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Günter Gerhard Lange
Günter Gerhard Lange (12 April 1921, in Frankfurt (Oder) – 2 December 2008, in Großhesselohe near Munich) was a German typographer, teacher and type designer. He was longtime art director of Berthold Type Foundry and was one of the fathers of font design after 1945. Günter Gerhard Lange studied calligraphy and type design, typesetting and printing with Georg Belwe at the Staatlichen Akademie für graphische Künste und Buchgewerbe Leipzig, as well as drawing, painting, etching and lithography with Hans Theo Richter. After graduating with distinction he worked in Leipzig from 1945 to 1949 as freelance painter and graphic designer, as well as being assistant to Walter Tiemann. In October 1949 Günter Gerhard Lange moved to West Berlin and continued his academic studies with Prof. Paul Strecker at the Hochschule für bildende Künste (Academy for Fine Arts) in Berlin. 1950 GGL started working for H. Berthold AG H. Berthold AG was one of the largest and most successful typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthold Type Foundry
H. Berthold AG was one of the largest and most successful type foundries in the world for most of the modern typographic era, making the transition from foundry type to cold type successfully and only coming to dissolution in the digital type era. History H. Berthold was founded in Berlin in 1858 by Hermann Berthold, initially to make machined brass printer's rule. It then moved into casting metal type particularly after 1893. The company played a key role in the introduction of major new typefaces and was a successful player in the development of typesetting machines. The production premises were on Wilhelmstrasse No. 1 until 1868, and then on Mehringdamm 43. In 1979 the factory moved to another location between Teltow Canal and Wiesenweg in Lichterfelde. The H. Berthold foundry's most celebrated family of typefaces is arguably Akzidenz-Grotesk (released 1898), an early sans-serif which prefigured by half a century the release of enormously popular neo-grotesque faces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günter Gerhard Lange
Günter Gerhard Lange (12 April 1921, in Frankfurt (Oder) – 2 December 2008, in Großhesselohe near Munich) was a German typographer, teacher and type designer. He was longtime art director of Berthold Type Foundry and was one of the fathers of font design after 1945. Günter Gerhard Lange studied calligraphy and type design, typesetting and printing with Georg Belwe at the Staatlichen Akademie für graphische Künste und Buchgewerbe Leipzig, as well as drawing, painting, etching and lithography with Hans Theo Richter. After graduating with distinction he worked in Leipzig from 1945 to 1949 as freelance painter and graphic designer, as well as being assistant to Walter Tiemann. In October 1949 Günter Gerhard Lange moved to West Berlin and continued his academic studies with Prof. Paul Strecker at the Hochschule für bildende Künste (Academy for Fine Arts) in Berlin. 1950 GGL started working for H. Berthold AG H. Berthold AG was one of the largest and most successful typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankfurt (Oder)
Frankfurt (Oder), also known as Frankfurt an der Oder (), is a city in the German state of Brandenburg. It has around 57,000 inhabitants, is one of the easternmost cities in Germany, the fourth-largest city in Brandenburg, and the largest German city on the river Oder. Frankfurt sits on the western bank of the river, opposite the Polish town of Słubice, which was a part of Frankfurt until 1945, and called ''Dammvorstadt'' until then. The city is located about east of Berlin, in the south of the historical region Lubusz Land. The large lake Helenesee lies within Frankfurt's city limits. The name of the city makes reference to the Franks, and means '' Ford of the Franks'', and there appears a Gallic rooster in the coat of arms of the city. The official name ''Frankfurt (Oder)'' and the older ''Frankfurt an der Oder'' are used to distinguish it from the larger city of Frankfurt am Main. The city's recorded history began in the 13th century as a West Slavic settlement. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosshesselohe Isartal Station
Großhesselohe Isartalbahn station (german: Großhesselohe Isartalbahnhof) is a station on the Isar Valley Railway from Munich to Bichl in the German state of Bavaria. Since 1981, it has been a station of the Munich S-Bahn. The station is located in the municipality of Pullach, which also contains the stations of and Höllriegelskreuth. It is classified by Deutsche Bahn as a category 5 station and has two platform tracks. The station building is registered as a historic building on the List of Bavarian Monuments. Location The station is located at Kreuzeckstraße 23-25 in the district of Großhesselohe in the municipality Pullach about 100 metres east of the border with the district of Solln of the city of Munich. Approximately 500 metres north of the station, the Munich–Holzkirchen railway branches off the Isar Valley Railway from München Solln station to Großhesselohe Bridge. History The Isar Valley Railway opened from Thalkirchen to Ebenhausen on 10 June 1891 and it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the third-largest city in Germany, after Berlin and Hamburg, and thus the largest which does not constitute its own state, as well as the 11th-largest city in the European Union. The city's metropolitan region is home to 6 million people. Straddling the banks of the River Isar (a tributary of the Danube) north of the Bavarian Alps, Munich is the seat of the Bavarian administrative region of Upper Bavaria, while being the most densely populated municipality in Germany (4,500 people per km2). Munich is the second-largest city in the Bavarian dialect area, after the Austrian capital of Vienna. The city was first mentioned in 1158. Catholic Munich strongly resisted the Reformation and was a political point of divergence during the resulting Thirty Years' War, but remained physicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typographer
Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing (leading), and letter-spacing (tracking), as well as adjusting the space between pairs of letters (kerning). The term ''typography'' is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information. Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Design
Type design is the art and process of designing typefaces. This involves drawing each letterform using a consistent style. The basic concepts and design variables are described below. A typeface differs from other modes of graphic production such as handwriting and drawing in that it is a fixed set of alphanumeric characters with specific characteristics to be used repetitively. Historically, these were physical elements, called sorts, placed in a wooden frame; modern typefaces are stored and used electronically. It is the art of a type designer to develop a pleasing and functional typeface. In contrast, it is the task of the typographer (or typesetter) to lay out a page using a typeface that is appropriate to the work to be printed or displayed. History The technology of printing text using movable type was invented in China, but the vast number of Chinese characters, and the esteem with which calligraphy was held, meant that few distinctive, complete typefaces were created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Belwe
Georg Belwe (12 August 1878 – 1954) was a German type designer, typographer, graphic artist and teacher. Personal information Belwe was born on 8 December 1878 in Berlin, Germany. He studied and later taught at the teaching institute of Königliches Kunstgewerbemuseum in his native Berlin. Career 1900 In 1900, with Fritz Helmut Ehmcke and Friedrich Wilhelm Kleukens, he founded Steglitzer Werkstadt, a private press. This same year he joins the Kunstgewerbeschule as a teacher in Berlin. 1906 In 1906 he became head of typography department and the class for accurate drawing at the Leipzig Akademie für Graphische Künste und Buchgewerbe. Productions Belwe has produced numerous works for publishing houses which include: *List *Reclam *Eugen Diederichs *Westermann Publications His publications include: *Albert Mundt "Georg Belwe und seine Klasse an der Königlichen Akademie für graphische Künste und Buchgewerbe" in "Archiv für Buchgewerbe" In June 1910. Death Belwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akzidenz-Grotesk
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. ''german: label=none, italic=no, "Akzidenz"'' indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine press, fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time. Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans-serif types that had become dominant in German printing during the nineteenth century. Relatively little-known for a half-century after its introduction, it achieved iconic status in the post-war period as the preferred typeface of many Switzerland, Swiss graphic designers in what became called the International Typographic Style, 'International' or 'Swiss' design style which became popular across the Western world in the 1950s and 1960s. Its simple, neutral design has also influenced many l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garamond
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular and particularly often used for book printing and body text. Garamond's types followed the model of an influential typeface cut for Venetian printer Aldus Manutius by his punchcutter Francesco Griffo in 1495, and are in what is now called the old-style of serif letter design, letters with a relatively organic structure resembling handwriting with a pen, but with a slightly more structured, upright design. Following an eclipse in popularity in the eighteenth and nineteenth century, many modern revival faces in the Garamond style have been developed. It is common to pair these with italics based on those created by his contemporary Robert Granjon, who was well known for his proficiency in this genre. However, although Garamond himself remains considered a major figure in French prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walbaum
Walbaum is a German surname. Notable people with the surname include: *Johann Julius Walbaum (1724–1799), German physician, naturalist and taxonomist *Johannes Walbaum (born 1987), German footballer *Justus Erich Walbaum (1768-1837), German type designer and punchcutter *Walbaum (typeface) Walbaum is the name given to serif typefaces in the "Didone" or modern style that are, or revive the work of early nineteenth-century punchcutter Justus Erich Walbaum (1768 – 1837), based in Goslar and then in Weimar. Walbaum-style typefaces ar ..., the Didone typeface named after him. {{surname, Walbaum German-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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