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I, Frankenstein
''I, Frankenstein'' is a 2014 American science fantasy action film written and directed by Stuart Beattie, based on the digital-only graphic novel by Kevin Grevioux. An international co-production between the United States and Australia, the film was produced by Tom Rosenberg, Gary Lucchesi, Richard Wright, Andrew Mason and Sidney Kimmel. It stars Aaron Eckhart, Bill Nighy, Yvonne Strahovski, Miranda Otto and Jai Courtney. The film tells the story of Adam, Frankenstein's creature, who embarks on a dangerous journey to stop evil demons and their ruthless leader from taking over the world. The film was released on January 24, 2014, in the United States and on March 20, 2014, in Australia. The film received extremely negative reviews and was a box-office bomb, grossing $76 million worldwide against a production budget of $65 million. Plot In 1795, Doctor Victor Frankenstein creates a monster by putting together parts of corpses and reanimating them. Horrified by his creati ...
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Stuart Beattie
Stuart Beattie (born 4 August 1971) is an Australian filmmaker. His screenplay for '' Collateral'' (2004) earned him nominations for the BAFTA Award for Best Original Screenplay, Satellite Award for Best Original Screenplay and Saturn Award for Best Writing. Beattie was born in Melbourne and raised in Sydney. He attended Knox Grammar School in Sydney, where his mother, Sandra, was a languages teacher; and later Charles Sturt University Charles Sturt University is an Australian multi-campus public university located in New South Wales, Australian Capital Territory and Victoria, Australia, Victoria. Established in 1989, it was named in honour of Captain (British Army and Royal ... in Bathurst. Filmography Film Uncredited rewrites * '' The Messengers'' (2007) * '' Punisher: War Zone'' (2008) Television Awards and nominations References External links *Stuart Beattie judged The Film of the Month competition in March 2009 on the independent filmmakers networking site ...
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Entertainment One
Lionsgate Canada is a Canadian entertainment company and a subsidiary of Lionsgate Studios. Based in Toronto, the company is primarily involved in the acquisition and production of films and television series. The company began on June 1, 1973 as the Canadian music distributor Records on Wheels Limited. After it was acquired by music retailer CD Plus, the company became ROW Entertainment; with its vice president of operations Darren Throop becoming president and CEO. ROW later acquired American music and home entertainment distributor Koch Entertainment. By 2007, the company—now known as Entertainment One—had begun to acquire other production companies and film distributors including Canadian distributors Les Films Séville and Alliance Films. By 2015, eOne had begun to expand its American operations, including investing in Amblin Partners, and acquiring a stake in The Mark Gordon Company. On December 30, 2019, eOne was acquired by American toy and entertainment company Ha ...
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Michael (archangel)
Michael, also called Saint Michael the Archangel, Archangel Michael and Saint Michael the Taxiarch is an archangel and the warrior of God in Christianity, Judaism, and Islam. The earliest surviving mentions of his name are in third- and second-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels, and he is the guardian prince of Israel and is responsible for the care of the Israelites, people of Biblical Israel, Israel. Christianity conserved nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the archangel and the devil dispute over the body of Moses. Old Testament and Apocrypha The Book of Enoch lists him as one of seven archangels (the remaining names are Uriel, Raguel (angel), Raguel, Raphael (archangel), Raphael, Sariel, Gabriel, and Remiel), who, in the Book of Tobit, “stand ready and ente ...
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Archangel
Archangels () are the second lowest rank of angel in the Catholic hierarchy of angels, based on and put forward by Pseudo-Dionysius the Areopagite in the 5th or 6th century in his book ''De Coelesti Hierarchia'' (''On the Celestial Hierarchy''). The Bible itself uses the term “archangel” two times referring to the angel Michael only in the New Testament. The Bible does not mention a particular hierarchy of angels in any detail aside from this. The word is usually associated with the Abrahamic religions and many offshoots they are historically associated with. ''Archangel'' is derived from Ancient Greek, Greek (), with the Greek prefix meaning 'chief'. In Catholic theology, archangels constitute the second-lowest rank of angel; much of modernized imaging of Archangels as we have today likely stems from the etymology of their name, as well as their presentation in John Milton's ''Paradise Lost''. In many offshoots of Judaism, with the oldest text coming from Enoch 1, the ...
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Gargoyle
In architecture, and specifically Gothic architecture, a gargoyle () is a carved or formed Grotesque (architecture), grotesque with a spout designed to convey water from a roof and away from the side of a building, thereby preventing it from running down masonry walls and eroding the Mortar (masonry), mortar between. Architects often used multiple gargoyles on a building to divide the flow of rainwater off the roof to minimize potential damage from rainstorms. A trough is cut in the back of the gargoyle and rainwater typically exits through the open mouth. Gargoyles are usually elongated fantastical animals because their length determines how far water is directed from the wall. When Gothic art, Gothic flying buttresses were used, aqueduct (watercourse), aqueducts were sometimes cut into the buttress to divert water over the aisle walls. Etymology The term originates from the French language, French ''gargouille'' (Old French ''gargoule'' (1294) "conduit for waterflow"), com ...
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Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in folklore, mythology, religion, occultism, and literature; these beliefs are reflected in Media (communication), media including fiction, comics, film, television series, television, and video games. Belief in demons probably goes back to the Paleolithic, Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific.. In Religions of the ancient Near East, ancient Near Eastern religions and in the Abrahamic religions, including History of Judaism, early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity that may cause Spirit possession, demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Achaemenid Empire, Persian era. Demons may ...
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Elizabeth Lavenza
Elizabeth Frankenstein ( Lavenza) is a fictional character first introduced in Mary Shelley's 1818 novel '' Frankenstein; or, The Modern Prometheus''. In both the novel and its various film adaptations, she is the fiancée of Victor Frankenstein. Role in the novel Born in Italy, Elizabeth Lavenza was adopted by Victor's family. In the first edition (1818), she is the daughter of Victor's aunt and her Italian husband. After her mother's death, Elizabeth's father—intending to remarry—writes to Victor's father and asks if he and his wife would like to adopt the child and spare her being raised by a stepmother (as Mary Shelley had unhappily been). In the original novel, then, Victor and Elizabeth are cousins. In the revised third edition (1831), Victor's parents, during a stay on Lake Como, find Elizabeth being raised by a foster family after her German mother's death and the disappearance of her Italian father. In the abridged version of ''Great Illustrated Classics'' intended for ...
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Frankenstein's Monster
Frankenstein's monster, commonly referred to as Frankenstein, is a fictional character that first appeared in Mary Shelley's 1818 novel '' Frankenstein; or, The Modern Prometheus'' as its main antagonist. Shelley's title compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire. In Shelley's Gothic story, Victor Frankenstein builds the creature in his laboratory through an ambiguous method based on a scientific principle he discovered. Shelley describes the monster as tall and emotional. The monster attempts to fit into human society but is shunned, which leads him to seek revenge against Frankenstein. According to the scholar Joseph Carroll, the monster occupies "a border territory between the characteristics that typically define protagonists and antagonists". Frankenstein's monster became iconic in popular culture, and has been featured in various forms of media, including films, te ...
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Victor Frankenstein
Victor Frankenstein is a fictional character who first appeared as the titular main protagonist of Mary Shelley's 1818 novel '' Frankenstein; or, The Modern Prometheus''. He is an Italian-born Swiss scientist who, after studying chemical processes and the decay of living things, gains an insight into the creation of life and gives life to his own creature (often referred to as Frankenstein's monster, or often colloquially referred to as simply "Frankenstein"). Victor later regrets meddling with nature through his creation, as he inadvertently endangers his own life and the lives of his family and friends when the creature seeks revenge against him. He is first introduced in the novel when he is seeking to catch the monster near the North Pole and is saved from potential fatality by Robert Walton and his crew. Some aspects of the character are believed to have been inspired by 17th-century alchemist Johann Konrad Dippel. Certainly, the author and people in her environment were ...
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Box-office Bomb
A box-office bomb is a film that is unprofitable or considered highly unsuccessful during its theatrical run. Although any film for which the combined production budget, marketing, and distribution costs exceed the revenue after release has technically "bombed", the term is more frequently used for major studio releases that were highly anticipated, extensively marketed, and expensive to produce, but nevertheless failed commercially. Originally, a "bomb" had the opposite meaning, referring instead to a successful film that "exploded" at the box office. The term continued to be used this way in the United Kingdom into the 1970s. Causes Negative word of mouth With the advent of social media platforms such as Facebook and Twitter in the 2000s, word of mouth regarding new films is easily spread and has had a marked effect on box office performance. A film's ability or failure to attract positive or negative commentary can strongly impact its performance at the box office, espe ...
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Action Film
The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedy film, comedies, science fiction films, and horror films. While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of antihero, anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Western (film), Westerns. These genres were followed by what is referred to as the "classical period" ...
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Science Fantasy
file:Warhammer40kcosplay.jpg, Cosplay of a character from the ''Warhammer 40,000'' tabletop game; one critic has characterized the game's setting as "action-oriented science-fantasy." Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines trope (literature), tropes and elements from both science fiction and fantasy. In a conventional science fiction story, the world is presented as grounded by the laws of nature and comprehensible by science, while a conventional fantasy story contains mostly supernatural elements that do not obey the scientific laws of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science-like explanations of any supernatural elements.Eric R. Williams, ''The Screenwriters Taxonomy: A Collaborative Approach to Creative Storytelling''p. 121/ref> During the Golden Age of Science Fiction, science fantasy stories were seen in sharp contrast ...
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