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Ginastera
Alberto Evaristo Ginastera (; April 11, 1916June 25, 1983) was an Argentinian composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. Biography Ginastera was born in Buenos Aires to a Spanish father and an Italian mother. During his later years, he preferred to use the Catalan and Italian pronunciation of his surname – , with an initial soft 'G' like that of English 'George' – rather than with a Spanish 'J' sound (). Ginastera studied at the Williams Conservatory in Buenos Aires, graduating in 1938. As a young professor, he taught at the Liceo Militar General San Martín. After a visit to the United States in 1945–47, where he studied with Aaron Copland at Tanglewood, he returned to Buenos Aires. He held a number of teaching posts. Among his notable students were Ástor Piazzolla (who studied with him in 1941), Alcides Lanza, Jorge Antunes, Waldo de los Ríos, Jacqueline Nova and Rafael Aponte-Led� ...
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Popol Vuh (Ginastera)
''Popol Vuh: The Creation of the Mayan World'', Op. 44, is a symphonic poem in seven Movement (music), movements by the Argentines, Argentine composer Alberto Ginastera. The work, which remains unfinished, was composed between 1975 and 1983. It was first performed by the St. Louis Symphony under the direction of Leonard Slatkin at Powell Hall in St. Louis on April 7, 1989. Composition Background ''Popol Vuh'' was originally commissioned by the Philadelphia Orchestra under the conductor Eugene Ormandy in 1975. Ginastera based the music on the eponymous Maya civilization, Mayan creation myth of the Popol Vuh. Though Ginastera had intended to write a total of eight movements for the piece, the composer died suddenly in June 1983, having completed only seven sections of the work. The Philadelphia Orchestra thus declined to premiere the unfinished composition. Ormandy himself died in 1985 and the score remained nearly forgotten among Ginastera's papers until his friend the pianis ...
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Don Rodrigo
''Don Rodrigo'' is an opera in three acts by Alberto Ginastera, the composer's first opera, to an original Spanish libretto by Alejandro Casona. Ginastera composed the opera on commission from the Municipality of the City of Buenos Aires, Argentina. The first performance was at the Teatro Colón, Buenos Aires, Argentina on 24 July 1964 with Carlo Cossutta in the title role. The production was directed by Jorge Petraglia and conducted by Bruno Bartoletti. On February 22, 1966, Plácido Domingo had his international breakthrough by singing the title role of this opera at the US premiere of the work by the New York City Opera. Other cast members included Jeannine Crader as Florinda, Spiro Malas as Teudiselo, the king's tutor, and David Clatworthy as Don Julian, Florinda's father. Julius Rudel conducted, and the opera received 9 performances at New York City Opera. In November 1967 the production was also given, still with Plácido Domingo, on tour at the Dorothy Chandler Pavilio ...
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Bomarzo (Ginastera)
''Bomarzo '' is an opera in two acts by the Argentinian composer Alberto Ginastera, his Opus 34. He set a Spanish libretto by Manuel Mujica Laínez, based on his 1962 novel about the 16th-century Italian eccentric Pier Francesco Orsini. The opera makes use of twelve-tone techniques, quarter tones – primarily in the harp parts – and controlled stochastic textures of non-synchronous repetitions of motifs and cells. Published by Boosey & Hawkes, New York, the work's two acts encompass a prelude and 15 scenes. Pola Suarez Urtubey has published an analysis of the opera with an outline of the dramatic structure. Productions The opera had its world premiere at the Opera Society of Washington, Washington D.C., on 19 May 1967. The same production was first given at New York City Opera on 14 March 1968. The work had been scheduled for its first performance in Argentina on 4 August 1967 at the Teatro Colón, but the Argentine de facto president, Juan Carlos Onganía, had banned the pr ...
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Beatrix Cenci
''Beatrix Cenci'' is an opera in two acts by Alberto Ginastera to a Spanish libretto by the composer and William Shand, based on the historical family of Beatrice Cenci, the ''Chroniques italiennes'' by Stendhal, and ''The Cenci'' by Percy Shelley. The first performance was on 10 September 1971 by the Opera Society of Washington in Washington, D.C., as part of the opening of the John F. Kennedy Center for the Performing Arts. The stage direction was by Gerald Freedman, with choreography by Joyce Trisler, and the conductor was Julius Rudel. New York City Opera first staged the work on 1 April 1973. The European premiere of ''Beatrix Cenci'' took place at the Geneva Opera in September 2000. Roles * Beatrix Cenci (soprano) * Count Francesco Cenci, father to Beatrix (baritone) * Lucrecia Cenci, stepmother to Beatrix (mezzo-soprano) * Bernardo Cenci, brother to Beatrix (soprano, 'pants' role) * Giacomo Cenci, brother to Beatrix (baritone) * Orsino, a prelate (tenor) * Andrea, s ...
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Ástor Piazzolla
Astor Pantaleón Piazzolla (, ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed '' nuevo tango'', incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music". Biography Childhood Piazzolla was born in Mar del Plata, Argentina, in 1921, the only child of Italian immigrant parents, Vicente "Nonino" Piazzolla and Assunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleón) Piazzolla, had immigrated to Mar del Plata from Trani, a seaport in the southeastern Italian region of Apulia, at the end of the 19th century. His mother was the daughter of two Italian immigrants from Lucca in the central region of Tuscany. In 1 ...
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Henri Temianka
Henri Temianka (19 November 19067 November 1992) was a virtuoso violinist, conductor, author and music educator. Early years Henri Temianka was born in Greenock, Scotland, to parents who were Polish emigrants. He studied violin with Carel Blitz in Rotterdam from 1915 to 1923, with Willy Hess at the National Conservatory in Berlin from 1923 to 1924, and with Jules Boucherit in Paris from 1924 to 1926. He then enrolled at the Curtis Institute of Music in Philadelphia, where he studied violin with Carl Flesch, who reported of him in 1927, "Was brought over by me. First class technical talent, somewhat sleepy personality, has still to awake." In 1928, Flesch said, "His violinistic personality is for the moment still above his human one. Life shall be his best teacher in this regard."Archive of Henri Temianka's personal correspondence and papers, 1926 - 1992, owned by the author. Later he stated, "...he has made an intensive study of my method of teaching, of which I consider h ...
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Cimetière Des Rois
The Cimetière des Rois (French: ''Cemetery of Kings'') (officially Cimetière de Plainpalais), is a cemetery in Geneva, Switzerland. The cemetery is commonly named after la ''rue des Rois'' (French: ''Kings' Street'') near which it is situated. The graveyard was established in 1482 for people who died from plague in the Middle Ages, during the second plague pandemic. Personalities The right to rest in the cemetery of Plainpalais is strictly limited. Under Article 30 (3) of the City of Geneva Cemeteries Regulations, only "magistrates and distinguished personalities, having contributed by their life and activity to the influence of Geneva", p. 6. can claim a concession whose request must be made to the Administrative Council. In the cemetery are buried John Calvin (the Protestant reformer), Jorge Luis Borges (the Argentine author), Sérgio Vieira de Mello (the former UN High Commissioner for Human Rights), Ernest Ansermet (renowned Swiss conductor), and Jean Piaget A full-color ...
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Jacqueline Nova
Jacqueline Nova Sondag (1935–1975) was a Colombian musician, author and composer. She is often cited as having initiated Colombia's electroacoustic musical practices. Life Jacqueline Nova Sondag was born 6 January 1935, in Ghent, Belgium. Her father was visiting Belgium from Bucaramanga, Colombia, to study to be an engineer, where he met Jacqueline's mother. Upon his finishing his studies, Nova's family moved back to Bucaramanga where she spent her childhood. In 1955 she moved to Bogotá. Nova's mid-high social class in 20th century Colombia traditionally prescribed women learn to play either piano, guitar, or sing in order to be considered respectable ladies. Nova began learning piano when she was seven. In 1958 was admitted to the National Conservatory of Music National University for piano. She appeared in performances at the Conservatory as a soloist and accompanist. She studied under Fabio González Zuleta and with Blas Emilio Atehortua for contemporary music. In 1967 sh ...
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Waldo De Los Ríos
Osvaldo Nicolás Ferraro Gutiérrez (7 September 1934 – 28 March 1977) better known as Waldo de los Ríos was an Argentine composer, conductor and arranger. De los Ríos was born in Buenos Aires into a musical family; his father was a musician and his mother a well known folk singer; he studied composition and arranging at the National Conservatory of Music under Alberto Ginastera, Teodoro Fuchs, and Lita Spena. He was inspired by an eclectic range of music and formed a musical group called "The Waldos" which crossed folk music with electronic sounds. De los Ríos turned to work in cinema and film sound tracks where his compositions were heard in the 1967 film '' Savage Pampas'', for which he received a prestigious award from the Argentine Academy of Cinematography Arts and Sciences. He relocated to the US in 1958 and then to Spain in 1962. He is best remembered for his ability to transform European classical music into pop music. His 1971 arrangement of Mozart's '' Symph ...
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Alcides Lanza
Alcides Emigdio Lanza (born 2 June 1929) is a Canadian composer, conductor, pianist, and music educator of Argentinian birth. He became a naturalized Canadian citizen in 1976. As both a composer and performer he is known as an exponent of contemporary classical music and avant-garde music. His works often utilize a combination of traditional and unusual instruments, and incorporate electronic sounds and extensions. He is also known for using special lighting effects when presenting his music. Many of his compositions are published by Boosey & Hawkes, and lanza himself owns his own publishing company, Shelan Editions. He is an associate of the Canadian Music Centre, a member of the Canadian League of Composers., and an Honorary Member of the Canadian Electroacoustic Community. Education Born in Rosario, Santa Fe, lanza received his initial musical training in Buenos Aires where he was a pupil of Julián Bautista (music composition), Ruwin Erlich (piano), Alberto Ginastera ( ...
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Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ...
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20th-century Classical Music
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ...
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