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Hitsuzendō
is believed by Zen Buddhism, Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 ''sanmai''), which is a unification with the highest reality. Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well-proportioned and pleasing to the eye) is foreign. Instead, the calligraphy of Hitsuzendo must breathe with the vitality of eternal experience. Origins Yokoyama Tenkei (1885–1966), inspired by the teachings of Yamaoka Tesshu (1836–1888), founded the Hitsuzendo line of thought as a "practice to uncover one's Buddha nature, original self through the brush." This was then further developed by Omori Sogen Roshi as a way of Zen practice. Hitsuzendo is practised standing, using a large brush and ink, usually on newspaper roll. In this way, the whole body is used to guide the brush, in contrast to writing at a table. History Calligraphy was brought to Japan from China and Chinese masters such as Wang ...
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Japanese Calligraphy
, also called , is a form of calligraphy, or artistic writing, of the Japanese language. Japanese writing system, Written Japanese was originally based on Man'yōgana, Chinese characters only, but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles. Styles The term shodō (書道, "way of writing") is of Chinese origin and is widely used to describe the art of Chinese calligraphy during the medieval Tang dynasty. Early Japanese calligraphy was originated from Chinese calligraphy. Many of its principles and techniques are very similar, and it recognizes the same basic writing styles: * seal script (篆書 ''tensho'') (pinyin: ''zhuànshū''). The seal script (tensho) was commonly used throughout the Zhou dynasty (1046–256 BC) and the following Qin dynasty (221–206 BC) of China. After this time period, tensho style fell out of popularity in favor of reisho. However, tensho was still used for titles of published ...
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Bokuseki
''Bokuseki'' (墨跡) is a Japanese term meaning “ink trace”, and refers to a form of Japanese calligraphy (''shodō'') and more specifically a style of '' zenga'' developed by Zen monks. ''Bokuseki'' is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher’s pure state of mind (see ''Samadhi''). The aim in making ''Bokuseki'' is to represent one’s single-moment awareness by brushing each word or passage with a single breath, ultimately realizing Zen and manifesting one’s ''zazen'' practice into physical and artistic action. Fundamentally ''bokuseki'' is a reflection of one’s spontaneous action (see: Buddha-nature, '' katsu'') free from one’s superficial or rationally oriented mind. Gallery See also *Japanese calligraphy **'' Zenga'' **''Hitsuzendō is believed by Zen Buddhism, Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 ''sanmai''), which is a unification with the highest rea ...
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Zenga
''Zenga'' is a term for the practice and art of Zen Buddhist painting and calligraphy in the Japanese tea ceremony and also the martial arts. Zenga is a style of Chinese and Japanese calligraphy and painting, done in ink. The term is most often used for artwork by Buddhist monks, often without formal artistic training, and is sometimes contrasted with " nanga," or "literati painting," made by scholars. In many instances, both calligraphy and image will be in the same piece. The calligraphy denotes a poem, or saying, that teaches some element of the true path of Zen. These inscriptions are usually short, often written in kana. The brush painting is characteristically simple, bold and abstract, and the style often playful and spontaneous. In keeping with individual paths to enlightenment, nearly any subject matter can lend (and has lent) itself to zenga. Everything from a cat, to a bamboo shoot, to a man defecating in a field has been used to illustrate a particular point - a ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Heian Era
The is the last division of classical Japanese history, running from 794 to 1185. It followed the Nara period, beginning when the 50th emperor, Emperor Kammu, moved the capital of Japan to Heian-kyō (modern Kyoto). means in Japanese. It is a period in Japanese history when the Chinese influence on Japanese culture, Chinese influences were in decline and the national culture matured. The Heian period is also considered the peak of the Japanese Emperors of Japan, imperial court, noted for its Japanese art, art, especially Japanese poetry, poetry and Japanese literature, literature. Two syllabaries unique to Japan, katakana and hiragana, emerged during this time. This gave rise to Japan's famous vernacular literature, with many of its texts written by court ladies who were not as educated in Chinese as their male counterparts. Although the Imperial House of Japan had power on the surface, the real power was in the hands of the Fujiwara clan, a powerful Kuge, aristocratic family wh ...
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Visual Motifs
The visual system is the physiological basis of visual perception (the ability to perception, detect and process light). The system detects, phototransduction, transduces and interprets information concerning light within the visible range to construct an imaging, image and build a mental model of the surrounding environment. The visual system is associated with the eye and functionally divided into the optics, optical system (including cornea and crystalline lens, lens) and the nervous system, neural system (including the retina and visual cortex). The visual system performs a number of complex tasks based on the ''image forming'' functionality of the eye, including the formation of monocular images, the neural mechanisms underlying stereopsis and assessment of distances to (depth perception) and between objects, motion perception, pattern recognition, accurate motor coordination under visual guidance, and colour vision. Together, these facilitate higher order tasks, such as ...
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Japanese Art
Japanese art consists of a wide range of art styles and media that includes Jōmon pottery, ancient pottery, Japanese sculpture, sculpture, Ink wash painting, ink painting and Japanese calligraphy, calligraphy on silk and paper, Ukiyo-e, paintings and Woodblock printing in Japan, woodblock prints, Japanese pottery and porcelain, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BCE, to the present day. Japan has alternated between periods of exposure to new ideas, and long periods of minimal contact with the outside world. Over time the country absorbed, imitated, and finally assimilated elements of foreign culture that complemented already-existing aesthetic preferences. The earliest complex art in Japan was produced in the 7th and 8th centuries Buddhist art in Japan, in connection with Buddhism. In the 9th century, as the Japanese began to turn awa ...
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Zen Buddhist Philosophical Concepts
Zen (; from Chinese: ''Chán''; in Korean: ''Sŏn'', and Vietnamese: ''Thiền'') is a Mahayana Buddhist tradition that developed in China during the Tang dynasty by blending Indian Mahayana Buddhism, particularly Yogacara and Madhyamaka philosophies, with Chinese Taoist thought, especially Xuanxue, Neo-Daoist. Zen originated as the Chan Buddhism, Chan School (禪宗, ''chánzōng'', 'meditation school') or the Buddha-nature, Buddha-mind school (佛心宗'', fóxīnzōng''), and later developed into various sub-schools and branches. Chan is traditionally believed to have been brought to China by the semi-legendary figure Bodhidharma, an Indian (or Central Asian) monk who is said to have introduced dhyana teachings to China. From China, Chán spread south to Vietnam and became Thiền, Vietnamese Thiền, northeast to Korea to become Korean Seon, Seon Buddhism, and east to Japan, becoming Japanese Zen. Zen emphasizes Buddhist meditation, meditation practice, direct insight int ...
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East Asian Calligraphy
Calligraphy () is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". In East Asia and the Islamic world, where written forms allow for greater flexibility, calligraphy is regarded as a significant art form, and the form it takes may be affected by the meaning of the text or the individual words. Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the legibility of letters varies. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Western calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic desi ...
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Spirituality
The meaning of ''spirituality'' has developed and expanded over time, and various meanings can be found alongside each other. Traditionally, spirituality referred to a religious process of re-formation which "aims to recover the original shape of man", oriented at "the image of God" as exemplified by the List of founders of religious traditions, founders and sacred texts of the religions of the world. The term was used within early Christianity to refer to a life oriented toward Holy Spirit (Christianity), the Holy Spirit and broadened during the Late Middle Ages to include mind, mental aspects of life. In modern times, the term both spread to other religious traditions and broadened to refer to a wider range of experiences, including a range of Western esotericism, esoteric and religious traditions. Modern usages tend to refer to a subjective experience of a Sacredness, sacred dimension, and the "deepest values and meanings by which people live", often in a context separate from ...
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Wang Xizhi
Wang Xizhi ( zh, c=王羲之; courtesy name: Yishao ( zh, labels=no, c=逸少); ) was a Chinese politician, general and calligrapher from the Jin dynasty (266–420) known for his mastery of Chinese calligraphy. He is often regarded as the greatest calligrapher in Chinese history. His most famous work, composed in 353, is the (; "Preface to the Poems Composed at the Orchid Pavilion"). Born in Langya Commandery (in present-day Linyi, Shandong), Wang fled to southern China in his childhood after the collapse of the Western Jin dynasty. He studied calligraphy under the tutelage of relatives, including Wei Shuo, and became engaged to Xi Xuan around the year 323. They had eight children, including Wang Xianzhi (calligrapher), Wang Xianzhi, who later became a renowned calligrapher in his own right. Between 324 and 354, Wang Xizhi served in various government positions. He received his highest title, "General of the Right Army", in 347, and was appointed administrator of Kuaiji (presen ...
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Original Face Enso
Originality is the aspect of created or invented works that distinguish them from reproductions, clones, forgeries, or substantially derivative works. The modern idea of originality is according to some scholars tied to Romanticism, by a notion that is often called romantic originality.Smith (1924)Waterhouse (1926)Macfarlane (2007) The validity of "originality" as an operational concept has been questioned. For example, there is no clear boundary between "derivative" and "inspired by" or "in the tradition of." The concept of originality is both culturally and historically contingent. For example, unattributed reiteration of a published text in one culture might be considered plagiarism but in another culture might be regarded as a convention of veneration. At the time of Shakespeare, it was more common to appreciate the similarity with an admired classical work, and Shakespeare himself avoided "unnecessary invention".Royal Shakespeare Company (2007) ''The RSC Shakespeare - Will ...
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