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Huygens–Fokker Foundation
The Huygens-Fokker Foundation () is a "centre for microtonal music" founded on February 15, 1960, housed in the Muziekgebouw aan 't IJ (Amsterdam, Netherlands), and named for Christiaan Huygens and Adriaan Fokker (inventor of 31 equal temperament and creator of the Fokker organ). The Foundation's library possesses a large archive of correspondence, scores, books, and other publications. The Foundation presents frequent concerts (originally in Teylers Museum) presenting contemporary, early, popular, and improvised microtonal music. They maintain contact with other organizations dedicated to microtonality including Tonalsoft, the Harry Partch Institute, the Logos Foundation, and individuals such as Kyle Gann Kyle Eugene Gann (born November 21, 1955, in Dallas, Texas) is an American composer, professor of music, critic, analyst, and musicologist who has worked primarily in the New York City area. As a music critic for ''The Village Voice'' (from 1986 .... They published the jou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiaan Huygens-painting
Christiaan is a Dutch, Flemish, and Afrikaans male given name. An archaic spelling of the name was Christiaen with "ae" to indicate the long sound "a". People with the name include: *Christiaan van Adrichem (1533–1585), Dutch Catholic priest and theological writer *Christiaan Andriessen (1775–1846), Dutch painter *Christiaan Bailey (born 1981), American surfer *Christiaan Bakkes (born 1965), South African writer *Christiaan Bangeman Huygens (1772–1857), Dutch diplomat and civil servant *Christiaan Barnard (1922–2001), South African cardiac surgeon known for his heart transplants *Christiaan Basson (born 1982), South African golfer *Christiaan Berger (1911–1965), Dutch sprinter *Christiaan Beyers (1869–1914), South African Boer general during the Second Boer War *Christiaan Bezuidenhout (born 1994), South African golfer *Christiaan Frederick Beyers Naudé (1915–2004), South African cleric, theologian, and anti-apartheid activist *Christiaen Jansz van Bieselingen (155 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Logos Foundation
The Logos Foundation is a professional artistic organisation founded in 1968. It focuses on the promotion of new musics and audio related arts by means of new music production, concerts, performances, composition, technological research projects and other contemporary music related activities. The Logos Foundation (and its concert hall, the Logos Tetrahedron) is based in Ghent, Belgium (Flanders region). Composers Godfried-Willem Raes and Moniek Darge are the major driving forces behind the Logos Foundation. Since the last decades of the 20th century the Logos Foundation encourages publication of music in a copyright-free format. Logos Tetrahedron The ''Logos Tetrahedron'' is a concert hall in Ghent, Belgium adjacent to the foundation's recording studio and offices. It has seating for 150 people and is equipped with sound and light infrastructure. Since the concert hall is in the shape of a tetrahedron, it has no straight angles and, as a result, no standing waves can occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Organisations Based In The Netherlands
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonality
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls "between the keys" of a piano tuned in equal temperament. Terminology Microtone ''Microtonal music'' can refer to any music containing microtones. The words "microtone" and "microtonal" were coined before 1912 by Maud MacCarthy Mann in order to avoid the misnomer "quarter tone" when speaking of the srutis of Indian music. Prior to this time the term "quarter tone" was used, confusingly, not only for an interval actually half the size of a semitone, but also for all intervals (considerably) smaller than a semitone. It may have been even slightly earlier, perhaps as early as 1895, that the Mexican composer Julián Carrillo, writing in Spanish or French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euler–Fokker Genus
In music theory and tuning, an Euler–Fokker genus (plural: genera), named after Leonhard Euler and Adriaan Fokker,Rasch, Rudolph (2000). ''Harry Partch'', p.31-2. Dunn, David, ed. . is a musical scale in just intonation whose pitches can be expressed as products of some of the members of some multiset of generating prime factors. Powers of two are usually ignored, because of the way the human ear perceives octaves as equivalent. An x-dimensional tone-dimension contains x factors. "An Euler-Fokker genus with two dimensions may be represented in a two-dimensional (rectangular) tone-grid, one with three dimensions in a three-dimensional (block-shaped) tone-lattice. Euler-Fokker genera are characterized by a listing of the number of steps in each dimension. The number of steps is represented by a repeated mention of the dimension, so that there arise descriptions such as 3 5 5 5 7 3 5 5 7 7 11 11 etc." For example, the multiset yields the Euler–Fokker genus , 3,&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julián Carrillo
Julián Carrillo Trujillo (January 28, 1875 – September 9, 1965) was a Mexican composer,Camp, Roderic Ai (1995). "Carrillo (Flores), Nabor" on ''Mexican Political Biographies, 1935–1993: Third Edition'', p. 121. . conductor, violinist and music theorist, famous for developing a theory of microtonal music which he dubbed "The Thirteenth Sound" ( Sonido 13). Biography Carrillo was born on January 28, 1875, in Ahualulco, a village in the state of San Luis Potosí. He was the last of the 19 children of Nabor Carrillo and Antonia Trujillo. Early education Carrillo sang in the children's choir of Ahualulco's church. The choir's conductor, Flavio F. Carlos, encouraged him to study music in the state capital, San Luis Potosí. He planned to study for two years, then return to Ahualulco as the church's singer, but problems prevented this plan. He arrived to San Luis Potosí City in 1885 and began to study with Flavio F. Carlos, teacher to several generations of San Luis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sander Germanus
A sander is a power tool used to smooth surfaces by abrasion with sandpaper. Sanders have a means to attach the sandpaper and a mechanism to move it rapidly contained within a housing with means to handhold it or fix it to a workbench. Woodworking sanders are usually powered electrically, and those used in auto-body repair work are usually powered by compressed air. There are many different types of sanders for different purposes. Multipurpose power tools and electric drills may have sander attachments. Types Types of power sanders include: * Belt sander (hand-held or stationary) * Detail sander: A hand-held sander that uses a small vibrating head with a triangular piece of sandpaper attached. Used for sanding corners and very tight spaces. Also known as "mouse" or "corner" sanders. * Disc sander: A disc sander is most commonly implemented as a stationary machine that consists of a replaceable circular shaped sandpaper attached to a wheel turned by an electric motor or compre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyle Gann
Kyle Eugene Gann (born November 21, 1955, in Dallas, Texas) is an American composer, professor of music, critic, analyst, and musicologist who has worked primarily in the New York City area. As a music critic for ''The Village Voice'' (from 1986 to 2005) and other publications, he has supported progressive music, including such "downtown" movements as postminimalism and totalism. Biography Gann was born in 1955 and raised in a musical family. He began composing at the age of 13. After graduating in 1973 from Dallas's Skyline High School, he attended Oberlin Conservatory of Music, where he obtained a B.Mus. in 1977, and Northwestern University, where he received his M.Mus. and D.Mus. in 1981 and 1983, respectively. As well as studying composition with Randolph Coleman at Oberlin, he also studied Renaissance counterpoint with Greg Proctor at the University of Texas at Austin. He studied composition primarily with Ben Johnston (1984–86) and Peter Gena (1977–81), and briefly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Partch
Harry Partch (June 24, 1901 – September 3, 1974) was an American composer, music theorist, and creator of unique musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales, alongside Lou Harrison. He built his own instruments in these tunings on which to play his compositions, and described the method behind his theory and practice in his book '' Genesis of a Music'' (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave. To play his music, Partch built many unique instruments, with such names as the Chromelodeon, the Quadrangularis Reversum, and the Zymo-Xyl. Partch described his music as "corporeal" (emphasizing its physical/viscera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonal Music
Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls "between the keys" of a piano tuned in equal temperament. Terminology Microtone ''Microtonal music'' can refer to any music containing microtones. The words "microtone" and "microtonal" were coined before 1912 by Maud MacCarthy Mann in order to avoid the misnomer " quarter tone" when speaking of the srutis of Indian music. Prior to this time the term "quarter tone" was used, confusingly, not only for an interval actually half the size of a semitone, but also for all intervals (considerably) smaller than a semitone. It may have been even slightly earlier, perhaps as early as 1895, that the Mexican composer Julián Carrillo, writing in Spanish or Frenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
