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Gustavo Díaz-Jerez
Gustavo Díaz-Jerez (born 27 February 1970) is a Spanish pianist and composer. Biography Gustavo Díaz-Jerez was born on 27 February 1970 in Tenerife. Díaz-Jerez studied piano with J. A. Rodriguez at the Conservatorio Superior of Santa Cruz de Tenerife, and subsequently with Solomon Mikowsky at Manhattan School of Music in New York City. He has performed extensively throughout Europe, Asia, South America, the UK and the US. He has collaborated with conductors such as Ivan Fischer, Victor Pablo, Gunther Herbig, Adrian Leaper, José R. Encinar, etc., with orchestras such as the Budapest Festival Orchestra, as well as the major Spanish orchestras (Tenerife, Gran Canaria, Galicia, Nacional de Cataluña, Castilla y León, Sinfónica de Madrid). He has been invited to play at various international music festivals, including the Festival Internacional de Canarias, Festival de La Roque-d'Anthéron, Quincena Musical Donostiarra, Festival Internacional de Santander, among others. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenerife
Tenerife ( ; ; formerly spelled ''Teneriffe'') is the largest and most populous island of the Canary Islands, an Autonomous communities of Spain, autonomous community of Spain. With a land area of and a population of 965,575 inhabitants as of April 2025, it is the most populous island in Spain and the entire Macaronesia region. Tenerife is also home to 42.7% of the total population of the archipelago. More than seven million tourists (7,384,707 in 2024) visit Tenerife each year, making it by far the most visited island in the archipelago. It is one of the most important tourist destinations in Spain and the world, hosting one of the world's largest carnivals, the Carnival of Santa Cruz de Tenerife. The capital of the island, , is also the seat of the island council (). That city and are the co-capitals of the Autonomous communities of Spain, autonomous community of the Canary Islands. The two cities are both home to governmental institutions, such as the offices of the preside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fractal
In mathematics, a fractal is a Shape, geometric shape containing detailed structure at arbitrarily small scales, usually having a fractal dimension strictly exceeding the topological dimension. Many fractals appear similar at various scales, as illustrated in successive magnifications of the Mandelbrot set. This exhibition of similar patterns at increasingly smaller scales is called self-similarity, also known as expanding symmetry or unfolding symmetry; if this replication is exactly the same at every scale, as in the Menger sponge, the shape is called affine geometry, affine self-similar. Fractal geometry lies within the mathematical branch of measure theory. One way that fractals are different from finite geometric figures is how they Scaling (geometry), scale. Doubling the edge lengths of a filled polygon multiplies its area by four, which is two (the ratio of the new to the old side length) raised to the power of two (the conventional dimension of the filled polygon). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola D'amore
The viola d'amore (; ) is a 7- or 6- stringed musical instrument with additional sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The viola d'amore shares many features of the viol family. It looks like a thinner treble viol without frets and sometimes with sympathetic strings added. The six-string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes. Like all viols, it has a flat back. An intricately carved head at the top of the peg box is common on both viols and viola d'amore, although some viols lack one. Unlike the carved heads on viols, the viola d'amore's head occurs most often as Cupid blindfolded to represent the blindness of love. Its sound-holes are commonly in the shape of a flaming sword known as "The Flaming Sword of Islam" (suggesting the instrument's development was influenced by the Islamic World). This was one of the thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aranfaybo
''Aranfaybo'' is a work of classical music scored for chamber orchestra written by the Spanish composer and pianist Gustavo Díaz-Jerez. ''Aranfaybo'' was one of the gods in the mythology of the Bimbaches, aborigines of the island of El Hierro in the Canary Islands. Aranfaybo literally means "the one who produces rain". The Bimbaches offered animal sacrifices to invoke ''Aranfaybo'' in times of drought. Together with '' Ymarxa'', '' Ayssuragan'', '' Chigaday'', '' Azaenegue'', '' Erbane'' and '' Guanapay'', ''Aranfaybo'' is part of a cycle of seven orchestral works inspired in different places of each of the Canary Islands. ''Aranfaybo'' is a one-movement work lasting about 13 minutes, merging elements from spectralism and algorithmic procedures. It was premiered on 19 November 2008 by the Hungarian Symphony Chamber Orchestra in Zagreb, Croatia under the baton of Alberto Roque. The piece was subsequently performed in eight other European countries (Eslovenia, Italy, Germany, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ymarxa
''Ymarxa'' is an orchestral piece of classical music by the Spanish composer and pianist Gustavo Díaz-Jerez. ''Ymarxa'' is a guanche word meaning 'new', 'brilliant', 'splendid'. It also referred to a place in Tenerife in what today is La Esperanza forest. Together with '' Ayssuragan'', ''Aranfaybo'', '' Chigaday'', '' Azaenegue'', '' Erbane'' and '' Guanapay'', ''Ymarxa'' is part of a cycle of seven orchestral works inspired in different places of each of the Canary Islands. ''Ymarxa'' was commissioned by the XXVII Festival de Música de Canarias and given its first performance on February 12, 2011, at the Alfredo Kraus Auditorium in Gran Canaria by the Royal Philharmonic Orchestra under maestro Charles Dutoit. It was well received by audiences and critics alike. ''Ymarxa'' is a one-movement work lasting about 20 minutes, merging elements from spectralism Spectral music uses the acoustic properties of sound – or sound spectra – as a basis for composition. Definition Defin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Reality
Virtual reality (VR) is a Simulation, simulated experience that employs 3D near-eye displays and pose tracking to give the user an immersive feel of a virtual world. Applications of virtual reality include entertainment (particularly video games), education (such as medical, safety, or military training) and business (such as virtual meetings). VR is one of the key technologies in the Reality–virtuality continuum, reality-virtuality continuum. As such, it is different from other digital visualization solutions, such as augmented virtuality and augmented reality. Currently, standard virtual reality systems use either virtual reality headsets or multi-projected environments to generate some realistic images, sounds, and other sensations that simulate a user's physical presence in a virtual environment. A person using virtual reality equipment is able to look around the artificial world, move around in it, and interact with virtual features or items. The effect is commonly creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Music Journal
''Leonardo Music Journal'' is an annual multimedia peer-reviewed academic journal (print and audio CD) published by the MIT Press on behalf of Leonardo, The International Society of the Arts, Sciences and Technology. The journal was established in 1991 and publishes the work of artists who are inventing media, implementing developing technologies, and expanding the boundaries of radical and experimental aesthetics. The journal is a companion volume to ''Leonardo''. The editor-in-chief is Roger Malina (University of Texas at Dallas The University of Texas at Dallas (UTD or UT Dallas) is a public research university in Richardson, Texas, United States. It is the northernmost institution of the University of Texas System. It was initially founded in 1961 as a private res ...). References External links * Music journals MIT Press academic journals Annual journals English-language journals Academic journals established in 1968 Academic journals associated with learned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Algorithmic Composition
Algorithmic composition is the technique of using algorithms to create music. Algorithms (or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in Western counterpoint, for example, can often be reduced to algorithmic determinacy. The term can be used to describe music-generating techniques that run without ongoing human intervention, for example through the introduction of chance procedures. However through live coding and other interactive interfaces, a fully human-centric approach to algorithmic composition is possible. Some algorithms or data that have no immediate musical relevance are used by composers as creative inspiration for their music. Algorithms such as fractals, L-systems, statistical models, and even arbitrary data (e.g. census figures, GIS coordinates, or magnetic field measurements) have been used as source materials. Models Compositional algorithms are usually classified by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freeware
Freeware is software, often proprietary, that is distributed at no monetary cost to the end user. There is no agreed-upon set of rights, license, or EULA that defines ''freeware'' unambiguously; every publisher defines its own rules for the freeware it offers. For instance, modification, redistribution by third parties, and reverse engineering are permitted by some publishers but prohibited by others. Unlike with free and open-source software, which are also often distributed free of charge, the source code for freeware is typically not made available. Freeware may be intended to benefit its producer by, for example, encouraging sales of a more capable version, as in the freemium and shareware business models. History The term ''freeware'' was coined in 1982 by Andrew Fluegelman, who wanted to sell PC-Talk, the communications application he had created, outside of commercial distribution channels. Fluegelman distributed the program via the same process as ''shareware''. As s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustics
Acoustical engineering (also known as acoustic engineering) is the branch of engineering dealing with sound and vibration. It includes the application of acoustics, the science of sound and vibration, in technology. Acoustical engineers are typically concerned with the design, analysis and control of sound. One goal of acoustical engineering can be the reduction of unwanted noise, which is referred to as noise control. Unwanted noise can have significant impacts on animal and human health and well-being, reduce attainment by students in schools, and cause hearing loss. Noise control principles are implemented into technology and design in a variety of ways, including control by redesigning sound sources, the design of noise barriers, sound absorbers, suppressors, and buffer zones, and the use of hearing protection (earmuffs or earplugs). Besides noise control, acoustical engineering also covers positive uses of sound, such as the use of ultrasound in medicine, programming digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychoacoustics
Psychoacoustics is the branch of psychophysics involving the scientific study of the perception of sound by the human auditory system. It is the branch of science studying the psychological responses associated with sound including noise, speech, and music. Psychoacoustics is an interdisciplinary field including psychology, acoustics, electronic engineering, physics, biology, physiology, and computer science. Background Hearing is not a purely mechanical phenomenon of wave propagation, but is also a sensory and perceptual event. When a person hears something, that something arrives at the ear as a mechanical sound wave traveling through the air, but within the ear it is transformed into neural action potentials. These nerve pulses then travel to the brain where they are perceived. Hence, in many problems in acoustics, such as for Auditory system, audio processing, it is advantageous to take into account not just the mechanics of the environment, but also the fact that both the ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Additive Synthesis
Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together. The timbre of musical instruments can be considered in the light of Fourier series, Fourier theory to consist of multiple harmonic or inharmonic ''Harmonic series (music)#Partial, partials'' or overtones. Each partial is a sine wave of different frequency and amplitude that swells and decays over time due to modulation from an ADSR envelope or low frequency oscillator. Additive synthesis most directly generates sound by adding the output of multiple sine wave generators. Alternative implementations may use pre-computed Wavetable synthesis, wavetables or the inverse fast Fourier transform. Explanation The sounds that are heard in everyday life are not characterized by a single frequency. Instead, they consist of a sum of pure sine frequencies, each one at a different amplitude. When humans hear these frequencies simultaneously, we can recognize the sound. This is true for both ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
