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History Of Western Typography
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage currency in ancient times. The basic elements of typography are at least as old as civilization and the earliest writing systems—a series of key developments that were eventually drawn together into one systematic craft. While woodblock printing and movable type had precedents in East Asia, typography in the Western world developed after the invention of the printing press by Johannes Gutenberg in the mid-15th century. The initial spread of printing throughout Germany and Italy led to the enduring legacy and continued use of blackletter, roman, and italic types. Medieval design roots Typography, type-founding, and typeface design began as closely related crafts in mid-15th-century Europe with the introduction of movable type printing at the junction of the medieval era and the Renaissance. Handwritten letterfo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long S-I Garamond Sort 001
Long may refer to: Measurement * Long, characteristic of something of great duration * Long, characteristic of something of great length * Longitude (abbreviation: long.), a geographic coordinate * Longa (music), note value in early music mensural notation Places Asia * Long District, Laos * Long District, Phrae, Thailand * Longjiang (other) or River Long (lit. "dragon river"), one of several rivers in China * Yangtze River or Changjiang (lit. "Long River"), China Elsewhere * Long, Somme, France * Long, Washington, United States People * Long (surname) * Long (surname 龍) (Chinese surname) Fictional characters * Long (''Bloody Roar''), in the video game series Sports * Long, a fielding term in cricket * Long, in tennis and similar games, beyond the service line during a serve and beyond the baseline during play Other uses * , a U.S. Navy ship name * Long (finance), a position in finance, especially stock markets * Lòng, name for a laneway in Shanghai * Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Type
In Latin script typography, roman is one of the three main kinds of historical type, alongside blackletter and italic. Roman type was modelled from a European scribal manuscript style of the 15th century, based on the pairing of inscriptional capitals used in ancient Rome with Carolingian minuscules developed in the Holy Roman Empire.Bringhurst, p 124. During the early Renaissance, roman (in the form of Antiqua) and italic type were used separately. Today, roman and italic type are mixed, and most typefaces are composed of an upright roman style with an associated italic or oblique style. Early roman typefaces show a variety of designs, for instance resembling what would now be considered blackletter. Printers and typefounders such as Nicolas Jenson and Aldus Manutius in Venice and later Robert Estienne in France codified the modern characteristics of Roman type, for instance an 'h' with a nearly straight right leg, serifs on the outside of the capital 'M' and 'N', and 'e' wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fraktur (typeface Sub-classification)
Fraktur () is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. The blackletter lines are broken up; that is, their forms contain many angles when compared to the curves of the Antiqua (common) typefaces modeled after antique Roman square capitals and Carolingian minuscule. From this, Fraktur is sometimes contrasted with the "Latin alphabet" in northern European texts, which is sometimes called the "German alphabet", simply being a typeface of the Latin alphabet. Similarly, the term "Fraktur" or "Gothic" is sometimes applied to ''all'' of the blackletter typefaces (known in German as , "Broken Script"). The word derives from Latin ("a break"), built from , passive participle of ("to break"), the same root as the English word "fracture". Characteristics Besides the 26 letters of the ISO basic Latin alphabet, Fraktur includes the ( ), vowels with umlauts, and the (''long s''). Some Fraktur typefaces also include a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bastarda
Bastarda (or bastard) was a blackletter script used in France, the Burgundian Netherlands and Germany during the 14th and 15th centuries. The Burgundian variant of script can be seen as the court script of the Dukes of Burgundy. The early printers produced regional versions in type which were used especially to print texts in the vernacular languages, more rarely for Latin texts. The earliest bastarda type was produced by the German Gutenberg in 1454–55. The main variety was the one used in France, which was also found in Geneva, Antwerp and London. Another local variety was found in the Netherlands; Caxton's first types were a rather poor copy of this. The French ' passed out of use by the mid-16th century, but the German variety developed into the national ' type, which remained in use until the mid-twentieth century.A.F. Johnson, ''Type designs, their history and development''. Third edition. (London: 1966) pp. 21–23 British typeface designer Jonathan Barnbrook has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Von Speyer
Hans von Speyer was a 15th-century German scribe. He was probably born near Speyer, Germany in the mid-15th century. In c. 1491, he produced the MS M.I.29, a fencing manual compiling several significant treatises from the tradition of Johannes Liechtenauer. In c. 1455, a Hans von Speyer assisted in the creation of the typeface for Johannes Gutenberg's 42-Line Bible, but this may or may not be the same scribe. External links Transcription and translationof his fechtbuch by Hammaborg Speyer on Wikitenauer.com Sources of his fechtbuch Martial arts manuals are instructions, with or without illustrations, specifically designed to be learnt from a book. Many books detailing specific techniques of martial arts are often erroneously called manuals but were written as treatises. Pro ... * MS M.I.29 - Universitätsbibliothek, Salzburg, Austria {{DEFAULTSORT:Speyer, Hans von 15th-century German people Year of death unknown German scribes Year of birth unknown German male w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gutenberg Bible
The Gutenberg Bible (also known as the 42-line Bible, the Mazarin Bible or the B42) was the earliest major book printed using mass-produced movable metal type in Europe. It marked the start of the "Gutenberg Revolution" and the age of printed books in the West. The book is valued and revered for its high aesthetic and artistic qualities as well as its historical significance. It is an edition of the Latin Vulgate printed in the 1450s by Johannes Gutenberg in Mainz, in present-day Germany. Forty-nine copies (or substantial portions of copies) have survived. They are thought to be among the world's most valuable books, although no complete copy has been sold since 1978. In March 1455, the future Pope Pius II wrote that he had seen pages from the Gutenberg Bible displayed in Frankfurt to promote the edition, and that either 158 or 180 copies had been printed (he cited sources for both numbers). The 36-line Bible, said to be the second printed Bible, is also referred to sometimes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Schöffer
Peter Schöffer or Petrus Schoeffer (c. 1425 – c. 1503) was an early German printer, who studied in Paris and worked as a manuscript copyist in 1451 before apprenticing with Johannes Gutenberg and joining Johann Fust, a goldsmith, lawyer, and money lender. Among his best-known works are the 1457 '' Mainz Psalter'', the ''1462 Bible'' or ''Biblia pulcra'', and the 1484 ''Herbarius latinus''. Life and works Schöffer was born in Gernsheim. Working for Fust, Schöffer was the principal workman of Johannes Gutenberg, inventor of modern typography, whose 42-Line Bible was completed in 1455. In 1455 he testified for Johann Fust against Gutenberg. By 1457 he and Fust had formed the firm ''Fust and Schöffer'', after the foreclosure of the mortgage on Gutenberg's printing workshop. Famous works include the ''Psalter'' of 1457, the ''1462 Bible'' (the fourth printed Bible, also known as the ''Biblia pulcra'' eautiful Bible Cicero's ''De officiis'' (1465), and ''Herbarius – Rogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scribe
A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of automatic printing. The profession of the scribe, previously widespread across cultures, lost most of its prominence and status with the advent of the printing press. The work of scribes can involve copying manuscripts and other texts as well as secretarial and administrative duties such as the taking of dictation and keeping of business, judicial, and historical records for kings, nobles, temples, and cities. The profession has developed into public servants, journalists, accountants, bookkeepers, typists, and lawyers. In societies with low literacy rates, street-corner letter-writers (and readers) may still be found providing scribe service. Ancient Egypt One of the most important professionals in ancient Egypt was a person educated in the arts of writing (both hieroglyphics and hieratic scripts, as well as the demotic script from the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognizable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The earliest Gothic art was monu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textualis
Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for the Danish, Norwegian, and Swedish languages until the 1870s, and for the German language until the 1940s, when Hitler's distaste for the supposedly "Jewish-influenced" script saw it officially discontinued in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is incorrectly referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule was the direct ancestor of blackletter. Blacklet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
