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Henri Benjamin Rabaud
Henri Benjamin Rabaud (10 November 187311 September 1949) was a French conductor, composer and pedagogue, who held important posts in the French musical establishment and upheld mainly conservative trends in French music in the first half of the twentieth century.Girardot A. Henri Rabaud. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997.Landormy P. ''La Musique Française après Debussy.'' Gallimard, Paris, 1943. Life and career Rabaud came from a musical background. He was the son of a cellist Hippolyte Rabaud (1839–1900), professor of cello at the Paris Conservatoire, while his mother was a singer who almost created the role of Marguérite at the request of Charles Gounod. His maternal grandfather was a well-known flautist, while his great aunt was Julie Dorus-Gras. Henri studied at the Conservatoire with André Gedalge and Jules Massenet. In 1908, he became a conductor at the Paris Opéra-Comique where he later conducted the 100th performan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WikiProject Classical Music/Style Guidelines
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by '' Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organizations relevant to the field at issue. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phi Mu Alpha Sinfonia
Phi Mu Alpha Sinfonia Fraternity of America (colloquially known as Phi Mu Alpha Sinfonia, Phi Mu Alpha, or simply Sinfonia) () is an American collegiate social fraternity for men with a special interest in music. The fraternity is open to men "who, through a love for music, can assist in the fulfillment of tsObject and ideals either by adopting music as a profession, or by working to advance the cause of music in America."''National Constitution & Bylaws'' Bylaws, Article I, Section Two. Phi Mu Alpha has initiated more than 260,000 members,"About Us." sinfonia.org. Retrieved on May 3, 2009. known as ''Sinfonians'', and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peinture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occupation Of France
The Military Administration in France (german: Militärverwaltung in Frankreich; french: Occupation de la France par l'Allemagne) was an interim occupation authority established by Nazi Germany during World War II to administer the occupied zone in areas of northern and western France. This so-called ' was established in June 1940, and renamed ' ("north zone") in November 1942, when the previously unoccupied zone in the south known as ' ("free zone") was also occupied and renamed ' ("south zone"). Its role in France was partly governed by the conditions set by the Second Armistice at after the success of the leading to the Fall of France; at the time both French and Germans thought the occupation would be temporary and last only until Britain came to terms, which was believed to be imminent. For instance, France agreed that its soldiers would remain prisoners of war until the cessation of all hostilities. The "French State" (') replaced the French Third Republic that had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claire Croiza
Claire Croiza (14 September 1882 – 27 May 1946) was a French mezzo-soprano and an influential teacher of singers. Career Claire Croiza (née Conelly, or O'Connolly) was born in Paris, the daughter of an expatriate American father and an Italian mother, and as a child she excelled at piano and singing. She was taught singing privately at first and then went to the Polish tenor Jean de Reszke for further study. She made her opera début in Nancy in 1905 in ''Messaline'' by Isidore de Lara. In 1906 she made her first appearance at La Monnaie in Brussels, as Dalila in ''Samson et Dalila'', beginning a long association with that theatre which included the roles of Dido (Berlioz), Clytemnestra (''Elektra''), Erda, Carmen, Léonor (''La favorite''), Charlotte (''Werther'') and the title role in Fauré's opera ''Pénélope''. In 1910 she performed as Alays in the world premiere of Cesare Galeotti’s ''La Dorise'' and created the title role in the world premiere of Pierre de Brévill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Moyse
Marcel Moyse (pron. ''moh-EEZ''; May 17, 1889, in St. Amour, France – November 1, 1984, in Brattleboro, Vermont, United States) was a French flautist. Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time. Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings. His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato. This was a characteristic of the 'French style' of flute playing that was to influence the modern standard for flutists worldwide. Moyse taught on the faculty of the Conservatoire de musique du Québec à Montréal, and was a founder of the Marlboro Music School and festival in Vermont. Moyse strove to teach his students "not how to play the flute, but to make music". Among his students were James Galway, Paula Robison, Trevor Wye, William Bennett, Carol Wincenc, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Dupré
Marcel Jean-Jules Dupré () (3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue. Biography Born in Rouen into a wealthy musical family, Marcel Dupré was a child prodigy. His father Aimable Albert Dupré was titular organist of Saint-Ouen Abbey from 1911 til his death and a friend of Aristide Cavaillé-Coll, who built an organ in the family house when Marcel was 10 years old. His mother Marie-Alice Dupré-Chauvière was a cellist who also gave music lessons, and his paternal uncle Henri Auguste Dupré was a violinist and violist. Both of his grandfathers, Étienne-Pierre Chauvière (maître de chapelle at Saint-Patrice in Rouen and an operatic bass) and Aimable Auguste-Pompée Dupré (who was also a friend of Cavaillé-Coll) were also organists. Having already taken lessons from Alexandre Guilmant (due to him appealing to his father), he entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy (piano), Guilmant a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Roger-Ducasse
Jean Jules Aimable Roger-Ducasse (Bordeaux, 18 April 1873 – Le Taillan-Médoc ( Gironde), 19 July 1954) was a French composer. Biography Jean Roger-Ducasse studied at the Paris Conservatoire with Émile Pessard and André Gedalge, and was the star pupil and close friend of Gabriel Fauré. He succeeded Fauré as professor of composition, and in 1935 he succeeded Paul Dukas as professor of orchestration. His personal style was firmly rooted in the French school of orchestration, in an unbroken tradition from Hector Berlioz through Camille Saint-Saëns. Among his notable pupils were Jehan Alain, Claude Arrieu, Sirvart Kalpakyan Karamanuk, Jean-Louis Martinet, and Francis George Scott. Compositions Roger-Ducasse wrote music in nearly all classical forms, and was particularly known for his operatic stage works and orchestral compositions. These include: *''Au Jardin de Marguerite'', 1901–05 Based on an episode in Goethe's ''Faust'' *''Sarabande'', 1907 Symphonic poem with cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Dukas
Paul Abraham Dukas ( or ; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works. Among these are the opera '' Ariane et Barbe-bleue'', his Symphony in C and Piano Sonata in E-flat minor, the ''Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, '' La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jehan Alain
Jehan-Aristide Paul Alain (; 3 February 1911 – 20 June 1940) was a French organ (music), organist, composer, and soldier. Born into a family of musicians, he learned the organ from his father and a host of other teachers, becoming a composer at 18, and composing until the outbreak of the Second World War 10 years later. His compositional style was influenced by the musical language of the earlier Claude Debussy, as well as his interest in music, dance and philosophy of the far east. At the outbreak of the Second World War, Alain became a dispatch rider in the 8th Infantry Division (France), Eighth Motorised Armour Division of the French Army; he took part in the Battle of Saumur (1940), Battle of Saumur, in which he was killed. His younger brother was composer-organist-pianist-musicologist Olivier Alain and his younger sister was renowned organist Marie-Claire Alain who was also responsible for popularising his works. Biography Alain was born in Saint-Germain-en-Laye in the we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
