that she is cold. Verea Viteazul invites her to go down to the fire to warm ...
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Prince Charming
Prince Charming is a fairy tale stock character archetype who comes to the rescue of a damsel in distress and must engage in a quest to liberate her from an evil spell. This classification suits most heroes of a number of traditional folk tales, including "Snow White", "Sleeping Beauty", "Rapunzel" and "Cinderella", even if in the original story they were given another name, or no name at all. Elements of the Prince Charming character date at least back to Charles Perrault's ''Sleeping Beauty'', published in 1697. Often handsome and romantic, these characters are essentially interchangeable, serving as a foil to the heroine; in many variants, they can be viewed as a metaphor for a reward the heroine achieves for the decisions she makes. The prominence of the character type makes him an obvious and frequent target for revisionist fairy tales, usually portraying him as narcissistic, dimwitted, and solely focused on romance, and often as a foil to either the heroine or their true ...
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Zmeu
The ''Zmeu'' (plural: ''zmei'', feminine: ''zmeoaică'' / ''zmeoaice'') is a fantastic creature of Romanian folklore and Romanian mythology. Though referred by some sources as a dragon, the zmeu is nevertheless distinct, because it usually has clear anthropomorphic traits: it is humanoid and has legs, arms, the ability to create and use artifacts such as weapons, and to ride a horse, and has the desire to marry young girls. There are commentators that class it as a giant (equivalent of an ogre), or a devil, or even a vampire. In some stories, Zmeu appears in the sky and spits fire, or has the ability to change form. In other stories, it has a magical precious stone on its head that shines like the sun. It likes beautiful young girls, whom it kidnaps, usually for the purpose of marrying them. It is almost always defeated by a daring prince or knight-errant. The zmei has also been conflated with or confused with the ''dracu'' or with the '' balaur'' type dragon. Etymology M ...
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