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How Men Are
''How Men Are'' is the third studio album by English synth-pop band Heaven 17, released on 24 September 1984 by Virgin Records. The album peaked at No. 12 in the UK and was certified Silver (60,000 copies sold) by the BPI in October 1984. Three singles were released from this album: " Sunset Now" (UK #24), "This Is Mine" (UK #23) in 1984, and an edited remix of " ...(And That's No Lie)" (UK #52) in early 1985, which was the first Heaven 17 single to fail to reach the UK Top 40 since " Let Me Go" at the end of 1982. Although digital sample-based instruments such as the Fairlight CMI and the LinnDrum drum machine were still responsible for most of the album's sounds, ''How Men Are'' marked the beginning of an increased usage of acoustic instruments in Heaven 17's music. A small orchestra is employed on three tracks, and two tracks make use of the Phenix Horns Esquire, Earth, Wind & Fire's famous brass section. Another notable contribution to this album was made by the vocal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Gregory
Glenn Peter Gregory (born 16 May 1958) is an English singer, songwriter and multi-instrumentalist whose music career spans more than 40 years. He came to prominence in the early 1980s as co-founder and lead singer of the new wave and synthpop band Heaven 17, which released several UK chart hits in the 1980s and 1990s, including " Temptation", " Let Me Go", " Come Live with Me", "Crushed by the Wheels of Industry", " Sunset Now", "This Is Mine", and " (We Don't Need This) Fascist Groove Thang" Early years Glenn Peter Gregory was born on 16 May 1958 in Sheffield, England. His father, Howard, was a steel worker. As a teenager, he wanted to be an actor, but he worked in London as a photographer. Music career In 1977, Gregory was part of the band 57 Men, formed by Jack Hues and Nick Feldman, who both later formed the band Wang Chung. Gregory knew the founding members of The Human League for many years. He had been singing and playing bass guitar in bands with Ian Craig Marsh si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reissue
In the music industry, a reissue (also re-release, repackage or re-edition) is the release of an album or single which has been released at least once before, sometimes with alterations or additions. Reasons for reissue New audio formats Recordings originally released in an audio format that has become technologically or commercially obsolete are reissued in new formats. For example, thousands of original vinyl albums have been reissued on CDs since introduction of that format in the early 1980s. With the introduction of the LP record in 1948, some collections of 78 rpm records were reissued on LP. More recently, many albums originally released on CD or earlier formats have been reissued on SACD, DVD-Audio, digital music downloads, and on music streaming services. Budget records Beginning with Pickwick Records, which acquired the rights to reissue many of Capitol Records' non-current albums at a low price in venues other than record stores, several record companies started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remaster
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape. This tape wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrodiziak
Afrodiziak was a British singing group composed of Caron Wheeler, Claudia Fontaine, and later Naomi Thompson, that was active in the 1980s. As a duo, Wheeler and Fontaine were best known for performing backing vocals on the Jam's final single "Beat Surrender" in 1982 (on whose final tour they performed) and Elvis Costello's 1983 album ''Punch the Clock'', especially its lead single, the international hit " Everyday I Write the Book". After the addition of Naomi Thompson as a third member, Afrodiziak performed backing vocals on the hit single "Free Nelson Mandela", including the a cappella intro, staging it on Channel 4's music show '' The Tube'' in March 1984. Heaven 17's 1984 album ''How Men Are'' featured them prominently, especially on the singles "Sunset Now" and "And That's No Lie". Afrodiziak performed on Madness's albums '' Keep Moving'' and ''Mad Not Mad'' in 1984 and 1985, appearing in the music video for that group's single "Sweetest Girl". Also in 1985 they performe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'. There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series. The view of most scholars (see organology) is that the term "brass instrument" should be defined by the way the sound is made, as above, and not by whether the instrument is actually made of brass. Thus one finds brass instruments made of wood, like the alphorn, the cornett, the serpent and the didgeridoo, while s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earth, Wind & Fire
Earth, Wind & Fire (EW&F or EWF) is an American band whose music spans the genres of jazz, R&B, soul, funk, disco, pop, big band, Latin, and Afro pop. They are among the best-selling bands of all time, with sales of over 90 million records worldwide. The band was founded in Chicago by Maurice White in 1969, growing out of the Salty Peppers. Prominent members have included Philip Bailey, Verdine White, Ralph Johnson, Larry Dunn, Al McKay, Roland Bautista, Robert Brookins, Sonny Emory, Fred Ravel, Ronnie Laws, Sheldon Reynolds and Andrew Woolfolk. The band is known for its kalimba sound, dynamic horn section, energetic and elaborate stage shows, and the contrast between Bailey's falsetto and Maurice's baritone. The band has won 6 Grammys out of 17 nominations and four American Music Awards out of 12 nominations. They have been inducted into the Rock and Roll Hall of Fame, the Vocal Group Hall of Fame, the NAACP Image Award Hall of Fame, and Hollywood's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phenix Horns
, originally known as the EWF Horns, were the main horn section for the band Earth, Wind & Fire. The horn section were composed of Don Myrick on saxophone, Louis "Lui Lui" Satterfield on trombone, Rahmlee Michael Davis on trumpet, and Michael Harris on trumpet. The Phenix Horns are also known for their work with Phil Collins and the band Genesis. They have also performed with other artists, such as the Chi-Lites, Ramsey Lewis, Deniece Williams and the Emotions. The horn section should not be confused with the Earth, Wind & Fire Horns which were established in 1987. History The Pharaohs Don Myrick, Louis Satterfield, and Rahmlee Michael Davis recorded in the early 1970s with the formation the Pharaohs, from which two albums have been re-issued on CD: '' The Awakening'', recorded in 1971, and a live album, ''In the Basement'', recorded in 1972. Formation A young drummer by the name of Maurice White met trombonist and bassist Louis Satterfield while performing at Chicago's C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, cello, and double bass * woodwinds, such as the flute, oboe, clarinet, saxophone, and bassoon * Brass instruments, such as the horn, trumpet, trombone, cornet, and tuba * percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, and mallet percussion instruments Other instruments such as the piano, harpsichord, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments and guitars. A full-size Western orchestra may sometimes be called a or philharmonic orchestra (from Greek ''phil-'', "loving", and "harmony"). The actual number of musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustic Music
Acoustic music is music that solely or primarily uses instruments that produce sound through acoustic means, as opposed to electric or electronic means. While all music was once acoustic, the retronym "acoustic music" appeared after the advent of electric instruments, such as the electric guitar, electric violin, electric organ and synthesizer. Acoustic string instrumentations had long been a subset of popular music, particularly in folk. It stood in contrast to various other types of music in various eras, including big band music in the pre-rock era, and electric music in the rock era. Music reviewer Craig Conley suggests, "When music is labeled acoustic, unplugged, or unwired, the assumption seems to be that other types of music are ''cluttered'' by technology and overproduction and therefore aren't as ''pure''." Types of acoustic instruments Acoustic instruments can be split into six groups: string instruments, wind instruments, percussion, other instruments, en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LinnDrum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's " Relax", a-Ha's " Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's "Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's "Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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