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Hausa Music
The Hausa are one of the largest ethnic groups in Nigeria, Niger, Ghana, Sudan, Cameroon and in many West and Central African countries. Their folk music has played an important part in the development of Nigerian music, contributing such elements as the Goje, a one-stringed fiddle. There are two broad categories of traditional Hausa music: rural folk music and urban court music. They introduced the African pop culture genre that is still popular today. Ceremonial music (''rokon fada'') is performed as a status symbol, and musicians are generally chosen for political reasons as opposed to musical ones. Ceremonial music can be heard at the weekly ''sara'', a statement of authority by the emir which takes place every Thursday evening. Courtly praise-singers like the renowned Narambada, are devoted to singing the virtues of a patron, such as a sultan or emir. Praise songs are accompanied by kettledrums and ''kalangu'' talking drums, along with the kakaki, a kind of long trumpe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hausa People
The Hausa (Endonym, autonyms for singular: Bahaushe (male, m), Bahaushiya (female, f); plural: Hausawa and general: Hausa; exonyms: Ausa; Ajami script, Ajami: ) are the largest native ethnic group in Africa. They speak the Hausa language, which is the second most spoken language after Arabic in the Afro-Asiatic language family. The Hausa are a diverse but culturally homogeneous people based primarily in the Sahelian and the sparse savanna areas of southern Niger and northern Nigeria respectively, numbering around 83 million people with significant indigenized populations in Benin, Cameroon, Ivory Coast, Chad, Sudan, Central African Republic, Republic of the Congo, Togo, Ghana, Eritrea, Equatorial Guinea, Gabon, Senegal and the Gambia. Predominantly Hausa-speaking communities are scattered throughout West Africa and on the traditional Hajj route north and east traversing the Sahara, with an especially large population in and around the town of Agadez. Other Hausa have also moved t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songhai People
The Songhai people (also Ayneha, Songhay or Sonrai)'' are an ethnolinguistic group in West Africa who speak the various Songhai languages. Their history and ''lingua franca'' is linked to the Songhai Empire which dominated the western Sahel in the 15th and 16th century. Predominantly a Muslim community, the Songhai are found primarily throughout Niger and Mali in the Sahel and Sahara. The name Songhai was historically neither an ethnic nor linguistic designation, but a name for the ruling caste of the Songhai Empire which are the Songhai proper of ''sunni'' and ''Askya'' dynasty found predominantly in present-day Niger. These people call themselves ''Ayneha''. Although some Speakers in Mali have also adopted the name ''Songhay'' as an ethnic designation, other Songhay-speaking groups identify themselves by other ethnic terms such as Zarma (or Djerma, the largest subgroup) or Isawaghen. The dialect of Koyraboro Senni spoken in Gao is unintelligible to speakers of the Zarma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kukkuma
A kukkuma (Hausa: '' kukuma'') is a small fiddle (about cm long) used in Hausa music. A spike fiddle or spike lute, the instrument is made from a calabash Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed ... gourd covered with skin, with the neck (a stick) that impales the gourd, the bottom poking out one side to form a spike. It is strung with horsehair and played with a horsehair bow. It was popularized by Ibrahim Na Habu. It is associated with light secular dance and praise music and in performance can be played alone, or is paired with the kalangu talking drum or calabash in a simple ensemble. The larger more esteemed fiddle, the goge, is used for rituals associated with cult and pre-Islamic Bori rituals, although it can also be played in secular music too. References Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ibrahim Na Habu
Ibrahim ( ar, إبراهيم, links=no ') is the Arabic name for Abraham, a Biblical patriarch and prophet in Islam. For the Islamic view of Ibrahim, see Abraham in Islam. Ibrahim may also refer to: * Ibrahim (name), a name (and list of people with the name) * Ibrahim (sura), a sura of the Qur'an * '' Ibrahim el Awal'', a Hunt-class destroyer that served in the Egyptian navy under that name 1951-56 * Ibrahim prize, a prize to recognise good governance in Africa * "Ibrahim", a song by David Friedman from ''Shades of Change'' See also * Ibrahimzai, a Pashtun tribe of Afghanistan * Ibrahima * Abraham (other) * Avraham (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goje
The goje (the Hausa name for the instrument) is one of the many names for a variety of one or two-stringed fiddles from West Africa, almost exclusively played by ethnic groups inhabiting the Sahel and Sudan sparsely vegetated grassland belts leading to the Sahara. Snakeskin or lizard skin covers a gourd bowl, and a horsehair string is suspended on bridge. The goje is played with a bowstring. The goje is commonly used to accompany song, and is usually played as a solo instrument, although it also features prominent in ensembles with other West African string, wind or percussion instruments, including the Shekere, calabash drum, talking drum, or Ney. The instrument is tied to various pre-Islamic Sahelian rituals around jinn possession, such as the Bori and Hauka traditions of the Maguzawa Hausa, Zarma, Borori, and Songhay. These instruments are held in high esteem and are their use are linked to the spirit world, or as a carrier for voices aimed at or from the spirit world. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audo Yaron Goje
Audo is a surname. Notable people with the surname include: * Joseph VI Audo (1790–1878), Iraqi Chaldean patriarch *Toma Audo Mar Toma Audo ( syr, ܬܐܘܡܐ ܐܘܕܘ), also spelled Thomas Audo (October 10, 1854 - July 27, 1918) was Archbishop of the Chaldean Catholic Archeparchy of Urmia (1890-1918), within the Chaldean Catholic Church. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kontigi
A kontigi or kuntigi is a one- or three-stringed African lute. The one string version is used among the Songhai and Djerma. The 3-string version ''teharden'' is used among the Tamashek. The instrument is also used in Hausa music, primarily in northern Nigeria and Niger, and among Hausa minorities in Benin, Ghana, Burkina Faso and Cameroon. It is also found among Islamized peoples throughout West Africa (see Xalam). The best-known player of the kontigi is Dan Maraya. Characteristics The instrument uses a calabash Calabash (; ''Lagenaria siceraria''), also known as bottle gourd, white-flowered gourd, long melon, birdhouse gourd, New Guinea bean, Tasmania bean, and opo squash, is a vine grown for its fruit. It can be either harvested young to be consumed ... gourd as the body of the instrument, covered by skin, with a stick for a neck. The neck on the Kontigi has "metal disk surrounded by small rings" which make noise as the instrument is moved or played. The tone is hig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Maraya
Dan Maraya Jos (also known as Adamu Danmaraya Jos; born Adamu Wayya in 1946 – 20 June 2015) was a Nigerian Hausa griot best known for playing the kontigi. Life Dan Maraya Jos, whose name means "The Orphan of Jos", was born in 1946 in Bukuru, near Jos in Plateau State, Nigeria. His birth name is Adamu Wayya, but his father died shortly after his birth and his mother died while he was still an infant, hence the name by which everyone knows him. Dan Maraya's father was a court musician for the Sarkin Hausawa of Bukuru, who took Dan Maraya under his care when his parents died. Dan Maraya showed an early interest in music and came under the influence of local professional musicians. During a trip to Maiduguri while he was still a pre-teen, he was impressed by musicians some playing with the Kuntigi instrument, upon his return to Jos, he made a kuntigi, with which he has accompanied himself ever since. The kuntigi is a small, single-stringed lute. The body is usually a large, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhamman Shata
Alhaji (Dr) Mamman Shata (born in 1900 in Musawa, Katsina State, Nigeria, died on 18 June 1999) was a Nigerian singer. He was a well-known griot/musician among the Hausa people of West Africa. His vocals were often accompanied by talking drums, known as kalangu. He performed for the Hausa people of Northern Nigeria and even non-Hausas for more than half a century. Early life Mamman Shata was born to a family of Fulani tribe. His mother, Lariya, was a Fulata-Borno, the Fulani people who migrated from the Borno Empire after the Fulani Jihad of 1804 and settled in parts of Hausaland. She was born in Tofa town in the Kano Emirate and met Shata's father, Ibrahim Yaro, when she went to visit a relative in Musawa. Subsequently, they got married. Lariya had a son, Ali, from a previous marriage and had two children with Yaro, Mamman Shata and his sister Yalwa.Ibrahim Sheme. (2006).The editor of Blueprint was leader of the writing team for ''Mamman Shata’s'' official biography, titled " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bori Religion
Hausa animism , "Maguzanci" or Bori is a pre-Islamic traditional religion of the Hausa people of West Africa that involves magic and spirit possession. Most of the adherents of the religion accepted Islam after the 18th century Jihad by the Islamic reformer Usman dan Fodio. Terminology ''Bòòríí'' is a Hausa noun, meaning the spiritual force that resides in physical things, and is related to the word for local distilled alcohol (''borassa'') as well the practice of medicine (''boka''). The Bori religion is both an institution to control these forces, and the performance of an " adorcism" (as opposed to exorcism) ritual, dance and music by which these spirits are controlled and by which illness is healed. Pre-Islamic Hausaland An aspect of the traditional Maguzawa Hausa people's religious traditions, Bori became a state religion led by ruling-class priestesses among some of the late precolonial Hausa Kingdoms. When Islam started making inroads into Hausa land in the 14th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
