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Groupe Gutaï
The was a Japanese avant-garde artist group founded in the Hanshin region by young artists under the leadership of the painter Jirō Yoshihara in Ashiya, Japan, in 1954. It operated until shortly after Yoshihara's death in 1972. The group, today one of the most internationally-recognized instances of 20th century Japanese art, is best known for the broad range of experimental art forms combining painting with performance, conceptual, interactive, site-specific, theatrical and installation artworks, which its members explored in unconventional venues such as public parks and on stage. The members’ engagement with the relationship between spirit, human body and material, often concretized in artistic methods that involved the artist’s body and violent gestures. Fueled by Yoshihara’s ambitions, global scope and strategic awareness, Gutai’s exhibitions and publications reached audiences around the world, realizing what Yoshihara called an “international common ground” of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jiro Yoshihara
was a Japanese painter, art educator, curator, and businessman. Mainly known for his gestural abstract impasto paintings from the 1950s and Zen-painting inspired hard-edge ''Circles'' beginning in the 1960s, Yoshihara's oeuvre also encompasses drawings, murals, sculptures, calligraphy, ink wash paintings, ceramics, watercolors, and stage design. Yoshihara was a key figure of postwar Japanese art and culture through his work as painter, art educator, promoter of the arts, and networker between the arts, commerce, and industry in the Kansai region and beyond, and, especially, as the leader of the postwar avant-garde art collective Gutai Art Association, which he co-founded in 1954. Under Yoshihara's guidance, Gutai explored radically experimental approaches, including outdoor exhibitions, performances, onstage presentations, and interactive works. Fueled by Yoshihara's global ambitions, Gutai developed artistic strategies to communicate internationally and insert themselves into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuruko Yamazaki
was a Japanese artist, known for her bold artistic experiments with abstract visual styles and non-traditional materials. She was a co-founder and the longest-standing female member of the Gutai Art Association, an avant-garde artists' collective established by Jirō Yoshihara. Biography Yamazaki was born in 1925 in Ashiya, Hyōgo, Japan. In 1947, she attended a three-day summer art workshop directed by Yoshihara.Tiampo, Ming. "The Contents of 'Emptiness', Tsuruko Yamazaki's Gutai Years." In ''Tsuruko Yamazaki. Beyond Gutai: 1957-2009''. Paris: Almine Rech Gallery, 2010. Impressed by Yoshihara's radically novel approach to art, Yamazaki began studying with him and eventually became a member of Gutai upon its establishment under his leadership. Yamazaki had been an active member of the Gutai group since its founding in 1954. She regularly participated in Gutai's Outdoor Exhibitions, performance events, and Gutai Art Exhibitions. As Gutai gradually garnered interest in the i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Fautrier
Jean Fautrier (; May 16, 1898 – July 21, 1964) was a French painter, illustrator, printmaker, and sculptor. He was one of the most important practitioners of Tachisme. Early life Jean Fautrier was born in Paris in 1898. He was given his unwed mother's surname, and raised by his grandmother until she and his father both died in 1908. He then moved to London to be with his mother.Grove Art Online. There, in 1912, he began to study at the Royal Academy of Arts. Unsatisfied by instruction he thought too rigid, he left to study briefly at the Slade School, which was reputed to be more avant-garde. He was disappointed again and decided to teach himself, devoting himself to painting. The works he saw in the Tate Gallery made a far greater impression on him; he especially admired the paintings of J. M. W. Turner. He was called up for the French Army in 1917, but was discharged in 1921 due to his poor health. He first exhibited his paintings at the Salon d'Automne in 1922 and at the Fab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Expressionism
Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralism, Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates. Key figures in the New York School (art), New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis (artist), Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos, and Lee Krasner among others. The movement was not limited to painting but included influential collagists and sculptors, such as David Smith (sculptor), David Smith, Louise Nevelson, and others. Abstract expressionism was notably influenced by the spontaneous and subconscious creation met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Informalism
Informalism or Art Informel () is a pictorial movement from the 1943–1950s, that includes all the abstract and gestural tendencies that developed in France and the rest of Europe during the World War II, similar to American abstract expressionism started 1946. Several distinguishing trends are identified within the movement such as lyrical abstraction, matter painting, New Paris School, tachisme and art brut. The French art critic Michel Tapié coined the term "art autre" (other art) in the homonymous In linguistics, homonyms are words which are either; ''homographs''—words that mean different things, but have the same spelling (regardless of pronunciation), or ''homophones''—words that mean different things, but have the same pronunciatio ... book published in 1952 in relation to non-geometric abstract art. It was instrumental in improving the concept of abstract art in France during the early 1950s. Its use in the expression of political ideologies in South Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allan Kaprow
Allan Kaprow (August 23, 1927 – April 5, 2006) was an American performance artist, installation artist, painter, and assemblagist . He helped to develop the " Environment" and "Happening" in the late 1950s and 1960s, as well as their theory. His Happenings — some 200 of them — evolved over the years. Eventually Kaprow shifted his practice into what he called "Activities", intimately scaled pieces for one or several players, devoted to the study of normal human activity in a way congruent to ordinary life. Fluxus, performance art, and installation art were, in turn, influenced by his work. Academic career Studies Because of a chronic illness Kaprow was forced to move from New York to Tucson, Arizona. He began his early education in Tucson where he attended boarding school. Later he would attend the High School of Music and Art in New York where his fellow students were the artists Wolf Kahn, Rachel Rosenthal and the future New York gallerist Virginia Zabriskie. As an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henk Peeters
Henk Peeters (8 December 1925 – 13 April 2013) was a Dutch artist. He was an active member of the ZERO movement. Peeters was born in The Hague. He studied Fine Art at the Koninklijke Academie voor Beeldende Kunsten in The Hague and taught from 1957 until 1972 at the Art Academy in Arnhem, the Netherlands. Until his death (Hall (NL), 2013), Henk Peeters restored artworks from the Nul period and remained an active spokesman for the Nul group. Activities Henk Peeters was the most active member of the Dutch Nul group, notably with regard to the organization; he made the international contacts, organized the international ZERO (Nul) exhibitions at the Stedelijk Museum Amsterdam, and wrote on the theory of art. It was also he who first actively participated in international exhibitions with artist groups such as the German ZERO, the Italian Azimuth, and with artists Yves Klein, Yayoi Kusama and Lucio Fontana. He initiated the (utopian) project "Zero on Sea", with more than fifty par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackson Pollock
Paul Jackson Pollock (; January 28, 1912August 11, 1956) was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "Drip painting, drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at age 44 in an alcohol-related single-car collision when he was driving. In December 1956, four months after his death, Pollock was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiyoji Ōtsuji
was a Japanese photographer, photography theorist, and educator. He was active in the avant-garde art world in Japan after World War II, both creating his own experimental photographs, and taking widely circulated documentary photographs of other artists and art projects. He became an authority in Japanese photography, extensively publishing commentaries and educating future generations of photographers. Biography Early life: 1923–1945 Ōtsuji was born in the Kōtō ward of Tokyo on July 27, 1923. He first became interested in photography when he purchased back issues of the photography periodical ''Photo Times'' from a used book store. Through ''Photo Times'' he first encountered avant-garde photography from Europe, the United States, and Japan, and was deeply inspired by the photography criticism of Shūzō Takiguchi and Abe Nobuya. In 1942, Ōtsuji enrolled in the art department at the Tokyo Professional School of Photography (today Tokyo Polytechnic University). In 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atsuko Tanaka (artist)
Atsuko Tanaka (田中 敦子, ''Tanaka Atsuko''; February 10, 1932 – December 3, 2005) was a Japanese avant-garde artist. She was a central figure of the Gutai Art Association from 1955 to 1965. Her works have found increased curatorial and scholarly attention across the globe since the early 2000s, when she received her first museum retrospective in Ashiya, Japan, which was followed by the first retrospective abroad, in New York and Vancouver. Her work was featured in multiple exhibitions on Gutai art in Europe and North America. Biography Tanaka was born in Osaka, on February 10, 1932. She had four older sisters and four older brothers. She studied at the Department of Western Painting at Kyoto Municipal College of Art (now Kyoto City University of Arts) in 1950 and left to attend the Art Institute of Osaka Municipal Museum of Art from 1951.''Gutai shiryoshu: Dokyumento Gutai, 1954 -1972 /Document Gutai, 1954-1972'' (Ashiya: Ashiya City Museum of Art and History, 1993), edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazuo Shiraga
was a Japanese abstract painter and the first-generation member of the postwar artists collective Gutai Art Association (Gutai). As a Gutai member, he was a prolific, inventive, and pioneering experimentalist who tackled a range of media: in addition to painting, he worked in performance art, three-dimensional object making, conceptual art, and installations, many of which are preserved only in documentary photos and films. Shiraga is best known for his abstract paintings, or the so-called “foot painting”, which he created by spreading oil paint initially on paper and later on canvas with his feet. Through this original method he had invented in 1954, he made a critical engagement with the tradition of painting, the result of which resonated with European and American gestural abstraction of the 1950s, such as Informel and Abstract Expressionism. In the 1960s and 1970s, he reintroduced tools such as boards and spatulas for spreading the paint. His experiments outside painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saburo Murakami
was a Japanese visual and performance artist. He was a member of the Gutai Art Association and is best known for his paper-breaking performances (''kami-yaburi'') in which he burst through kraft paper stretched on large wooden frames. Paper-breaking is a canonical work in the history of Japanese post-war art and for the history of performance art. Murakami's work includes paintings, three-dimensional objects and installation as well as performance, and is characterized by a highly conceptual approach that transcends dualistic thinking and materializes in playful interactive forms and often thematizes time, chance and intuition. Biography Saburo Murakami was born in Kobe, Japan, in 1925, as the third son of an English teacher at Kwansei Gakuin Junior High School. He entered Kwansei Gakuin University in 1943, joined the university's painting club Gengetsu-kai and began studying oil painting under Hiroshi Kanbara. After World War II, he resumed his studies, graduating from Kwanse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
