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Hoplite Formation In Art
The hoplites were soldiers from Ancient Greece who were usually free citizens. They had a very uniform and distinct appearance; specifically they were armed with a spear (''dory'') in their right hand and a heavy round shield in their left. Hoplite soldiers were organized in battle into the phalanx formation. The goal of this formation was to create uniformity and a powerful military force in order to maximize the effectiveness as the army as a whole, rather than use people as individual fighters. With the hoplite formation everyone was the same in battle. The phalanx formation appeared during the 7th and 8th centuries BC. The representation of hoplites in art show historians how the Greeks used this formation in battle as well as how the soldiers were dressed and what their armor looked like. The hoplite formation is shown in different styles of pottery such as white ground and black-figure and also on many different types of pottery such an '' olpe'', ''krater,'' ''alabastron'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoplite
Hoplites ( ) ( grc, ὁπλίτης : hoplítēs) were citizen-soldiers of Ancient Greece, Ancient Greek Polis, city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The formation discouraged the soldiers from acting alone, for this would compromise the formation and minimize its strengths. The hoplites were primarily represented by free citizens – propertied farmers and artisans – who were able to afford a Linothorax, linen armour or a bronze armour suit and weapons (estimated at a third to a half of its able-bodied adult male population). Most hoplites were not professional soldiers and often lacked sufficient military training. Some states maintained a small elite professional unit, known as the ''wikt:επιλέγω, epilektoi'' ("chosen") since they were picked from the regular citizen infantry. These existed at times in Athens, Argos, Peloponnese, Argos, Thebes, Greec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phalanx Formation
The phalanx ( grc, φάλαγξ; plural phalanxes or phalanges, , ) was a rectangular mass military formation, usually composed entirely of heavy infantry armed with spears, pikes, sarissas, or similar pole weapons. The term is particularly used to describe the use of this formation in ancient Greek warfare, although the ancient Greek writers used it to also describe any massed infantry formation, regardless of its equipment. Arrian uses the term in his ''Array against the Alans'' when he refers to his legions. In Greek texts, the phalanx may be deployed for battle, on the march, or even camped, thus describing the mass of infantry or cavalry that would deploy in line during battle. They marched forward as one entity. The term itself, as used today, does not refer to a distinctive military unit or division (e.g., the Roman legion or the contemporary Western-type battalion), but to the type of formation of an army's troops. Therefore, this term does not indicate a standard comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exekias
Exekias ( grc, Ἐξηκίας, ''Exēkías'') was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision. Exekias is regarded by art historians as an artistic visionary whose masterful use of incision and psychologically sensitive compositions mark him as one of the greatest of all Attic vase painters. The Andokides painter and the Lysippides Painter are thought to have been students of Exekias. Background The works of Exekias are distinguished by their innovative compositions, precise draughtsmanship, and subtle psychological characterization, all of which transcend the inherent challenges of the black-figure technique. John Boardman, the eminent historian of Greek art, described Exekias' style as follows: "The hallmark of his style is a near statuesque dignit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farsala
Farsala ( el, Φάρσαλα), known in Antiquity as Pharsalos ( grc, Φάρσαλος, la, Pharsalus), is a city in southern Thessaly, in Greece. Farsala is located in the southern part of Larissa regional unit, and is one of its largest towns. Farsala is an economic and agricultural centre of the region. Cotton and livestock are the main agricultural products, and many inhabitants are employed in the production of textile. The area is mostly famous for being the birthplace of Achilles, a mythical ancient Greek hero and the sight of a major battle between Roman generals Gaius Julius Caesar and Gnaeus Pompeius in 48 BC. Geography Farsala lies at the southern edge of the Thessalian Plain, 4 km south of the river Enipeas. The Greek National Road 3 (Larissa - Lamia) and the Greek National Road 30 (Karditsa - Volos) pass through the town. The Palaiofarsalos railway station (litt. "''Ancient Pharsalus''"), on the line from Athens to Thessaloniki and head of the branch line to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krater
A krater or crater ( grc-gre, , ''kratēr'', literally "mixing vessel") was a large two-handled shape of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water. Form and function At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels, such as a ''kyathos'' (pl. ''kyathoi''), an ''amphora'' (pl. ''amphorai''), or a ''kylix'' (pl. ''kylikes''). In fact, Homer's ''Odyssey'' describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. The modern Greek word now used for undiluted wine, ''krasi'' ( κρασί), originates from the ''krasis'' (''κράσις'', i.e., mixing) of wine and water in kraters. Pottery kraters were glazed on the interior to make the surface of the clay more impervious for holding wate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoplite Fight From Athens Museum
Hoplites ( ) ( grc, ὁπλίτης : hoplítēs) were citizen-soldiers of Ancient Greek city-states who were primarily armed with spears and shields. Hoplite soldiers used the phalanx formation to be effective in war with fewer soldiers. The formation discouraged the soldiers from acting alone, for this would compromise the formation and minimize its strengths. The hoplites were primarily represented by free citizens – propertied farmers and artisans – who were able to afford a linen armour or a bronze armour suit and weapons (estimated at a third to a half of its able-bodied adult male population). Most hoplites were not professional soldiers and often lacked sufficient military training. Some states maintained a small elite professional unit, known as the '' epilektoi'' ("chosen") since they were picked from the regular citizen infantry. These existed at times in Athens, Argos, Thebes, and Syracuse, among other places. Hoplite soldiers made up the bulk of ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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