Gran Vía De Montero Ríos
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Gran Vía De Montero Ríos
The Gran Vía de Montero Ríos is an avenue in Pontevedra (Spain) located in the Ensanche de Pontevedra, city centre, in the 19th century bourgeois area. It is one of the most emblematic avenues in Pontevedra. Origin of the name The avenue was called Gran Vía (major thoroughfare) because it was the widest in the city when it was created. After his death in 1914, the avenue was dedicated to Eugenio Montero Ríos, for his great political activity in favour of Pontevedra. History The Gran Vía de Montero Ríos, originally known as the Gran Vía, was designed in the 1870s to connect the Alameda de Pontevedra with the grounds of the Palm Trees Park, old fairground. Its design was included in the project commissioned by the City Council of Pontevedra, City Council in 1880 by the architect Alejandro Sesmero for the planning and development of the Alameda de Pontevedra, Alameda. In 1884, the Provincial Council of Pontevedra bought from the City Council of Pontevedra the land where ...
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Ensanche De Pontevedra
The Ensanche of Pontevedra is the neighbourhood that forms the City centre, centre of the Spain, Spanish city of Pontevedra, made up of several successive extensions to the city outside the Old Town of Pontevedra, old town. The term Ensanche means " widening " in Spanish and refers to the expanding areas of Spanish cities towards the end of the 19th century, when the demographic explosion and the Industrial Revolution, industrial revolution led to the demolition of the old city walls and the construction of new areas outside the Rampart (fortification), old fortified walls. History Since 1833, when Pontevedra became the Administrative centre, capital of Province of Pontevedra, its province, a radical transformation of the urban structure has taken place. The Walls of Pontevedra, city walls were demolished between 1852 and 1875, paving the way for urban growth beyond the Old Town of Pontevedra, walled enclosure. The town opened up to the surrounding countryside, the old roads le ...
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Pontevedra
Pontevedra (, ) is a city in the autonomous community of Galicia (Spain), Galicia, in northwestern Spain. It is the capital of both the ''Pontevedra (comarca), Comarca'' and Province of Pontevedra, and the capital of the Rías Baixas. It is also the capital of its own municipality which is often considered an extension of the actual city. The city is best known for its urban planning, pedestrianisation and the charm of its Old town of Pontevedra, old town. Between 2013 and 2020, the city received numerous awards for its urban planning, like the international European Intermodes Urban Mobility Award in 2013, the 2014 Dubai International Best Practices Award for Sustainable Development awarded by UN-Habitat in partnership with Dubai Municipality and the Excellence Award of the center for Active Design in New York City in 2015, among others. The city also won the European Commission's first prize for urban safety in 2020. Surrounded by hills, the city is located on the edge of a r ...
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Calle De La Oliva
The Calle de la Oliva (Galician: Rúa da Oliva), is a street in Pontevedra (Spain) located in the city centre, on the edge of the old town. It is one of the main streets of Pontevedra and one of the most commercial. Origin of the name The street is called Oliva Street because of the presence of an olive tree on the site where the street originated. History After being designated the provincial capital in 1833, in the mid-19th century Pontevedra improved its road links with other Galician cities. Between 1847 and 1851, Oliva Street and the current Rosalía de Castro Street were built, and their extension in the form of a road linked the city to Marín via Mollavao. The 1854 project already included the traditional name of Oliva Street. Traders soon moved into the street and Oliva Street soon became a shopping street. A few years after it opened in Michelena Street in 1856, the famous Suárez jeweller's and watchmaker's shop moved to the corner of Oliva Street and Peregri ...
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Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ...
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Ionic Order
The Ionic order is one of the three canonic classical order, orders of classical architecture, the other two being the Doric order, Doric and the Corinthian order, Corinthian. There are two lesser orders: the Tuscan order, Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital (architecture), capital, which have been the subject of mu ...
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Fluting (architecture)
Fluting in architecture and the decorative arts consists of shallow Groove (joinery), grooves running along a surface. The term typically refers to the curved grooves (flutes) running vertically on a column shaft or a pilaster, but is not restricted to those two applications. If the scoops taken out of the material meet in a sharp ridge, the ridge is called an arris. If the raised ridge between two flutes appears flat, the ridge is a . Fluted columns are common in the tradition of classical architecture but were not invented by the ancient Greeks, but rather passed down or learned from the Mycenaeans or the Egyptians. Especially in stone architecture, fluting distinguishes the column shafts and pilasters visually from plain masonry walls behind.Lawrence, 101 Fluting promotes a play of light on a column which helps the column appear more perfectly round than a smooth column. As a strong vertical element it also has the visual effect of minimizing any horizontal joints.Jones, M ...
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Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road, and usually standing alone, unconnected to other buildings. In its simplest form, a triumphal arch consists of two massive Pier (architecture), piers connected by an arch, typically crowned with a flat entablature or Attic style, attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways, or in a tetrapylon, passages leading in four directions. Triumphal arches are one of the most influential and distinctive types of ancient Roman architecture. Effectively invented by the Romans, and using their skill in making arches and vaults, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new Colonia ...
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Bossage
Bossage is uncut stone that is laid in place in a building, projecting outward from the building, to later be carved into decorative moldings, capitals, arms, etc. Bossages are also rustic work, consisting of stones which seem to advance beyond the surface of the building, by reason of indentures, or channels left in the joinings; used chiefly in the corners of buildings, and called rustic quoins. The cavity or indenture may be round, square, chamfered, beveled, diamond-shaped, or enclosed with a cavetto or listel. See also * Boss (architecture) * Bossage (architecture) in France * Glossary of architecture * Lifting boss * Rustication (architecture) image:Palazzo medici riccardi, bugnato 01.JPG, Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below Rustication is a range of masonry techniques used in classical architecture g ... References Architectural elements {{architecturalelement-stub ...
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Ashlar
Ashlar () is a cut and dressed rock (geology), stone, worked using a chisel to achieve a specific form, typically rectangular in shape. The term can also refer to a structure built from such stones. Ashlar is the finest stone masonry unit, and is generally rectangular (cuboid). It was described by Vitruvius as ''opus isodomum'' or trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of requiring only very thin joints between blocks, and the visible face of the stone may be Quarry-faced stone, quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect. One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag". Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for simi ...
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Eclecticism In Architecture
Eclecticism in architecture is a 19th and 20th century architectural style in which a single piece of work incorporates eclecticism, a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other Country, countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value. The term is also used of the many architects of the 19th and early 20 (number), 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically Revivalism (architecture), revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likel ...
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Victoria Eugenie Of Battenberg
Victoria Eugenie Julia Ena of Battenberg (24 October 1887 – 15 April 1969) was List of Spanish royal consorts, Queen of Spain as the wife of King Alfonso XIII from their marriage on 31 May 1906 until 14 April 1931, when the Spanish Second Republic was proclaimed. A Grand Duchy of Hesse, Hessian princess by birth, she was a member of the Battenberg family, a morganatic branch of the House of Hesse-Darmstadt. She was the youngest granddaughter of Queen Victoria and Prince Albert of Saxe-Coburg and Gotha, Prince Albert. Unlike other members of the Battenberg family, who were accorded the lower rank of ''Serene Highness'', Victoria Eugenie was born with the rank of ''Highness'' due to a Royal Warrant issued in 1886 by Queen Victoria. Early life Princess Victoria Eugenie of Battenberg was born on 24 October 1887 at Balmoral Castle, in Scotland. Her father was Prince Henry of Battenberg, the fourth child and third son of Prince Alexander of Hesse and by Rhine and Julia, Princess of ...
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Plaza De España (Pontevedra)
The Plaza de España is a 19th century pedestrian square located in the city centre of Pontevedra (Spain), on the edge of the old town and the Alameda de Pontevedra. Origin of the name The square owes its name to the fact that it is the seat of the city's most important political institutions and its central hub. History The Plaza de España was developed at the end of the 19th century following the line of the old medieval wall with the construction of the new City Hall as a transitional space between the historic centre and the Alameda de Pontevedra, which had been the former orchard of the Dominican convent and which the Dominicans transformed into a promenade in 1648 and which, in 1847, was closed off by stone walls. It was with the urban expansion at the end of the 19th century, which made the architect Alejandro Sesmero effective, that the process of forming the Alameda, and thus the Plaza de España, took shape within the framework of the city's bourgeois expansio ...
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