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Hoori
, also known as , is a figure in Japanese mythology, the third and youngest son of and the blossom princess . He is one of the ancestors of the Emperors of Japan as the grandfather of Emperor Jimmu. He is also known as . Mythology Hoori's legend is told in both the ''Kojiki'' and the ''Nihon Shoki''. Hoori was a hunter, and he had an argument with his brother Hoderi, a fisherman, over a fish-hook that Hoori had forced his elder brother to lend him and had lost. Hoderi claimed that Hoori should give back the fish-hook, for he refused to accept another one (due to the belief that each tool is animated and hence unique). Hoori then descended to the bottom of the sea to search, but was unable to find it. Instead, he found Toyotama-hime, the daughter of the sea god, Ryūjin. The sea god helped Hoori find Hoderi's lost hook, and Hoori later married Toyotama-hime. Hoori lived with his wife in a palace under the sea for three years, but after that Hoori became home-sick and wished to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Hoderi
, in Japanese mythology and folklore, was a deity of the bounty of the sea and enchanted fisherman. He is called in the ''Kojiki'', and or in the ''Nihon Shoki''. In Japanese mythology, he appears with his younger brother Yamasachi-hiko (Hoori). When the fish hook he lends to his younger brother is lost at sea, he demands its return rather than to accept any compensation. Later, Hoderi is defeated after attacking Hoori (who has obtained mastery of the tides with a magic jewel) and vows to serve his younger brother forever onward. Genealogy According to the ''Kojiki'', Umisachi-hiko or Hoderi ("Fire Shine") was the eldest son of the god Ninigi and the blossom princess Konohanasakuya-hime, who gave birth to triplets., ''Kojiki'', pp. 117–119, note 10 (Hoderi-no-mikoto), p. 119 ("a prince who got his luck on the sea"). The ''Nihon Shoki'' refers to the birth of the triplets redundantly several times, and the names are represented inconsistently. In the main text, the eldest i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Kojiki
The , also sometimes read as or , is an early Japanese chronicle of myths, legends, hymns, genealogies, oral traditions, and semi-historical accounts down to 641 concerning the origin of the Japanese archipelago, the , and the Japanese imperial line. It is claimed in its preface to have been composed by Ō no Yasumaro at the request of Empress Genmei in the early 8th century (711–712), and thus is usually considered to be the oldest extant literary work in Japan. The myths contained in the as well as the are part of the inspiration behind many practices and unified "Shinto orthodoxy". Later, they were incorporated into Shinto practices such as the purification ritual. Composition It is believed that the compilation of various genealogical and anecdotal histories of the imperial (Yamato) court and prominent clans began during the reigns of Emperors Keitai and Kinmei in the 6th century, with the first concerted effort at historical compilation of which we have record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Toyotama-hime
is a goddess in Japanese mythology who appears in ''Kojiki'' and ''Nihon Shoki''. She is the daughter of the sea deity, Watatsumi, and the wife of Hoori. She is known as the paternal grandmother of Emperor Jimmu, the first emperor of Japan. Toyotama marries the prince Hoori, but returns to the sea when he breaks the vow not to spy on her while she goes through childbirth. The child she gave birth to was Ugayafukiaezu. Name Toyotama-hime's name is believed to mean "a ''miko'' (shrine maiden) who makes rich pearls attract divine spirits," in which ''toyo'' (豊) stands for "rich" and ''tama'' (玉) stands for "pearl". Myth The account of Toyotama-hime and Hoori appear in the ''Kojiki'' and the ''Nihon Shoki''. Toyotama-hime was the daughter of the sea deity Watatsumi. The palace where they reside is said to be as if made from fish scales and supposedly lies undersea. She makes a fateful meeting with the hunter prince, Yamasachi, also known as Hoori ("Fire-Subside"). T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Wani (dragon)
was a Japanese dragon, dragon or sea monster in Japanese mythology. Since it is written using the kanji Wikt:鰐, 鰐 (from Chinese ''e'' 鰐 or Wikt:鱷, 鱷 "crocodile; alligator") ''wani'' is translated as "crocodile", or sometimes "shark" (from ''wanizame'' wiktionary:鰐鮫, 鰐鮫 "shark"). Description ''Wani'' first occurs in two ancient Japanese "mytho-histories", the ca. 680 CE ''Kojiki'' and ca. 720 CE ''Nihongi''. They write ''wani'' with the Man'yōgana phonetic transcription wiktionary:和邇, 和邇 and the kanji 鰐. The ''Kojiki'' uses ''wani'' 和邇 several times as a proper name (e.g., the Confucianist scholar Wani (scholar), Wani) and as a sea-monster in two contexts. First, in the "Hare of Inaba, White Hare of Inaba" fable, the gods try and fail to help a ''shiro'' wiktionary:白, 白 (lit. "white") "naked; hairless" hare that they found crying on a beach. But the Deity Great-Name-Possessor, who came last of all, saw the hare, and said: "Why liest thou wee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Ninigi-no-Mikoto
is a deity in Japanese mythology. (-no-Mikoto here is an honorific title applied to the names of Japanese gods; Ninigi is the specific god's name.) Grandson of the sun goddess Amaterasu, Ninigi is regarded according to Japanese mythology as the great-grandfather of Japan’s first emperor, Emperor Jimmu. The Imperial Regalia of Japan, three sacred treasures brought with Ninigi from Heaven and divine ancestry established the Imperial House of Japan, Japanese Imperial Family. The three generations of ''kami'' starting with Ninigi are sometimes referred to as the three generations of Hyūga, they are said to represent a transitional period between the heavenly ''kami'' and the first emperor. Name and etymology Ninigi-no-Mikoto (瓊瓊杵尊), means "The Great God Ninigi." Another name of his is Ame-nigishi-kuni-nigishi-amatsuhiko-hiko-ho-no-ninigi-no-Mikoto (天邇岐志国邇岐志天津日高日子番能邇邇芸命) or "The Great God Ninigi, of the Imperial State, The Child o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Konohanasakuya-hime
Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. She is often considered an avatar of Japanese life, especially since her symbol is the ''sakura'' (cherry blossom). Shinto shrines have been built on Mount Fuji for Sakuya-hime, collectively known as the Asama shrine, Asama or Sengen Shrines. It is believed that she will keep Mount Fuji from erupting, but shrines to her at Mount Kirishima, Kirishima have been repeatedly destroyed by volcanic eruptions. She is also known for having torn up the Yatsugatake Mountains, because it was higher than Fujiyama. Name and etymology Konohanasakuya-hime or Konohananosakuya-hime (wiktionary:木花咲耶姫, 木花咲耶姫 or wiktionary:木花開耶姫, 木花開耶姫; lit. "''[cherry] tree blossom blooming princess''" (''princess'', or ''lady of high birth'' explains hime; her name also appears in a shorter form as "''Sakuya-hime''" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Nihon Shoki
The or , sometimes translated as ''The Chronicles of Japan'', is the second-oldest book of classical Japanese history. It is more elaborate and detailed than the , the oldest, and has proven to be an important tool for historians and archaeologists as it includes the most complete extant historical record of ancient Japan. The was finished in 720 under the editorial supervision of Prince Toneri with the assistance of Ō no Yasumaro and presented to Empress Genshō. The book is also a reflection of Chinese influence on Japanese civilization. In Japan, the Sinicized court wanted written history that could be compared with the annals of the Chinese. The begins with the Japanese creation myth, explaining the origin of the world and the first seven generations of divine beings (starting with Kuninotokotachi), and goes on with a number of myths as does the , but continues its account through to events of the 8th century. It is believed to record accurately the latter reig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Ryūjin
Ryūjin ( 龍神, ), which in some traditions is equivalent to Ōwatatsumi, was the tutelary deity of the sea in Japanese mythology. In many versions Ryūjin had the ability to transform into a human shape. Many believed the god had knowledge of medicine and many considered him as the bringer of rain and thunder, Ryūjin is also the patron god ('' ujigami'') of several family groups. This Japanese dragon, symbolizing the power of the ocean, had a large mouth. He is considered a good god and patron of Japan, since the Japanese population has for millennia lived off the bounty of the sea. Ryūjin is also credited with the challenge of a hurricane which sank the Mongolian flotilla sent by Kublai Khan. Ryūjin lived in Ryūgū-jō, his palace under the sea built out of red and white coral, from where he controlled the tides with magical tide jewels. Sea turtles, fish, jellyfish, snakes, and other sea creatures are often seen as Ryūjin's servants. Mythology How the jellyfish l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Konohana Sakuya
Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. She is often considered an avatar of Japanese life, especially since her symbol is the ''sakura'' (cherry blossom). Shinto shrines have been built on Mount Fuji for Sakuya-hime, collectively known as the Asama or Sengen Shrines. It is believed that she will keep Mount Fuji from erupting, but shrines to her at Kirishima have been repeatedly destroyed by volcanic eruptions. She is also known for having torn up the Yatsugatake Mountains, because it was higher than Fujiyama. Name and etymology Konohanasakuya-hime or Konohananosakuya-hime ( 木花咲耶姫 or 木花開耶姫; lit. "'' herrytree blossom blooming princess''" (''princess'', or ''lady of high birth'' explains hime; her name also appears in a shorter form as "''Sakuya-hime''", and she is also called ''Sengen'')) Myths Ninigi and Sakuya-hime Sakuya-hime m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Ugayafukiaezu
is a Shinto ''kami'', and is in Japanese mythology, the father of Japan's first Emperor, Emperor Jimmu. Nomenclature and story In the ''Kojiki'', his name appears as , and in the ''Nihon Shoki'' as . Basil Hall Chamberlain glossed the ''Kojiki'' name as "His Augustness Heaven's-Sun-Height-Prince-Wave-limit-Brave-Cormorant-Thatch-Meeting-Incompletely". 'no Mikoto' here is an honorific, denoting divinity or royalty. Ugayafukiaezu was a child of Hoori, the son of Ninigi-no-Mikoto, who was sent down by Amaterasu to govern the earth ( Ashihara no Nakatsukuni) (believed to be equivalent to Japan), and of Toyotama-hime, a daughter of Ryūjin, the dragon ''kami'' of the sea. Although Toyotama-hime became pregnant at the undersea palace of Ryūgū-jō, she opted not to bear the child in the ocean and decided to head to shore. On the shore, her parents attempted to build a house in which she could give birth, and attempted to construct the roof with feathers of the cormorant instea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Japanese Gods
This is a list of divinities native to Japanese beliefs and religious traditions. Many of these are from Shinto, while others were imported via Buddhism and were "integrated" into Japanese mythology and folklore. Kotoamatsukami * Amenominakanushi () – Central Master * Takamimusubi () – High Creator * Kamimusubi () – Divine Creator * Umashi'ashikabihikoji () – Energy/Chaos * Amenotokotachi () – Heaven Kamiyonanayo * Izanagi: () was a creation deity; he makes up the seventh generation of the Kamiyonanayo, along with his wife and sister, Izanami. * Izanami: () was a creation deity; she makes up the seventh generation of the Kamiyonanayo, along with her husband and brother, Izanagi. * Kuninotokotachi () was a deity classified as a hitorigami. He was, by himself, the first generation of the Kamiyonanayo. He was considered one of the first two gods, according to the , or one of the first three gods, according to the ''Nihongi''. * Omodaru and Ayakashikone: ( an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Hyūga Province
was a province of Japan in the area of southeastern Kyūshū, corresponding to modern Miyazaki Prefecture Hyūga bordered on Ōsumi to the south, Higo to the west, and Bungo to the north. Its abbreviated form name was , although it was also called . In terms of the Gokishichidō system, Hyūga was one of the provinces of the Saikaidō circuit. Under the '' Engishiki'' classification system, Hyūga was ranked as one of the "middle countries" (中国) in terms of importance, and one of the "far countries" (遠国) in terms of distance from the capital. History Early history Ruins from the Japanese Paleolithic period have been discovered in the Hyūga area, and red-colored pottery made from cinnabar has been excavated from the Tsukahara ruins from the Jōmon period. The Hyūga region of the Yayoi period is characterized by the lack of bronze tools and the presence of gouged square stone knives, while imported ironware from the central Kyushu region have been unearthed. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
