Georgios Kalliergis
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Georgios Kalliergis
Georgios Kalliergis or Kallergis ( el, Γεώργιος Καλλ ργης, 13th century – 14th century) was a Byzantine Greek painter. He is one of the few Greek painters of the Byzantine empire known by name. Other Byzantine painters include: Theodore Apsevdis, Kokkinobaphos Master, and Ioannis Pagomenos. Kalliergis was one of the masters of Thessaloniki. He was part of the Macedonian School of painting. His last name Kallergis was associated with a noble family from the island of Crete. Two other very famous Greek painters Nikolaos Kallergis and Christodoulos Kalergis shared the same last name. Georgios was associated with Mount Athos, Veria, and Thessaloniki. His most notable frescos are in the Church of the Resurrection of Christ in Veria, Greece. History He was born in Thessaloniki sometime in the 13th century. He was a very prominent painter. Records exist about the painter at Mount Athos, Thessaloniki, and Veria. His family name was very important. The ...
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Theotokos
''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or ''Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mother o ...
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Hilandar
The Hilandar Monastery ( sr-cyr, Манастир Хиландар, Manastir Hilandar, , el, Μονή Χιλανδαρίου) is one of the twenty Eastern Orthodox monasteries in Mount Athos in Greece and the only Serbian monastery there. It was founded in 1198 by Stefan Nemanja (Saint Symeon) and his son Saint Sava. St. Symeon was the former Grand Prince of Serbia (1166-1196) who upon relinquishing his throne took monastic vows and became an ordinary monk. He joined his son Saint Sava who was already in Mount Athos and who later became the first Archbishop of Serbia. Upon its foundation, the monastery became a focal point of the Serbian religious and cultural life, as well as assumed the role of "the first Serbian university". It is ranked fourth in the Athonite hierarchy of 20 sovereign monasteries. The ''Mother of God through her Icon of the Three Hands'' (Trojeručica), is considered the monastery's abbess. Etymology The etymological meaning of "Hilandar" is probably deriv ...
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Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word ''renaissance'' (corresponding to ''rinascimento'' in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Renaissance author Giorgio Vasari used the term ''rinascita'' 'rebirth' in his '' Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, but the concept became widespread only in the 19th century, after the work of schola ...
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Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ...
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Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vas ...
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Christ Mocked
''Christ Mocked'' is a small 13th-century panel painting by the Italian artist Cimabue, in tempera on a poplar panel. It depicts the Mocking of Jesus and is one of three panels known from a polyptych depicting the passion of Jesus. It was discovered in the kitchen of an elderly woman in Northern France. In October 2019 it sold at auction for €24 million, a record for a pre-1500 artwork. It is believed to be the first work by Cimabue to have been auctioned. Description ''Christ Mocked'' measures and depicts the mocking of Jesus prior to his crucifixion. The work is painted with egg tempera on a gold leaf background, on a thinned and slightly bowed poplar panel prepared with layers of gesso ground in which a canvas is embedded. It is thought to date from 1280.Auctio ...
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Andreas Ritzos
Andreas Ritzos ( el, Ανδρέας Ρίτζος 1421-1492) also known as (Rico, Ricio, Rizo). He was a Greeks, Greek icon painter, from Crete. Ritzos is considered one of the founding fathers of the Cretan School. He was affiliated with Angelos Akotantos. Most of his work stylistically follows the traditional Italo-Byzantine, maniera greca. His children, grandchildren, and great-grandchildren were also painters. He was one of the most influential painters of the Cretan School along with Andreas Pavias and Angelos Akotantos. He influenced the works of Georgios Klontzas, Nikolaos Tzafouris, Theophanes the Cretan, Michael Damaskinos and El Greco. According to the National Hellenic Research Foundation, Institute for Neohellenic Research, sixty of his paintings have survived. Biography Andreas Ritzos was born in Heraklion, Iraklio. His father Nicholas Ritzo was a seaman and jeweler, and his mother was lady Ergina. Andreas married Maria and had two sons. His son Nicholas was ...
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Nikolaos Lampoudis
Nikolaos Lampoudis ( el, Νικόλαος Λαμπούδης) was a 15th Century Greek painter from Sparta. The only work of his of which historians are aware is an icon of the Virgin and Child of a kind known as a hodegetria or eleusa. Lampoudis was a member of the Greek Renaissance's early Cretan School, a movement influenced by the art of Venice. Byzantine art also played a part in shaping his style. Angelos Akotantos and Andreas Ritzos were among the other Greek artists of Lampoudis's time who worked in a similar manner. The Cretan School's movement from the Byzantine tradition towards a more refined technique has a parallel in how Duccio and Giotto developed their work in Italy. History Lampoudis was born in Sparta. Not much is known about his life. The only existing record is an icon painted during the 15th century. His signature describes his place of origin. Sparta was part of the Despotate of the Morea and fell to the Ottomans in 1460. The last name was associated w ...
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Nikolaos Tzafouris
Nikolaos Tzafouris ( el, Νικόλαος Ζαφούρης η Τζαφούρης; 1468–1501), also Niccolo, Niccolò, Niccolö, Zafuri, Zafuris, was a Greek Renaissance painter. He was one of the founders of the Cretan School. He was influenced by Angelos Akotantos. His works influenced Emmanuel Tzanes, Elias Moskos, Georgios Klontzas and Theodoros Poulakis. Tzafouris was one of the most respected artists in Crete. His most notable work is Madre della Consolazione. The painting exhibits a combination of Byzantine and Italian styles. Another notable painter in Crete around the same time was Andreas Pavias. According to the National Hellenic Research Foundation, Institute of Neohellenic Research, thirteen paintings are attributed to Tzafouris. History Nikolaos was born in Crete. He was influenced by Angelos Akotantos Angelos Akotantos (Greek language, Greek: Άγγελος Ακοτάντος 1390-1457) was a Greeks, Greek painter, educator, and protopsaltis. He paint ...
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