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Harald Fryklöf
Harald Leonard Fryklöf (14 September 188211 March 1919) was a Swedish composer, music teacher, and member of the Royal Swedish Academy of Music. The music he wrote was in a Late Romantic style. At the time of his early death, he was considered a promising composer in Sweden, appreciated by his colleagues. Biography Harald Fryklöf was born in Uppsala. Little is known about his early life. In 1901 he entered the Royal Conservatory of Music, the predecessor of the present-day Royal College of Music, Stockholm. In 1902 he started taking private lessons, in addition to attending the conservatory. In 1905, he spent a term in Berlin, where he studied instrumentation under Philipp Scharwenka. Fryklöf considered this experience to be of great value for his development as a composer. He also took private piano lessons in Sweden from 1904 until 1910, and in general continuously sought to improve his skills and knowledge throughout his short life. He began teaching harmony and piano in ...
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Pneumonia
Pneumonia is an Inflammation, inflammatory condition of the lung primarily affecting the small air sacs known as Pulmonary alveolus, alveoli. Symptoms typically include some combination of Cough#Classification, productive or dry cough, chest pain, fever, and Shortness of breath, difficulty breathing. The severity of the condition is variable. Pneumonia is usually caused by infection with viruses or bacteria, and less commonly by other microorganisms. Identifying the responsible pathogen can be difficult. Diagnosis is often based on symptoms and physical examination. Chest X-rays, blood tests, and Microbiological culture, culture of the sputum may help confirm the diagnosis. The disease may be classified by where it was acquired, such as community- or hospital-acquired or healthcare-associated pneumonia. Risk factors for pneumonia include cystic fibrosis, chronic obstructive pulmonary disease (COPD), sickle cell disease, asthma, diabetes, heart failure, a history of smoking, ...
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Deaths From The Spanish Flu Pandemic
Death is the end of life; the Irreversible process, irreversible cessation of all biological process, biological functions that sustain a living organism. Death eventually and inevitably occurs in all organisms. The remains of a former organism normally begin to Decomposition, decompose shortly after death. Some organisms, such as ''Turritopsis dohrnii'', are Biological immortality, biologically immortal; however, they can still die from means other than Senescence, aging. Death is generally applied to whole organisms; the equivalent for individual components of an organism, such as Cell (biology), cells or Tissue (biology), tissues, is necrosis. Something that is not considered an organism, such as a virus, can be physically destroyed but is not said ''to die'', as a virus is not considered alive in the first place. As of the early 21st century, 56 million people die per year. The most common reason is aging, followed by cardiovascular disease, which is a disease that af ...
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Swedish Classical Organists
Swedish or ' may refer to: Anything from or related to Sweden, a country in Northern Europe. Or, specifically: * Swedish language, a North Germanic language spoken primarily in Sweden and Finland ** Swedish alphabet, the official alphabet used by the Swedish language * Swedish people or Swedes, persons with a Swedish ancestral or ethnic identity ** A national or citizen of Sweden, see demographics of Sweden ** Culture of Sweden * Swedish cuisine See also * * Swedish Church (other) * Swedish Institute (other) * Swedish invasion (other) * Swedish Open (other) Swedish Open is a tennis tournament. Swedish Open may also refer to: * Swedish Open (badminton) * Swedish Open (table tennis) * Swedish Open (squash) * Swedish Open (darts) {{disambiguation ... {{disambig Language and nationality disambiguation pages ...
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1919 Deaths
Events January * January 1 ** The Czechoslovak Legions occupy much of the self-proclaimed "free city" of Bratislava, Pressburg (later Bratislava), enforcing its incorporation into the new republic of Czechoslovakia. ** HMY Iolaire, HMY ''Iolaire'' sinks off the coast of the Hebrides; 201 people, mostly servicemen returning home to Lewis and Harris, are killed. * January 2–January 22, 22 – Russian Civil War: The Red Army's Caspian-Caucasian Front begins the Northern Caucasus Operation (1918–1919), Northern Caucasus Operation against the White Army, but fails to make progress. * January 3 – The Faisal–Weizmann Agreement is signed by Faisal I of Iraq, Emir Faisal (representing the Arab Kingdom of Hejaz) and Zionism, Zionist leader Chaim Weizmann, for Arab–Jewish cooperation in the development of a Jewish homeland in Palestine (region), Palestine, and an Arab nation in a large part of the Middle East. * January 5 – In Germany: ** Spartacist uprising in ...
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1882 Births
Events January * January 2 ** The Standard Oil Trust (business), Trust is secretly created in the United States to control multiple corporations set up by John D. Rockefeller and his associates. ** Irish-born author Oscar Wilde arrives in New York at the beginning of a lecture tour of the United States and Canada. * January 5 – Charles J. Guiteau is found guilty of the assassination of James A. Garfield (President of the United States) and sentenced to death, despite an insanity defense raised by his lawyer. * January 12 – Holborn Viaduct power station in the City of London, the world's first coal-fired public electricity generating station, begins operation. February * February 3 – American showman P. T. Barnum acquires the elephant Jumbo from the London Zoo. March * March 2 – Roderick Maclean fails in an attempt to assassinate Queen Victoria, at Windsor, Berkshire, Windsor. * March 18 (March 6 Old Style) – The Principality of Serbia becomes ...
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Sacral Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Sometimes, religious music uses similar instruments across cultures. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (the ...
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Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the English musicologist Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was ge ...
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Organ (music)
Carol Williams performing at the West_Point_Cadet_Chapel.html" ;"title="United States Military Academy West Point Cadet Chapel">United States Military Academy West Point Cadet Chapel. In music, the organ is a keyboard instrument of one or more Pipe organ, pipe divisions or other means (generally woodwind or electronic musical instrument, electric) for producing tones. The organs have usually two or three, sometimes up to five or more, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual. The organ has been used in various musical settings, particularly in classical music. Music written specifically for the organ is common from the Renaissance to the present day. Pipe organs, the most traditional type, operate by forcing air through pipes of varying sizes and materials, each producing a different pitch and tone. These instruments are commonly found in churches and co ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chords ( homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is ...
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Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ...
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