Homage To Cézanne
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Homage To Cézanne
''Homage to Cézanne'' () is a painting in oil on canvas by the French artist Maurice Denis dating from 1900.Maurice Denis ''Homage to Cézanne''
Musée d'Orsay, 2006. Retrieved 17 June 2014.
It depicts a number of key figures from the once secret brotherhood of (Hebr. the Prophets). The painting is a retrospective; by 1900 the group was breaking up as its members matured.


Subject matter and composition

In this painting, Maurice Denis has gathered a group of friends, artists and critics to celebrate



Maurice Denis Homage To Cezanne 1900
Maurice may refer to: *Maurice (name), a given name and surname, including a list of people with the name Places * or Mauritius, an island country in the Indian Ocean *Maurice, Iowa, a city *Maurice, Louisiana, a village *Maurice River, a tributary of the Delaware River in New Jersey Other uses *Maurice (2015 film), ''Maurice'' (2015 film), a Canadian short drama film *Maurice (horse), a Thoroughbred racehorse *Maurice (novel), ''Maurice'' (novel), a 1913 novel by E. M. Forster, published in 1971 **Maurice (1987 film), ''Maurice'' (1987 film), a British film based on the novel *Maurice (Shelley), ''Maurice'' (Shelley), a children's story by Mary Shelley *Maurice, a List of Madagascar (franchise) characters#Maurice, character from the Madagascar ''franchise'' *Maurices, an American retail clothing chain *Maurice or Maryse, a type of cooking spatula See also

*Church of Saint Maurice (other) * *Maurice Debate, a 1918 debate in the British House of Commons *Maurice L ...
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Paul Sérusier
Paul Sérusier (; 9 November 1864 – 7 October 1927) was a French painter who was a pioneer of abstract art and an inspiration for the avant-garde Nabis movement, Synthetism and Cloisonnism. Education Sérusier was born in Paris. He studied at the Académie Julian and was a monitor there in the mid-1880s. In the summer of 1888 he travelled to Pont-Aven and joined the small group of artists centered there around Paul Gauguin. While at the Pont-Aven artist's colony he painted a picture that became known as '' The Talisman'', under the close supervision of Gauguin. The picture was an extreme exercise in Cloisonnism that approximated to pure abstraction. He was a Post-Impressionist painter, a part of the group of painters called Les Nabis. Sérusier, along with Paul Gauguin, named the group. Pierre Bonnard, Édouard Vuillard and Maurice Denis became the best known of the group, but at the time they were somewhat peripheral to the core group. In 1892 Sérusier met and befr ...
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Henri Fantin-Latour
Henri Fantin-Latour (; 14 January 1836 – 25 August 1904) was a French painter and lithographer best known for his flower paintings and group portraits of Parisian artists and writers. Early life Born in Grenoble, Isère, Ignace Henri Jean Théodore Fantin-Latour first had drawing lessons with his father Théodore Fantin-Latour (1805-1875), who was a painter.Poulet & Murphy 1979, p. 73. In 1850 he moved to Paris where he enrolled in the small Paris School of Drawing, where he studied with Louis-Alexandre Péron and Horace Lecoq de Boisbaudran, an innovative and non-traditional instructor who developed his own teaching method based on painting and drawing from memory. He entered the École des Beaux-Arts, in Paris, in 1854, where he had for classmates, Edgar Degas, Alphonse Legros and Jean-Charles Cazin. After studying there, he spent long time copying the works of the old masters in the Musée du Louvre. Although Fantin-Latour befriended several of the young artists who would ...
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A Studio At Les Batignolles
''A Studio at Les Batignolles (''French language, French: ''Un Atelier aux Batignolles)'' is an oil-on-canvas painting by French Impressionism, Impressionist painter and lithographer Henri Fantin-Latour, created in 1870. It depicts the Batignolles group, Batignolles Group at the studio of Édouard Manet in the Batignolles Quarter. The painting was exhibited at the Salon (Paris), Salon in Paris in 1870. ''A Studio at Les Batignolles'' is the companion piece to a work created six years earlier by Fantin-Latour, ''Homage to Delacroix'', which was done as a tribute to the Romantic painter who had died a year earlier. The two paintings are meant to represent friendship and partisanship among the painters. In contrast to the earlier work, the leading figure in ''A Studio'' is Édouard Manet. The work was acquired by the Musée d'Orsay in 1986, and it remains there today. Background The Batignolles Group The Batignolles Quarter was a district of Paris that served as the center for a ...
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Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ...
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Henri Fantin-Latour - A Studio At Les Batignolles - Google Art Project
Henri is the French form of the masculine given name Henry, also in Estonian, Finnish, German and Luxembourgish. Bearers of the given name include: People French nobles * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway (1648–1720), French Huguenot soldier and diplomat, one of the principal commanders of Battle of Almansa * François-Henri de Montmo ...
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Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ...
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Edward Lucie-Smith
John Edward McKenzie Lucie-Smith (born 27 February 1933), known as Edward Lucie-Smith, is a Jamaican-born English writer, poet, art critic, curator and broadcaster. He has been highly prolific in these fields, writing or editing over a hundred books, his subjects gradually shifting around the late 1960s from mostly literature to mostly art. Biography Lucie-Smith was born in Kingston, Jamaica, the son of Mary Frances (née Lushington) and John Dudley Lucie-Smith. He moved to the United Kingdom in 1946.BiographRetrieved 4 October 2018./ref> He was educated at The King's School, Canterbury, then spent time in Paris. In 1954, he received a Bachelor of Arts from Merton College, Oxford. After serving in the Royal Air Force as an education officer and working as a copywriter, Lucie-Smith became a full-time writer (as well as anthologist and photographer). He succeeded Philip Hobsbaum in organising The Group, a London-centred poets' group. At the beginning of the 1980s he conducte ...
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Gustave Moreau
Gustave Moreau (; 6 April 1826 – 18 April 1898) was a French artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence".Cassou, Jean. 1979. ''The Concise Encyclopedia of Symbolism.'' Chartwell Books, Inc., Secaucus, New Jersey, 292 pp. He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters. Art historian Robert Delevoy wrote that Moreau "brought symbolist polyvalence to its highest point in '' Jupiter and Semele''."Delevoy, Robert L. 1978. ''Symbolist and Symbolism.'' Editions D'Art Albert Skira, Geneva//Rizzoli International Publishing, Inc. New York. 247 pp. He was a prolific artist who produced over 15,000 paintings, watercolors, and drawings. Moreau painted allegories and traditional biblical and mythological subjects favored by the fine art academies. J. K. Huysmans wrote, "Gustave Mor ...
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National Gallery Of Australia
The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in the Australian Capital Territory, it was established in 1967 by the Australian Government as a national public art museum. it is under the directorship of Nick Mitzevich. Establishment Prominent Australian artist Tom Roberts had lobbied various Australian prime ministers, starting with the first, Edmund Barton. Prime Minister Andrew Fisher accepted the idea in 1910, and the following year Parliament established a bipartisan committee of six political leaders—the ''Historic Memorials Committee''. The Committee decided that the government should collect portraits of Australian governors-general, parliamentary leaders and the principal "fathers" of federation to be painted by Australian artists. This led to the establishment of what b ...
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Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 ...
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Ker-Xavier Roussel
Ker-Xavier Roussel (10 December 1867 – 6 June 1944) was a French painter associated with Les Nabis. Biography Born François Xavier Roussel in Lorry-lès-Metz, Moselle in 1867, at age fifteen he studied at the Lycée Condorcet in Paris; alongside his friend Édouard Vuillard, he also studied at the studio of painter Diogène Maillart. In 1888, he enrolled in the École des Beaux-Arts, and soon began frequenting the Académie Julian where Maurice Denis and other students formed the group ''Les Nabis''. In 1899, Roussel, Vuillard, and his close friend, Pierre Bonnard, travelled to Lake Como, Venice, and Milan. In that year he settled in L'Étang-la-Ville, Yvelines and the subject-matter of his paintings veered towards rural landscapes. He drew his subject matter from the area around L'Étang-la-Ville and Saint-Tropez, adapting the scenery to Greek mythological episodes depicting women, children, nymphs, centaurs and fauns. His wife Marie (Vuillard's sister), his daughter Ann ...
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