Giuseppe Bertini
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Giuseppe Bertini
Giuseppe Bertini (1825–1898) was an Italian painter, active in his native Milan. Biography He studied at the Brera Academy under Luigi Sabatelli and Giuseppe Bisi, and in 1845 was awarded the ''Gran premio di pittura dell'Accademia di Brera'' on the strength of a picture of the meeting between ''Dante and Fra Ilario''. He also painted the ''Triumphal entry of the allied sovereigns into Milan after the Battle of Magenta'' (after 1859). He also painted frescoes on a vaulted room of the residence of the Puricelli Guerra, representing the great men of the Middle Ages, backgrounded against perspectives of Gothic architecture. He painted a ''Torquato Tasso introduced to Emmanuel Philibert''; ''Death of St Joseph'' (commissioned by a parish in Palermo; an ''Assumption of the Virgin'' for a church in Valmarana in Altavilla Vicentina; an altarpiece of ''Vision of St Francis of Assisi'' for the church of San Babila, Milan; paintings for the palazzo of Count Ernesto Turati in Milan; ...
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Verismo (painting)
The Verismo (meaning "realism", from Italian ''vero'', meaning "true") refers to a 19th-century Italian painting style. This style was practiced most characteristically by the "Macchiaioli" group of painters, who were forerunners of the French Impressionists. In this regard, the Wikipedia article on " American verismo" is germane because it contains a long discussion of an instance of American verismo (Jerry Ross) in American painting. However, there is an extremely rich reservoir of American examples that include techniques for loose brushwork alongside social commentary such as in "The Ashcan School" and the work of John Singer Sargent and the bold city and landscapes of George Bellows. The link pin between European verismo in painting and the States could be considered to be the work of John Singer Sargent, in regard to technique, but not in comments on the working classes. As mentioned above, the Ashcan School played the social critical role in regard to thinking and ideas ...
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Giuseppe Barbaglia
Giuseppe Barbaglia (1841–1910) was an Italian painter. Biography He was born in Milan. At the age of twenty due to a romantic entanglement, he was forced to leave Milan, and during his travels, he developed gangrene of the leg, requiring amputation. He returned to Milan and trained under Giuseppe Bertini.He attended the Scapigliatura and was considered among the best artists of that circle. He painted a number of indoor scenes of persons in Rococo finery, usually with the background of the grand salon of the Palazzo Clerici; these include: *''Il Mattino di Parini'' *''L'Arlecchino ardito'' *''Il suonatore di contrabbasso'' *''Il suonatore d' arpa'' *''Mezzogiorno e Vespro'' He was also known for his bright and colorful portraits, including one of Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receivi ...
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Brera Academy Alumni
Brera may refer to: Places * Brera (district of Milan), Italy ** Biblioteca di Brera, a public library ** Palazzo Brera, a monumental palace *** Pinacoteca di Brera, a national art gallery in the Palazzo Brera, which also houses: **** Brera Academy, a public art college **** Brera Astronomical Observatory, observatory built in 1764 **** ''Brera Madonna'', a painting by Piero della Francesca **** Orto Botanico di Brera, a botanical garden Names * Alfa Romeo Brera, a concept car presented in 2002 and a sports car produced between 2005 and 2010 * Brera Sterne, a ''Macross Frontier'' character * Gianni Brera (1919–1992), Italian writer and journalist * Paolo Brera (1949–2019), Italian writer and journalist Other uses * Brera Calcio F.C.D. Brera is an Italian football club in Milan, Lombardy, which plays in Seconda Categoria. Colours Its colours are green and black. History Brera Football Club was founded in 2000 by the young publisher and journalist Alessa ...
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Academic Staff Of Brera Academy
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, dev ...
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Painters From Milan
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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19th-century Italian Painters
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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Pompeo Bertini
Pompeo is both a masculine Italian given name and a surname, derived from the Roman "Pompeius". Notable people with the name include: Given name: *Pompeo Aldrovandi (1668–1752), Italian Cardinal of the Roman Catholic Church *Pompeo Aldrovandini (1677–1735), Italian painter of the Baroque period *Pompeo Batoni (1708–1787), Italian painter * Pompeo Cannicciari (1670–1744), Italian composer *Pompeo Colonna (1479–1532), Italian Cardinal, politician and condottiero *Pompeo Coppini (1870–1957), Italian sculptor who emigrated to the United States * Pompeo D'Ambrosio (1917–1998), Italian who became a Venezuelan businessman *Pompeo Ghitti (1631–1703), Italian painter of the Baroque period *Pompeo Landulfo (1515–1590), Italian painter of the Renaissance period *Pompeo Marchesi (born 1790), Lombard sculptor of the neoclassical school *Pompeo Posar (1921–2004), Playboy magazine staff photographer *Pompeo Targone, Italian military engineer in the service of Ambrose Spino ...
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Lodovico Pogliaghi
Lodovico Pogliaghi (Milan, 1857 – S. Maria del Monte, Varese, 1950) was an Italian painter, sculptor and decorator. Biography Lodovico Pogliaghi was born to an upper middle class Milanese family. He was enrolled at the Brera Academy at a very young age; and by 1889, he completed his studies. Among his strongest influences there was Giuseppe Bertini, who taught painting. During the 1880s, he obtained important commissions for the artistic decoration of palazzi belonging to the Milan aristocracy. He also executed religious works, and launched on his career as an illustrator of historical subjects for the Treves publishing house in Milan. He was appointed teacher of decoration at the Brera Academy in 1890, and in 1895, he had won a prestigious competition to design the bronze doors of the Duomo of Milan.Collezione di monografie illustrate: serie Ia Italia artistica, Volume 26,By Corrado Ricci, page 157, Bergamo, Instituto Italiano D'Arti Grafiche-Editore, 1906 Photo of Door of Duo ...
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Pietro Michis
Pietro Michis (August 12, 1836 – November 24, 1903) was an Italian painter, mostly of genre scenes. Biography He was a resident of Milan, the city of his birth. In 1851 he began studies at the Brera Academy under Giuseppe Bertini. He married the painter Maria Cattaneo; they often worked together on canvases. He became director of the school of painting in Pavia. Michis mainly painted both pure genre and historic subjects, sometimes called ''genere de costume'' or ''costumed genre''. Among the main works of Michis: in 1887 at Naples, he exhibited ''Fruit of a Diverse Education'', ''Vigil for Epiphany'', and ''The modern pilgrim''; in 1880 at Turin, he exhibited ''L'estremo vale di Leone X a Raffaello'', ''The astrologer Cornelius Agrippa predicts to Francis I of France that he will be defeated at Pavia'', and ''Il racconto del naufrago''; in 1881 at Milan, ''Le beghine'', ''Interior of Baptistery of Pisa The Pisa Baptistery of St. John ( it, Battistero di San Giovanni) is a ...
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Andrea Fossati
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is consid ...
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