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Iconostasis
In Eastern Christianity, an iconostasis () is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the parochet , "veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis In Moscow
In Eastern Christianity, an iconostasis () is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively present in Eastern Orthodox chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People's Salvation Cathedral
The People's Salvation Cathedral (; ''People's Liberation Cathedral'' is an alternative translation of the name), also known as the National Cathedral (), is an Eastern Orthodox cathedral under construction in Bucharest, Romania, to serve as the patriarchal cathedral of the Romanian Orthodox Church. It is located in central Bucharest on Dealul Spirii, Spirea's Hill (Arsenal Square), facing the same courtyard as the Palace of the Parliament, Palace of Parliament which is the heaviest building in the world, the cathedral having a one-tenth of its weight and about one-fifth of its volume. Situated behind the Palace of Parliament, this will make it 50 metres taller than the palace and will help to make the cathedral an iconic landmark in the city. The People's Salvation Cathedral to height (ground-cross), holds a dominant position in Bucharest's cityscape, being visible from all approaches to the city. It is the List of tallest Eastern Orthodox church buildings, tallest and List of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Doors
The royal doors, holy doors, or beautiful gates are the central doors of the iconostasis in an Eastern Orthodox or Eastern Catholic church. The sanctuary (sometimes called the ''Altar'', which contains the Holy Table) is separated from the nave by a wooden screen called the iconostasis. The iconostasis represents Christian continuity from the veil of the Temple in Jerusalem which separated the people from the Holy of Holies that housed the Ark of the Covenant. Normally, the iconostasis has three doors in it. The two single doors to the right and left are called "deacons' doors" or "angel doors" and they usually have on them icons of either sainted deacons (Saint Stephen, Saint Lawrence, etc.) or the Archangels Michael and Gabriel. These are the doors that the clergy will normally use when entering the sanctuary. The central double doors are the "holy doors" ( Slavonic: ''Svyatýa Vratá''), which are considered to be most sacred, and may only be entered at certain sacred moment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Templon
A templon (from Greek language, Greek τέμπλον meaning "temple", plural ''templa'') is a feature of Byzantine architecture, Byzantine churches consisting of a barrier separating the nave from the chancel, sanctuary near the altar. The solid templon first appeared in Christian churches around the 5th century and is still found in many Eastern Christianity, Eastern Christian churches. Initially it was a low barrier probably not much different from the altar rails of many Western churches. It eventually evolved into the modern iconostasis, still found in Orthodox churches today. It is usually composed of carved wood or marble colonnettes supporting an architrave (a beam resting on top of columns). Three doors, a large central one and two smaller flanking ones, lead into the sanctuary. The templon did not originally obscure the view of the altar, but as time passed, icons were hung from the beams, curtains were placed in between the colonnettes, and the templon became more opaqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Saint Sava
The Church of Saint Sava ( sr-Cyrl, Храм Светог Саве, Hram Svetog Save, lit='The Temple of Saint Sava') is a 79 m high Serbian Orthodox church, which sits on the Vračar plateau in Belgrade, Serbia. It was planned as the bishopric seat and main cathedral of the Serbian Orthodox Church. The church is dedicated to Saint Sava, the founder of the Serbian Orthodox Church and an important figure in History of Medieval Serbia, medieval Serbia. It is built on the presumed location of St. Sava's grave. His coffin had been moved from Mileševa Monastery to Belgrade. The coffin was placed on a pyre and burnt in 1595 by Ottoman Grand Vizier Sinan Pasha. Bogdan Nestorović and Aleksandar Deroko were finally chosen to be the architects in 1932 after a second revised competition in 1926–27 (for which no first award was granted, Nestorović being runner up). This sudden decision instigated an important debate in interwar Yugoslavia which centered around the temple's size, design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soleas
The soleas (() = meaning (“bottom, base”, as used in "sole of a shoe", cf. also the "sole" from the resemblance of fish to a flat shoe. Of uncertain origin)) is an extension of the sanctuary platform in an Eastern Orthodox temple (church building). The soleas projects beyond the iconostasis, forming a narrow walkway running the full length of the iconostasis. Drawing showing the positions, ''Orthodox World'' In the center of the soleas is the ambon, directly in front of the Holy Doors, where the commu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambon (liturgy)
The ambon or ambo (, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structure has alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic, and Lutheranism, Lutheran churches. The most common subjects include Jesus, Mary, mother of Jesus, Mary, saints, and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctuary
A sanctuary, in its original meaning, is a sacred space, sacred place, such as a shrine, protected by ecclesiastical immunity. By the use of such places as a haven, by extension the term has come to be used for any place of safety. This secondary use can be categorized into human sanctuary, a safe place for people, such as a political sanctuary; and non-human sanctuary, such as an animal or plant sanctuary. Religious sanctuary ''Sanctuary'' is a word derived from the Latin , which is, like most words ending in , a container for keeping something in—in this case holy things or perhaps cherished people (/). The meaning was extended to places of holiness or safety. Its origin is the principle of independence and immunity of religious orders from "temporal" powers. In many Place of worship, religious buildings ''sanctuary'' has a specific meaning, covering part of the interior. Sanctuary as area around the altar In many Western Christianity, Western Christian traditions in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Architecture
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the Fall of Constantinople, fall of the Byzantine Empire in 1453. There was initially no hard line between the Byzantine and Roman Empires, and early Byzantine architecture is stylistically and structurally indistinguishable from late Roman architecture. The style continued to be based on arches, vaults and domes, often on a large scale. Wall mosaics with gold backgrounds became standard for the grandest buildings, with frescos a cheaper alternative. The richest interiors were finished with thin plates of marble or coloured and patterned stone. Some of the columns were also made of marble. Other widely used materials were bricks and stone. Mosaics made of stone or glass tesserae were also elements of interior architecture. Precious wood furniture, like be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Of Holies
The Holy of Holies ( or ''Kodesh HaKodashim''; also ''hadDəḇīr'', 'the Sanctuary') is a term in the Hebrew Bible that refers to the inner sanctuary of the Tabernacle, where the Shekhinah (God in Judaism, God's presence) appeared. According to Hebrew tradition, the area was defined by four pillars that held up the veil of the covering, under which the Ark of the Covenant was held above the floor. According to the Hebrew Bible, the Ark contained the Ten Commandments, which were given by God to Moses on Mount Sinai (Bible), Mount Sinai. The first Temple in Jerusalem, called Solomon's Temple, was said to have been built by Solomon, King Solomon to keep the Ark. Ancient Judaism, Jewish traditions viewed the Holy of Holies as the spiritual junction of Heaven and Earth, the "axis mundi". As a part of the Jewish Temple in Jerusalem, the Holy of Holies was situated somewhere on Temple Mount; its precise location in the Mount being a matter of dispute, with some classical Jewish sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
