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Gnossiennes
The '' Gnossiennes'' () are several piano compositions by the French composer Erik Satie in the late 19th century. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. The form was invented by Satie but the term itself existed in French literature before Satie's usage. Etymology The etymology of the word ''gnossienne'' is contentious, but the word existed in French literature before Satie's usage, and is in the 1865 Larousse Dictionary, referring to the ritual labyrinth dance created by Theseus to celebrate his victory over the Minotaur, first described in the "Hymn to Delos" by Callimachus. Another explanation is that the word appears to derive from ''gnosis''. Satie was involved in gnostic sects and movements at the time that he began to compose the ''Gnossiennes''. Characteristics The ''Gnossiennes'' were composed by Satie in the decade following the composition of the '' Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erik Satie
Eric Alfred Leslie Satie (born 17 May 18661 July 1925), better known as Erik Satie, was a French composer and pianist. The son of a French father and a British mother, he studied at the Conservatoire de Paris, Paris Conservatoire but was an undistinguished student and did not obtain a diploma. In the 1880s he worked as a pianist in café-cabarets in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and ''Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a period in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum de Paris, Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Antoine De La Rochefoucauld
Count (Comte) Antoine de La Rochefoucauld (10 October 1862 – 8 September 1959) was an artist, patron and art collector as well as a proponent of Rosicrucianism in France at the end of the 19th century. Life Marie Joseph Auguste Antoine de La Rochefoucauld was the fourth and youngest son of Count Alfred de La Rochefoucauld, 1st Duke of La Roche-Guyon, (1819–1883) and Isabelle Nivière (1833–1911), married since 1851. Born in Paris, 10 October 1862, Antoine first served in the army as an officer, but retired to become a painter. 23 June 1900 he married Eugenie Dubois (14 May 1862, Paris – 19 July 1936, Chateau de La Grand'Cour), daughter of Felix Dubois and Victorine Anfray. The couple had two children, Emmanuel (1898–1936) and Eugène (1901–1987).After the death of his wife, following the death of his first-born (12 June 1936) within a month at the same place, Antoine de La Rochefoucauld retired to Menilles, where he died 8 September 1959. Ancestry The House de La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnosis
Gnosis is the common Greek noun for knowledge ( γνῶσις, ''gnōsis'', f.). The term was used among various Hellenistic religions and philosophies in the Greco-Roman world. It is best known for its implication within Gnosticism, where it signifies a spiritual knowledge or insight into humanity's real nature as divine, leading to the deliverance of the divine spark within humanity from the constraints of earthly existence. Etymology ''Gnosis'' is a feminine Greek noun which means "knowledge" or "awareness." Liddell Scottbr>entryγνῶσις, εως, ἡ, A. seeking to know, inquiry, investigation, esp. judicial, "τὰς τῶν δικαστηρίων γ." D.18.224; "τὴν κατὰ τοῦ διαιτητοῦ γdeetr." Id.21.92, cf. 7.9, Lycurg.141; "γ. περὶ τῆς δίκης" PHib.1.92.13 (iii B. C.). 2. result of investigation, decision, PPetr.3p.118 (iii B. C.). II. knowing, knowledge, Heraclit.56; opp. ἀγνωσίη, Hp. Vict.1.23 (dub.); opp. ἄγ� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gymnopédies
The ''Gymnopédies'' (), or ''Trois Gymnopédies'' ('Three Nude Dances"), are three piano compositions written by French composer and pianist Erik Satie. He completed the whole set by 2 April 1898, but they were at first published individually: the first and the third in 1888, the second in 1895. History The work's unusual title comes from the French form of gymnopaedia, the ancient Greek word for an annual festival where young men danced either naked or, perhaps figuratively, simply unarmed. The source of the title has been a subject of debate. Satie and his friend Alexis Roland-Manuel maintained that he adopted it after having read Gustave Flaubert's novel ''Salammbô'', while others see a poem by J. P. Contamine de Latour as the source of Satie's inspiration, since the first ''Gymnopédie'' was published in the magazine ''La Musique des familles'' in the summer of 1888 together with an excerpt of Latour's poem ''Les Antiques'', where the term appears. It remains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joséphin Péladan
Joséphin Péladan (28 March 1858 – 27 June 1918) was a French novelist and Rosicrucian who later briefly joined the Martinist order led by Papus (Gérard Encausse). His father was a journalist who had written on prophecies, and professed an esoteric-aesthetic form of Rosicrucianism and universalist Catholicism. He established the Salon de la Rose + Croix for painters, writers, and musicians sharing his artistic ideals, the Symbolists in particular. Biography Péladan was born into a Lyon family that was devoutly Roman Catholic. He studied at Jesuit colleges at Avignon and Nîmes. After he failed his baccalaureat, Péladan moved to Paris and became a literary and art critic. His older brother Adrien studied alchemy and occultism as well. Péladan was an extremely active member of the French Occult Revival and a key influence on French and Belgian Symbolist art. However, his eccentric manner and overbearing nature caused him to be largely ridiculed during his lifetime, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occultism
The occult () is a category of esoteric or supernatural beliefs and practices which generally fall outside the scope of organized religion and science, encompassing phenomena involving a 'hidden' or 'secret' agency, such as magic and mysticism. It can also refer to paranormal ideas such as extra-sensory perception and parapsychology. The term occult sciences was used in 16th-century Europe to refer to astrology, alchemy, and natural magic. The term occultism emerged in 19th-century France, among figures such as Antoine Court de Gébelin. It came to be associated with various French esoteric groups connected to Éliphas Lévi and Papus, and in 1875 was introduced into the English language by the esotericist Helena Blavatsky. Throughout the 20th century, the term 'occult' was used idiosyncratically by a range of different authors. By the 21st century the term 'occultism' was commonly employed –including by academic scholars in the field of Western esotericism studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Esotericism
Western esotericism, also known as the Western mystery tradition, is a wide range of loosely related ideas and movements that developed within Western society. These ideas and currents are united since they are largely distinct both from orthodox Judeo-Christian, Judeo-Christian religion and Age of Enlightenment rationalism. It has influenced, or contributed to, various forms of Western philosophy, mysticism, Western religions, religion, science, pseudoscience, Western art history, art, Western literature, literature, and Western culture#Music, music. The idea of grouping a wide range of Western traditions and philosophies together under the term ''esotericism'' developed in 17th-century Europe. Various academics have debated numerous definitions of Western esotericism. One view adopts a definition from certain esotericist schools of thought themselves, treating "esotericism" as a perennial philosophy, perennial hidden inner tradition. A second perspective sees esotericism as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Facsimile
A facsimile (from Latin ''fac simile'', "to make alike") is a copy or reproduction of an old book, manuscript, map, art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in scale, color, condition, and other material qualities. For books and manuscripts, this also entails a complete copy of all pages; hence, an incomplete copy is a "partial facsimile". Facsimiles are sometimes used by scholars to research a source that they do not have access to otherwise, and by museums and archives for media preservation and conservation. Many are sold commercially, often accompanied by a volume of commentary. The term " fax" is a shortened form of "facsimile", though most faxes are not reproductions of the quality expected in a true facsimile. Facsimiles in the age of mechanical reproduction Advances in the art of facsimile are closely relate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Bohemi By Ramon Casas
EL, El or el may refer to: Arts and entertainment Fictional entities * El, a character from the manga series ''Shugo Chara!'' by Peach-Pit * Eleven (''Stranger Things'') (El), a fictional character in the TV series ''Stranger Things'' * El, family name of Kal-El (Superman) and his father Jor-El in the Superman dynasty * E.L. Faldt, character in the road comedy film ''Road Trip'' Music * Él Records, an independent record label from the UK founded by Mike Alway * ''Él ''(Lucerito album), a 1982 album by Lucerito * "Él", Spanish song by Rubén Blades from the album '' Caminando'' * "Él" (Lucía song), the Spanish entry performed by Lucía in the Eurovision Song Contest 1982 Other media * ''Él'', 1926 autobiographical novel by Mercedes Pinto * ''Él'' (film), a 1953 film by Luis Buñuel based on the 1926 novel * ''Él'' (visual novel), a 1991 Japanese adult visual novel * EL TV, an Azerbaijani regional television channel Companies and organizations * Estée Lauder Compan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexis Roland-Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work " The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five of whose films he com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
