Gyaos
is a 1967 Japanese ''kaiju'' film directed by Noriaki Yuasa, with special effects by Yuasa. Produced by Daiei Film, it is the third entry in the ''Gamera'' franchise and stars Kojiro Hongo, Kichijiro Ueda, Tatsuemon Kanamura, Reiko Kasahara, and Naoyuki Abe, with Teruo Aragaki as Gamera. In the film, Gamera and authorities must deal with the sudden appearance of a carnivorous winged creature awakened by volcanic eruptions. Plans for a third film were made immediately after the release of '' Gamera vs. Barugon'', with the film financed by the UniJapan Film Association. Due to the underperformance of the previous film, Yuasa was brought back as the director and special effects director, who decided to aim the film towards children. Gyaos was created as a response to Toho's '' Frankenstein Conquers the World'' and ''The War of the Gargantuas'', with Yuasa pitching to writer Niisan Takahashi his idea to turn Dracula into a ''kaiju''. ''Gamera vs. Gyaos'' was theatrically release ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teruo Aragaki
is a fictional giant monster, or ''kaiju'', that debuted in the eponymous 1965 Japanese film. The character and the first film were intended to compete with the success of Toho's ''Godzilla'' film series. Since then, the franchise has become a Japanese icon in its own right and one of representatives of Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio (Kadokawa Corporation) respectively, and various other media such as novelizations, manga, video games, and more. Gamera is depicted as a giant, flying, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from extraterrestrial races and other giant monsters. Despite its popularity and extensive social ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gamera
is a fictional giant monster, or ''kaiju'', that debuted in the Gamera, the Giant Monster, eponymous 1965 Japanese film. The character and the first film were intended to compete with the success of Toho's Godzilla (franchise), ''Godzilla'' film series. Since then, the franchise has become a Japanese icon in its own right and one of representatives of Cinema of Japan, Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio (Kadokawa Corporation) respectively, and various other media such as novelizations, manga, video games, and more. Gamera is depicted as a giant, flying, fire-breathing monster, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from Extrater ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gamera Vs
is a fictional giant monster, or '' kaiju'', that debuted in the eponymous 1965 Japanese film. The character and the first film were intended to compete with the success of Toho's ''Godzilla'' film series. Since then, the franchise has become a Japanese icon in its own right and one of representatives of Japanese cinema, appearing in a total of 12 films produced by Daiei Film and later by Tokuma Shoten and Kadokawa Daiei Studio ( Kadokawa Corporation) respectively, and various other media such as novelizations, manga, video games, and more. Gamera is depicted as a giant, flying, fire-breathing, prehistoric turtle. In the series' first film, Gamera is portrayed as an aggressive and destructive monster, though he also saved a child's life. As the films progressed, Gamera took on a more benevolent role, becoming a protector of humanity, especially children, nature, and the Earth from extraterrestrial races and other giant monsters. Despite its popularity and extensive ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Daimajin
is a Japanese ''tokusatsu'' series centering on an eponymous fictitious giant warrior god. It initially consisted of a film trilogy shot simultaneously and released in 1966 with three different directors and predominantly the same crew. The series was produced by Daiei Film and contained similar plot structures involving villages being overthrown by warlords, leading to the villagers attempting to reach out to Daimajin, the great demon god, to save them. History Daimajin was originally designed to be the first foe of Gamera, and the concept developed into both Daimajin and Barugon appearing in the 1966 film ''Gamera vs. Barugon''. The filmmakers were also inspired by Jötunn from the Norse mythology, the Giant of the Snows from the 1912 film ''The Conquest of the Pole'', and the golem from the 1936 Czechoslovakian film ''Le Golem'', which was redistributed by Daiei Film in the post-war period. Expertise obtained during the production of the 1964 film ''Flight from Ashiya'', in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hidemasa Nagata
(1925 – October 3, 2017) was a Japanese film producer and served as vice-president of Daiei Film. Filmography * '' Brooba'' (1955) * '' Punishment Room'' (1956) * '' The Crowded Streetcar'' (1957) * ''Kisses'' (1957) * '' The Invisible Man vs. The Human Fly'' (1957) * '' Giants and Toys'' (1958) * '' Kyohan sha'' (1958) * '' Being Two Isn't Easy'' (1962) * '' Giant Horde Beast Nezura'' (unfinished 1964) * ''Gamera, the Giant Monster'' (1965) * '' Gamera vs. Gyaos'' (1967) * '' Gamera vs. Viras'' (1968) * '' Gamera vs. Guiron'' (1969) * '' Gamera vs. Jiger'' (1970) * ''Gamera vs. Zigra'' (1971) See also * Nezura 1964 References Sources * * External links *Hidemasa Nagataat the Japanese Movie Database The , more commonly known as simply JMDb, is an online database of information about Japanese movies, actors, and production crew personnel. It is similar to the Internet Movie Database but lists only those films initially released in Japan. Y. ... (in Japanese) {{DE ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nagoya
is the largest city in the Chūbu region of Japan. It is the list of cities in Japan, fourth-most populous city in Japan, with a population of 2.3million in 2020, and the principal city of the Chūkyō metropolitan area, which is the List of metropolitan areas in Japan, third-most populous metropolitan area in Japan with a population of 10.11million. Located on the Pacific Ocean, Pacific coast in central Honshu, it is the capital and most populous city of Aichi Prefecture, with the Port of Nagoya being Japan's largest seaport. In 1610, the warlord Tokugawa Ieyasu, a retainer of Oda Nobunaga, moved the capital of Owari Province from Kiyosu to Nagoya. This period saw the renovation of Nagoya Castle. The arrival of the 20th century brought a convergence of economic factors that fueled rapid growth in Nagoya during the Meiji Restoration, and it became a major industrial hub for Japan. The traditional manufactures of timepieces, bicycles, and sewing machines were followed by the p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kaiju
is a Japanese term that is commonly associated with media involving giant monsters. Its widespread contemporary use is credited to ''tokusatsu'' (special effects) director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized the ''kaiju'' film genre by creating the ''Godzilla (franchise), Godzilla'' franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures. ''Godzilla (1954 film), Godzilla'' (1954) is often regarded as the first ''kaiju'' movie. When developing it, Honda and Tsuburaya drew inspiration from the character of King Kong, both in its influential King Kong (1933 film), 1933 film and in the conception of a giant monster, establishing it as a pivotal precursor in the evolution of the genre.King Kong’s influence on the giant monster genre: * * * * * * * * * * * * * * During their formative years, ''kaiju'' movies were generall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Noriaki Yuasa
(28 September 1933 – 14 June 2004) was a Japanese director. Yuasa was the main director of the Japanese film series ''Gamera'', about a giant flying turtle that befriends small boys and battles giant monsters; he directed seven of the first eight films in the series while also providing special effects for one of them. The series was created by Daiei Film Studios after the box office success of the Toho ''Godzilla'' series. Yuasa's career for television dramas marks him as one of the best hitmakers for domestic television industries during the 1970s. Shunichi Karasawa, April 14, 2006, '' Gamera Genesis: Movie Director Noriaki Yuasa'', p.20, pp.26-29, p.59, p.63, p.66, pp.71-73, p. 201, p.209, p.220, pp.223, Enterbrain Biography Noriaki Yuasa was born 28 September 1933 in Tokyo, Japan. Yuasa was the son of a stage actor Hikaru Hoshi ( jp). Additionally. his paternal grandmother was a shinpa actress Hideko Azuma, and his uncle Koji Shima was a movie director. Yuasa began wo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kojiro Hongo
was a Japanese actor. Hongo won an Elan d'or Award for Newcomer of the Year in 1959. His notable international performances were in the Daiei Studios Gamera films. Selected filmography Film * ''Geo Tree'' (1959) * ''The Demon of Mount Oe'' (1960) * '' Satan's Sword'' (1960) * '' Satan's Sword II'' (1960) * ''Buddha'' (1960) * '' Satan's Sword 3'' (1961) * ''The Whale God'' (1962) * '' The Great Wall'' (1962) * '' Zero Fighters'' (1965) * '' Gamera vs. Barugon'' (1966) * '' Return of Daimajin'' (1966) * '' Gamera vs. Gyaos'' (1967) * '' The Woman Gambler'' (1967) * '' Gamera vs. Viras'' (1968) * '' Peony Lantern'' (1968) * '' Yokai Monsters: Along with Ghosts'' (1969) * '' Hiken yaburi'' (1969) * '' Lady Sazen and the Drenched Swallow Sword'' (1969) * '' The Falcon Fighters'' (1969) * '' The Haunted Castle'' (1969) * '' Gateway to Glory'' (1970) * '' Karate for Life'' (1977) * '' Gamera: Guardian of the Universe'' (1995) * '' Tokyo Mafia'' (1995) * '' Tokyo Mafia: Wrath of the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kaiju
is a Japanese term that is commonly associated with media involving giant monsters. Its widespread contemporary use is credited to ''tokusatsu'' (special effects) director Eiji Tsuburaya and filmmaker Ishirō Honda, who popularized the ''kaiju'' film genre by creating the ''Godzilla (franchise), Godzilla'' franchise and its spin-offs. The term can also refer to the monsters themselves, which are usually depicted attacking major cities and battling either the military or other creatures. ''Godzilla (1954 film), Godzilla'' (1954) is often regarded as the first ''kaiju'' movie. When developing it, Honda and Tsuburaya drew inspiration from the character of King Kong, both in its influential King Kong (1933 film), 1933 film and in the conception of a giant monster, establishing it as a pivotal precursor in the evolution of the genre.King Kong’s influence on the giant monster genre: * * * * * * * * * * * * * * During their formative years, ''kaiju'' movies were generall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Niisan Takahashi
(; February 3, 1926 – May 5, 2015) was a Japanese screenwriter. Partial filmography Film * ''Ginza no onna'' (1955) * ''The Motherless'' (1955) * ''The Wind-of-Youth Group Crosses the Mountain Pass'' (1961) * ''Gamera, the Giant Monster'' (1965) * '' Gamera vs. Barugon'' (1966) * '' Gamera vs. Gyaos'' (1967) * '' Gamera vs. Viras'' (1968) * '' Gamera vs. Guiron'' (1969) * '' Gamera vs. Jiger'' (1970) * ''Gamera vs. Zigra'' (1971) * '' Gamera: Super Monster'' (1980) Television * '' Thunder Mask'' (1972) pisodes 19, 21* ''Zatoichi Monogatari'' (1974) Original net animation * ''Gamera Rebirth ''Gamera Rebirth'' (stylized as ''GAMERA -Rebirth-'') is a Japanese original net animation (ONA) series directed and co-written by Hiroyuki Seshita (:ja:瀬下寛之, jp). Produced by Kadokawa Corporation and animated by ENGI, it is a reboot ...'' (2023) ncredited Bibliography * (1995) () References Sources * * External links * 2015 deaths 192 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hong Kong
Hong Kong)., Legally Hong Kong, China in international treaties and organizations. is a special administrative region of China. With 7.5 million residents in a territory, Hong Kong is the fourth most densely populated region in the world. Hong Kong was established as a colony of the British Empire after the Qing dynasty ceded Hong Kong Island in 1841–1842 as a consequence of losing the First Opium War. The colony expanded to the Kowloon Peninsula in 1860 and was further extended when the United Kingdom obtained a 99-year lease of the New Territories in 1898. Hong Kong was occupied by Japan from 1941 to 1945 during World War II. The territory was handed over from the United Kingdom to China in 1997. Hong Kong maintains separate governing and economic systems from that of mainland China under the principle of one country, two systems. Originally a sparsely populated area of farming and fishing villages,. the territory is now one of the world's most signific ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |