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Hôtel De Ville, Roubaix
The (, ''City hall (administration), City Hall'') is a historic building in Roubaix, Nord (French department), Nord, northern France, standing on the Grand Place. It was designated a ''monument historique'' by the French government in 1998. History The first meeting place of the aldermen of Roubaix was in an alderman's house on the corner of the Rue du Château and the Grand Place. When the house became dilapidated, the council moved to Sainte-Elisabeth Hospital in 1792: a tetrastyle portico was added to the building, to give it more grandeur, in 1810. By the 1840s, the council had ambitions for a building which demonstrated its wealth as a major wool-trading centre and a new town hall was erected on the south side of the Grand Place to a design by Achille-Joseph Dewarlez in 1848. In the early 20th century, the council, led by the mayor, Eugène Motte, decided to commission an even grander building on the same site. The proposed layout involved a central block and two smaller p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestantism, Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia, the Ottoman Baroque architecture, Ottoman Empire and the Spanish colonization of the Americas, Spanish and Portuguese colonization of the Americas, Portuguese colonies in Latin America. In about 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modillion
A modillion is an ornate bracket, more horizontal in shape and less imposing than a corbel. They are often seen underneath a Cornice (architecture), cornice which helps to support them. Modillions are more elaborate than dentils (literally translated as small teeth). All three are selectively used as adjectival historic past participles (''corbelled, modillioned, dentillated'') as to what co-supports or simply adorns any high structure of a building, such as a terrace of a roof (a flat area of a roof), parapet, pediment/entablature, balcony, cornice band or roof cornice. Modillions occur classically under a Corinthian order, Corinthian or a Composite order, Composite cornice but may support any type of eaves cornice. They may be carved or plain. See also * Glossary of architecture Gallery Abbaye Ste Foy à Conques (25) - Frises et corbeaux du chevet.jpg, Modillions carved with animal heads in the Abbaye Ste Foy in Conques (France). 20130809 dublin036.JPG, Trinity College, in Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abundantia
In ancient Roman religion, Abundantia (), also called Copia, was a divine personification of abundance and prosperity; *abundantia* means "abundance" in Latin. She helped protect savings and investments, and assisted with major purchases. She was among the embodiments of virtues in religious propaganda that cast the emperor as the ensurer of "Golden Age" conditions. J. Rufus Fears, "The Cult of Virtues and Roman Imperial Ideology," ''Aufstieg und Niedergang der römischen Welt'' II.17.2 (1981), p. 812. Abundantia thus figures in art, cult, and literature, but has little mythology as such. She may have survived in some form in Roman Gaul and medieval France. Abundantia carried a cornucopia that was filled with grain and coins, and occasionally left gifts from the horn at houses. In Rome The Augustan poet Ovid gives Abundantia a role in the myth of Acheloüs the river god, one of whose horns was ripped from his forehead by Hercules. The horn was taken by the Naiads and trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coat Of Arms
A coat of arms is a heraldry, heraldic communication design, visual design on an escutcheon (heraldry), escutcheon (i.e., shield), surcoat, or tabard (the last two being outer garments), originating in Europe. The coat of arms on an escutcheon forms the central element of the full achievement (heraldry), heraldic achievement, which in its whole consists of a shield, supporters, a crest (heraldry), crest, and a motto. A coat of arms is traditionally unique to the armiger (e.g. an individual person, family, state, organization, school or corporation). The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter. Roll of arms, Rolls of arms are collections of many coats of arms, and since the early Modern Age centuries, they have been a source of information for public showing and tracing the membership of a nobility, noble family, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Lefèbvre
Hippolyte-Jules Lefèbvre (4 February 1863 - November 1935) was a French sculptor and medallist who received numerous official marks of recognition in his day but is now largely forgotten. His most prominent works are the monumental equestrian sculptures of Joan of Arc and Louis IX of France, set up on the Basilique du Sacré Cœur, Paris. Biography Lefèbvre was born on 4 February 1863, in Lille. From a working-class background, he made his first studies at the École des Beaux-Arts, Lille, where he won numerous prizes and was sent with a municipal scholarship to study at the École des beaux-arts, Paris. In 1882 he moved to Paris, where he was a pupil of Pierre-Jules Cavelier, Louis-Ernest Barrias and Jules Coutan. He began exhibiting regularly at the Salon des Artistes Français from 1887, and in 1892, after receiving seconds in 1888 and 1891, won the Grand Prix de Rome in sculpture; on his return to Paris he pursued a successful official career. He was made a chevalier of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse-Amédée Cordonnier
Alphonse-Amédée Cordonnier (1848–1930) was a French sculptor. Born in La Madeleine, Nord, Cordonnier was educated in nearby Lille, then in Paris, then in Rome, on a scholarship funded by the foundation of Jean-Baptiste Wicar. Cordonnier won the Prix de Rome for sculpture in 1877. Combined with his realistic style, many of Coronnier's themes are progressive and socially minded, for example his ''Les Miséreux'' (the Destitute), ''Les Pauvres gens'' (the Poor), and ''L'inoculation et la fermentation'' (Inoculation and Fermentation), all to be seen at the Palais des Beaux-Arts de Lille. Work * ''Printemps'' (Spring), 1883 * ''Maternity'', now in the ''Place Adolphe-Chérioux'', 15th arrondissement of Paris, 1899 * allegorical facade figures of ''Education'' and ''Vigilance'' for the Hôtel de Ville, Tours, circa 1900, for architect Victor Laloux * allegorical figure of ''Sculpture'' (1900), facade of the Grand Palais, Paris * ''The Sower'', now at La Piscine Museum, Roub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spire
A spire is a tall, slender, pointed structure on top of a roof of a building or tower, especially at the summit of church steeples. A spire may have a square, circular, or polygonal plan, with a roughly conical or pyramidal shape. Spires are typically made of stonework or brickwork, or else of timber structures with metal cladding, ceramic tiling, roof shingles, or slates on the exterior. Since towers supporting spires are usually square, square-plan spires emerge directly from the tower's walls, but octagonal spires are either built above a pyramidal transition section called a '' broach'' at the spire's base, or else free spaces around the tower's summit for decorative elements like pinnacles. The former solution is known as a ''broach spire''. Small or short spires are known as ''spikes'', ''spirelets'', or '' flèches''. Etymology This sense of the word spire is attested in English since the 1590s, ''spir'' having been used in Middle Low German since the 14t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belfry (architecture)
The belfry /ˈbɛlfri/ is a structure enclosing Bell (instrument), bells for ringing as part of a building, usually as part of a bell tower or Steeple (architecture), steeple. It can also refer to the entire tower or building, particularly in continental Europe for such a tower attached to a city hall or other civic building. A belfry encloses the bell chamber, the room in which the bells are housed; its walls are pierced by openings which allow the sound to escape. The openings may be left uncovered but are commonly filled with louvers to prevent rain and snow from entering and damaging the bells. There may be a separate room below the bell chamber to house the ringers. Etymology The word ''belfry'' comes from the Old French, Old North French or , meaning 'movable wooden siege tower'. The Old French word itself is derived from Middle High German , 'protecting shelter' (cf. the cognate ''bergfried''), combining the Proto-Germanic , 'to protect', or , 'mountain, high place', wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hexagon
In geometry, a hexagon (from Greek , , meaning "six", and , , meaning "corner, angle") is a six-sided polygon. The total of the internal angles of any simple (non-self-intersecting) hexagon is 720°. Regular hexagon A regular hexagon is defined as a hexagon that is both equilateral and equiangular. In other words, a hexagon is said to be regular if the edges are all equal in length, and each of its internal angle is equal to 120°. The Schläfli symbol denotes this polygon as \ . However, the regular hexagon can also be considered as the cutting off the vertices of an equilateral triangle, which can also be denoted as \mathrm\ . A regular hexagon is bicentric, meaning that it is both cyclic (has a circumscribed circle) and tangential (has an inscribed circle). The common length of the sides equals the radius of the circumscribed circle or circumcircle, which equals \tfrac times the apothem (radius of the inscribed circle). Measurement The longest diagonals of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parapet
A parapet is a barrier that is an upward extension of a wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of the wall, sometimes with a coping at the top and corbel below. *Embattled parapets may be panelled, but are pierced, if not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
