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Get The Message – The Best Of Electronic
''Get the Message'' is a compilation album by the Johnny Marr/Bernard Sumner band Electronic, released in September 2006 (see 2006 in music). It is the first career-spanning collection of the band; a 1999 Japanese compilation was cancelled just before release.worldinmotion.netlink Content The album includes every A-side (except Make It Happen and Until the End of Time), two B-sides ("Imitation of Life" and "All That I Need") and four album tracks ("Out of My League", "Like No Other", "Prodigal Son" and "Twisted Tenderness"). It was compiled by Craig DeGraff and Electronic. New liner notes written by the band are also included. A limited edition of the album includes a bonus DVD of all the band's music videos, except for " Late at Night" and the European version of " Getting Away with It" (the American film is featured). Track listing All tracks written by Bernard Sumner and Johnny Marr, except where noted. CD # "Forbidden City" (Sumner, Marr, Karl Bartos) 1996 # " Getting Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of the Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe of the Pet Shop Boys on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Make It Happen (Electronic Song)
"Make It Happen" is a dance/rock song written and performed by the Bernard Sumner/Johnny Marr band Electronic. Produced by Electronic with Arthur Baker, it is the first track on their third album ''Twisted Tenderness''. Sumner and Marr both contribute vocals and guitar, while Jimi Goodwin from Doves provides bass and Jed Lynch plays drums and percussion. Merv de Peyer is credited with programming and keyboards plus audio mixing. Arthur Baker with scratching. Intended as the first single from the album (an honour which went to " Vivid"), "Make It Happen" was eventually issued as a promotional 10" single on clear vinyl, like the previous promo "Prodigal Son". This featured an Ice-T sample that was cut from the album version due to a clearance problem. Around eleven seconds longer, it had been released on promo versions of the album but the legal issues had prevented its inclusion on the commercial edition. The version with the sample did appear on Electronic's last single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vivid (Electronic Song)
"Vivid" is a song by Electronic, the eighth single released by the group. It was released in April 1999 by Parlophone in Britain and by Virgin in Germany. "Vivid" reached #17 on the UK Singles Chart. Recording The song was recorded by full-time members Sumner and Marr with Doves bassist Jimi Goodwin and Black Grape drummer Jed Lynch. An early version of the song was written by Marr, before Sumner altered some of the words and the melody. The finished album version is in fact the demo, although subsequent production by Arthur Baker and his programming collaborator Merv de Peyer included a sampled loop which runs throughout the track in tandem with the kit drums.''Sound On Sound'', June 1999link Formats Like their last two singles (" For You" and " Second Nature"), "Vivid" was issued on two Compact Discs, and also on 12" vinyl in the UK. The principal B-side was "Radiation", a seven-minute instrumental co-credited to Arthur Baker. B-sides In addition to a single mix of the A-sid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disappointed (Electronic Song)
"Disappointed" is the fourth single released by English alternative dance group Electronic. Like their first single " Getting Away with It", it features Neil Tennant of the Pet Shop Boys as well as founding members Johnny Marr and Bernard Sumner. It was released on 22 June 1992 on Parlophone soon after the demise of Factory Records. The single was assigned the Factory catalogue number FAC 348, and the logo of the label remained on the artwork. Upon the song's release, it reached the top 20 in Germany, Greece, Ireland, Portugal, Sweden, and the United Kingdom, and it peaked within the top 10 on three US ''Billboard'' charts. In July 1992, the song was featured in the soundtrack of the live-action/animation hybrid mystery movie ''Cool World''; its inclusion both in the film and on its soundtrack album was advertised on the US single release. Composition The song was based on a piano riff by Marr's brother Ian; and worked up into a full backing-track by Johnny Marr and Bernard Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feel Every Beat
"Feel Every Beat" was the third single by the English band Electronic. It was released in the UK on 9 September 1991 (see 1991 in music) by Factory Records and was a modest commercial success. Composition The A-side is a combination of rock and house music, and is a favourite of both the two members Johnny Marr and Bernard Sumner. Marr began an early version of "Feel Every Beat" with the intention of releasing it on a solo album. Sumner's lyrics are about the criminalisation of rave culture in Britain. The two B-sides, "Lean to the Inside" (an instrumental that used sampled drums from the ABC song "Fear of the World") and "Second to None," are included on the 2013 Special Edition bonus disc of the Electronic album re-release. Both tracks are listed as "2013 edit". The disc also features a "2013 edit" of ''Feel Every Beat''. Artwork The single was packaged by 3a, and featured a contemporary design with stars and a minimalist colour scheme, which differed subtly from format ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Get The Message (song)
"Get the Message" is a song by Electronic, the English band formed by Bernard Sumner of New Order and ex- Smiths guitarist Johnny Marr. "Get the Message" was the second single from their 1991 debut album, '' Electronic'', and was a commercial success around the world. It is an example of Marr and Sumner's original concept of mixing the synthesizers of New Order with the Smiths' guitar sound. Composition Marr composed the music then Sumner wrote the lyric as engineer Owen Morris played him the song every four bars.'' Select'', November 1997 Marr was reluctant to layer multiple guitar parts as he was wary of treading ground, but Sumner convinced him otherwise. During recording, Primal Scream vocalist Denise Johnson added a vocal at the end of the song. She went on to provide additional vocals on a number of songs on Electronic's second album '' Raise the Pressure'' five years later. Artwork The first releases were packaged by Johnson/Panas (the moniker of Trevor Johnson), who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Bartos
Karl Bartos (born 31 May 1952) is a German musician and composer known for his contributions to the electronic band Kraftwerk. Career Karlheinz Bartos was born on 31 May 1952 in Marktschellenberg, Germany, named after his grandfathers Karl and Heinz. He was the drummer in a college band called The Jokers (later The Jolly Jokers in 1975) as Carlos Bartos, around 1965 to 1975. Between 1975 and 1990, he was, along with Wolfgang Flür, a member of the electronic music band Kraftwerk. This lineup of the group remains the most stable and productive yet assembled. He was originally recruited to play on Kraftwerk's US "Autobahn" tour where he changed his name to "Karl", as the band member's names were displayed on stage in neon lighting; "Karlheinz" was deemed too long and thus too expensive by Kraftwerk's front man Ralf Hütter. As a percussionist, Bartos was influenced by Ringo Starr of the Beatles, as well as the composers Carlos Chávez, Edgard Varèse, Igor Stravinsky, Béla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forbidden City (Electronic Song)
"Forbidden City" is a song by English band Electronic, comprising Bernard Sumner and Johnny Marr, with guesting co-writer Karl Bartos of Kraftwerk, released as the lead single from their second album '' Raise the Pressure'', and their first new release in almost exactly four years, the last being the stand-alone single " Disappointed". Composition The track was one of the fastest to be written and recorded on the album, with most of the music by Marr and the lyrics by Sumner (much like " Get the Message" and " Make It Happen"). It is a guitar pop/rock song with a heavily distorted guitar solo by Marr; lyrically it is about a young man who has an abusive relationship with his father but wants to return home despite this antagonism. Single As well as a UK release, "Forbidden City" was also issued in Australia and Germany on Compact Disc, and in the US as a 1-track radio promo. The commercial releases came with two non-album B-sides: "Imitation of Life" (an edited version of which w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getting Away With It
"Getting Away with It" is a song by the English band Electronic, which comprised Bernard Sumner of New Order, ex- Smiths guitarist Johnny Marr, and guesting vocalist Neil Tennant of the Pet Shop Boys. It was first released as Electronic's first single in 1989. Composition Musically, Bernard Sumner wrote the verse and Johnny Marr wrote the chorus. The lyrics, co-written by Tennant with Sumner, are a parody of Marr's Smiths partner Morrissey, and his public persona as morose and masochistic (Pet Shop Boys would further satirise this trend on their 1990 song "Miserablism"). Morrissey, for his part, criticised the song in a 1991 interview, calling it "totally useless" and joking that the song had a "very apt title". In a 2021 interview with Music Radar, Marr revealed that Chris Lowe also worked on the track, citing the bassline as his work. ABC and The The drummer David Palmer programmed the track's drums. The fluid, rich production incorporates a full orchestra (conducted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video that integrates a song or an album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. These videos are typically shown on music television and on streaming video sites like YouTube, or more rarely shown theatrically. They can be commercially issued on home video, either as video albums or video singles. The format has been described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip", "video clip", or simply "video". While musical short, musical short films were popular as soon as recorded sound was introduced to theatrical film screenings in the 1920s, the music video rose to prominence in the 1980s when American TV channel MTV based its format around the medium. Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or cassette j-cards. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the outer album jacket or the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
