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Hospitalfield House
Hospitalfield House is an arts centre and historic house in Arbroath, Angus, Scotland, regarded as "one of the finest country houses in Scotland". It is believed to be "Scotland's first school of fine art" and the first art college in Britain. It is a registered charity under Scottish law. A range of prominent Scottish artists have worked there, including Joan Eardley, Peter Howson, Will Maclean, Robert Colquhoun, Robert MacBryde, William Gear, Alasdair Gray, Wendy McMurdo, and Callum Innes. Early history A hospital was founded on the site in the 13th century by monks from nearby Arbroath Abbey as a leprosy and plague hospice called the Hospital of St John the Baptist. The property was purchased by the Reverend James Fraser around 1664 and was subsequently owned by successive generations of the Fraser family. Walter Scott visited the house in 1813, and he used it as the model for "Monkbarns" in his novel ''The Antiquary'' (1816). 19th century The last Fraser to own the property ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scots Baronial
Scottish baronial or Scots baronial is an architectural style of 19th century Gothic Revival which revived the forms and ornaments of historical architecture of Scotland in the Late Middle Ages and the Early Modern Period. Reminiscent of Scottish castles, buildings in the Scots baronial style are characterised by elaborate rooflines embellished with conical roofs, tourelles, and battlements with Machicolations, often with an asymmetric plan. Popular during the fashion for Romanticism and the Picturesque, Scots baronial architecture was equivalent to the Jacobethan Revival of 19th-century England, and likewise revived the Late Gothic appearance of the fortified domestic architecture of the elites in the Late Middle Ages and the architecture of the Jacobean era. Among architects of the Scots baronial style in the Victorian era were William Burn and David Bryce. Romanticism in Scotland coincided with a Scottish national identity during the 19th century, and some of the most embl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Antiquary
''The Antiquary'' (1816), the third of the Waverley novels by Walter Scott, centres on the character of an antiquary: an amateur historian, archaeologist and collector of items of dubious antiquity. He is the eponymous character and for all practical purposes the hero, though the characters of Lovel and Isabella Wardour provide the conventional love interest. ''The Antiquary'' was Scott's own favourite of his novels, and is one of his most critically well-regarded works; H. J. C. Grierson, for example, wrote that "Not many, apart from Shakespeare, could write scenes in which truth and poetry, realism and romance, are more wonderfully presented." Scott wrote in an advertisement to the novel that his purpose in writing it, similar to that of his novels ''Waverley'' and ''Guy Mannering'', was to document Scottish life of a certain period, in this case the last decade of the 18th century. The action can be located in July and August 1794. It is, in short, a novel of manners, and it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oriel Window
An oriel window is a form of bay window which protrudes from the main wall of a building but does not reach to the ground. Supported by corbels, bracket (architecture), brackets, or similar cantilevers, an oriel window is most commonly found projecting from an upper floor but is also sometimes used on the ground floor. Oriel windows are seen in Arab architecture in the form of mashrabiya and in Turkish are known as ''şahnişin'' or ''cumba''. In Islamic culture, these windows and balconies project from the street-front of a house, providing an area in which women could peer out and see the activities below while remaining invisible. Origins According to the ''Oxford English Dictionary'', the term ''oriel'' is derived from Anglo-Norman language, Anglo-Norman ' and Late Latin ', both meaning "gallery" or "porch", perhaps from Classical Latin ' ("curtain"). * Oriel College, Oxford, took its name from a balcony or oriel window forming a feature of a building which occupied the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crow-stepped Gable
A stepped gable, crow-stepped gable, or corbie step is a stairstep type of design at the top of the triangular gable-end of a building. The top of the parapet wall projects above the roofline and the top of the brick or stone wall is stacked in a step pattern above the roof as a decoration and as a convenient way to finish the brick courses. A stepped parapet may appear on building facades with or without gable ends, even upon a false front, however. Geography The oldest examples can be seen in Ghent (Flanders, Belgium) and date from the 12th century: the house called ''Spijker'' on ''Graslei'', and some other Romanesque buildings in this city. From there, they were spread in the whole of Northern Europe as from the 13th century, in particular in cities of the Hanseatic League (with brick Gothic style), then in Central Europe at the next century. These gables are numerous in Belgium, Netherlands, all Germany, Denmark, Sweden, Poland, Baltic States, Switzerland, and some parts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battlement
A battlement in defensive architecture, such as that of city walls or castles, comprises a parapet (i.e., a defensive low wall between chest-height and head-height), in which gaps or indentations, which are often rectangular, occur at intervals to allow for the launch of arrows or other projectiles from within the defences. These gaps are termed " crenels" (also known as ''carnels'', or ''embrasures''), and a wall or building with them is called crenellated; alternative (older) terms are castellated and embattled. The act of adding crenels to a previously unbroken parapet is termed crenellation. The function of battlements in war is to protect the defenders by giving them something to hide behind, from which they can pop out to launch their own missiles. A defensive building might be designed and built with battlements, or a manor house might be fortified by adding battlements, where no parapet previously existed, or cutting crenellations into its existing parapet wall. A d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandstone
Sandstone is a clastic sedimentary rock composed mainly of sand-sized (0.0625 to 2 mm) silicate grains. Sandstones comprise about 20–25% of all sedimentary rocks. Most sandstone is composed of quartz or feldspar (both silicates) because they are the most resistant minerals to weathering processes at the Earth's surface. Like uncemented sand, sandstone may be any color due to impurities within the minerals, but the most common colors are tan, brown, yellow, red, grey, pink, white, and black. Since sandstone beds often form highly visible cliffs and other topographic features, certain colors of sandstone have been strongly identified with certain regions. Rock formations that are primarily composed of sandstone usually allow the percolation of water and other fluids and are porous enough to store large quantities, making them valuable aquifers and petroleum reservoirs. Quartz-bearing sandstone can be changed into quartzite through metamorphism, usually related to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice Biennale
The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name ''biennale''; ''biennial''). The other events hosted by the Foundationspanning theatre, music, and danceare held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido. Organization Art Biennale The Art Biennale (La Biennale d'Arte di Venezia), is one of the largest and most important contemporary visual art exhibitions in the world. So-called because it is held biannually (in odd-numbered years), it is the original biennale on which others in the world have been modeled. The exhibition space spans over 7,000 square meters, and artists from ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Fagen (artist)
Graham Fagen (born 1966) is a Scottish artist living and working in Glasgow, Scotland. He has exhibited internationally at thBusan Biennale South Korea (2004), the Art and Industry Biennial, New Zealand (2004), the Venice Biennale (2003) and represented Scotland at the 56th Venice Biennale in 2015 in a presentation curated and organised bHospitalfield In Britain he has exhibited at the Victoria & Albert Museum, Tate Britain and the Institute of Contemporary Arts, London. In 1999 he was invited by the Imperial War Museum, London to work as the Official War Artist for Kosovo. His art practice encompasses video, performance, sculpture, sound and text. His work reflects on how contemporary identity and its associated myths and fictions, can be expressed and understood. and his portraits of real, imagined, historical and contemporary characters explore the idea of identity and performance in portraiture. Plants and flowers are recurrent motifs in his art, as he explores their abi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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