Gregório Lopes
Gregório Lopes (''c.'' 1490 – 1550) was one of the most important Renaissance painters from Portugal. Gregório Lopes was educated in the workshop of Jorge Afonso, the court painter of King Manuel I. Later he himself became court painter for both Manuel I and for his successor, John III. In 1514 he married the daughter of Jorge Afonso, and in 1520 was knighted by Prince Jorge de Lencastre and entered the Order of Santiago. The work of Gregório Lopes mainly consists of painted religious altarpieces for various churches and monasteries in central Portugal. Between 1520 and 1525 he worked (together with ''Jorge Leal'') in painting altarpieces for the Saint Francis Convent of Lisbon. Also in the 1520s he painted panels for the Church of Paraíso (Paradise), also in Lisbon. In his first fase, Gregório Lopes also worked in Sesimbra, Setúbal, and in the Monastery of Ferreirim, in this latter case together with Cristóvão de Figueiredo and Garcia Fernandes. The painter m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Martyrdom Of Saint Sebastian
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the ''Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambrose sta ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Garcia Fernandes
Garcia Fernandes (died ''c.'' 1565) was a Portuguese Renaissance painter. Like many of painters of the time, Garcia Fernandes was a pupil in the Lisbon workshop of Jorge Afonso, who was the court painter of King Manuel I. In the 1530s he worked in Coimbra for the monasteries of Santa Clara-a-Velha and of Santa Cruz. In 1533 and 1534, together with Cristóvão de Figueiredo and Gregório Lopes, he was responsible for the three painted altarpieces of the Monastery of Ferreirim, near Lamego. Later, he painted panels for the transept of the Church of St Francis in Évora. In Lisbon, he was responsible for the altarpiece of the Trindade Convent and the panel for the St Bartholomew Chapel of Lisbon Cathedral (c. 1537), as well as a large oil painting, ''The Marriage of Saint Alexis'' (once known as ''The Marriage of King Manuel of Portugal'') (1541), now in the ''Museum of São Roque''.Inventory no. 54. The painting (oil on wood, 210 x 165 cm) was originally in the Church o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16th-century Portuguese People
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a cha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1490s Births
149 may refer to: *149 (number), a natural number * AD 149, a year in the 2nd century AD *149 BC, a year in the 2nd century BC *British Airways Flight 149 British Airways Flight 149 was a flight from London Heathrow Airport to Sultan Abdul Aziz Shah Airport, then the international airport for Kuala Lumpur, Malaysia, via Kuwait and Madras International Airports, operated by British Airways using ..., a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 * {{Number disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Court Painters
A court is any person or institution, often as a government institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in accordance with the rule of law. In both common law and civil law legal systems, courts are the central means for dispute resolution, and it is generally understood that all people have an ability to bring their claims before a court. Similarly, the rights of those accused of a crime include the right to present a defense before a court. The system of courts that interprets and applies the law is collectively known as the judiciary. The place where a court sits is known as a venue. The room where court proceedings occur is known as a courtroom, and the building as a courthouse; court facilities range from simple and very small facilities in rural communities to large complex facilities in urban communities. The practical authority giv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1550 Deaths
Year 155 ( CLV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Rufinus (or, less frequently, year 908 ''Ab urbe condita''). The denomination 155 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Births * Cao Cao, Chinese statesman and warlord (d. 220) * Dio Cassius, Roman historian (d. c. 235) * Tertullian, Roman Christian theologian (d. c. 240) * Sun Jian, Chinese general and warlord (d. 191) Deaths * Pius I, Roman bishop * Polycarp, bishop of Smyrna (b. AD 65 AD 65 ( LXV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Nerva and Vestinus (or, less frequently, year 818 ''Ab urbe condita'') ...) References {{DEFAULTSORT:155 [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Portuguese Male Painters
Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portuguese man o' war, a dangerous marine cnidarian that resembles an 18th-century armed sailing ship ** Portuguese people, an ethnic group See also * * ''Sonnets from the Portuguese'' * "A Portuguesa "" ("The Portuguese ong, ) is the national anthem of Portugal. The song was composed by Alfredo Keil and written by Henrique Lopes de Mendonça during the resurgent nationalist movement ignited by the 1890 British Ultimatum to Portugal concer ...", the national anthem of Portugal * Lusofonia * Lusitania * {{disambiguation Language and nationality disambiguation pages ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cristóvão Lopes
Cristóvão Lopes (c.1516–1594) was a Portugal, Portuguese painter. Cristóvão Lopes was the son and disciple of royal painter Gregório Lopes, who died in 1550. Cristóvão succeeded his father as the royal painter of John III of Portugal, King John III in 1551. Since no works are known by him before the death of his father, it is assumed that up to this time Cristóvão worked in his father's workshop. Few paintings are certainly by his hand, since he did not sign his works. Cristóvão Lopes' painting style suggest that he may have worked with Netherlands, Dutch portrait painter Antonis Mor (also known as Antonio Moro) who had come to Portugal in the 1550s to paint the royal family. Cristóvão Lopes is the painter of an altarpiece for the Convent of Madre de Deus in Lisbon, in the high choir of the church, which carry portraits of the royal couple, John III and his wife Catherine of Austria, Queen of Portugal, Catherine of Austria (or Habsburg). Other royal portraits a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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National Museum Of Ancient Art
The Museu Nacional de Arte Antiga (; MNAA), also known in English as the National Museum of Ancient Art, is a Portuguese national art museum located in Lisbon. With over 40,000 items spanning a vast collection of painting, sculpture, goldware, furniture, textiles, ceramics, and prints, MNAA is one of the most visited museums in Portugal. The MNAA was founded in 1884 to display the collections of the Portuguese royal family and the National Academy of Fine Arts. It is housed in the ''Palácio Alvor-Pombal'', a former residence of the 1st Marquis of Pombal which was expanded when it was converted into a museum. The museum's collection spans more than a millennium of art from Europe, Asia, Africa, and the Americas and includes notable artworks by Hieronymus Bosch, Raphael, Hans Holbein the Elder, Francisco de Zurbarán, Albrecht Dürer, Domingos Sequeira, and Giambattista Tiepolo, among numerous others. History Origins The museum has its roots in the 1833 abolition of relig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Évora
Évora ( , ) is a city and a municipality in Portugal. It has 53,591 inhabitants (2021), in an area of 1307.08 km2. It is the historic capital of the Alentejo and serves as the seat of the Évora District. Due to its well-preserved old town centre, still partially enclosed by medieval walls, and many monuments dating from various historical periods, including a Roman Temple, Évora is a UNESCO World Heritage Site. Due to its inland position, Évora is one of Portugal's hottest cities in the summer, frequently subject to heat waves. Évora is ranked number two in the Portuguese most livable cities survey of living conditions published yearly by ''Expresso''. It was ranked first in a study concerning competitiveness of the 18 Portuguese district capitals, according to a 2006 study made by Minho University economics researchers. Along with Liepāja, Latvia, Évora was chosen to be European Capital of Culture in 2027. History Early history Évora has a history dating ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Convent Of Christ
The Convent of Christ ( pt, Convento de Cristo/Mosteiro de Cristo) is a former Catholic convent in Tomar, Portugal. Originally a 12th-century Templar stronghold, when the order was dissolved in the 14th century the Portuguese branch was turned into the Knights of the Order of Christ, that later supported Portugal's maritime discoveries of the 15th century. The convent and castle complex is a historic and cultural monument and was listed as a UNESCO World Heritage site in 1983. History Convento Cristo December 2008-8.jpg, The main church of the Convent of Tomar constructed by the Knights Templar TomarConvent-CloisterChurch1.jpg, The Manueline nave, as seen from the Renaissance era cloisters TomarConvent-Church1.jpg, The elaborate pinnacles over the western facade of the church TomarConvent-Cloisters2.jpg, Renaissance Cloister of John III Templars The convent was founded by the Order of Poor Knights of the Temple (or Templar Knights) in 1118. Its construction continued until t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |