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Genkurō
Genkurō (源九郎) is a shape-changing ''kitsune'' (fox-spirit) character who features prominently in the famous ''bunraku, jōruri'' and ''kabuki'' play ''Yoshitsune Senbon Zakura'' ("Minamoto no Yoshitsune, Yoshitsune and the Thousand Cherry Trees"). Disguising himself as Satō Tadanobu, a retainer of Yoshitsune's, he rescues Yoshitsune's lover Shizuka Gozen from agents of Minamoto no Yoritomo, Yoritomo (Yoshitsune's brother, from whom he is fleeing). In return, he is awarded a suit of armor, and also the great honor of Yoshitsune's name, "Genkurō", meaning Minamoto (源, ''gen'') ninth son (九郎, ''ku-rō''). As a kitsune, with no other name of his own revealed throughout the play, he is known only as "Tadanobu" and as "Genkurō". Separating from Yoshitsune and his party, Genkurō, his true identity still unknown, escorts Shizuka to Yoshino, Nara, Yoshino, seeking escape and safety from the agents of Yoritomo. There, they meet up with Yoshitsune once more, both parties hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshitsune Senbon Zakura
''Yoshitsune Senbon Zakura'' (義経千本桜), or ''Yoshitsune and the Thousand Cherry Trees'', is a Japanese play, one of the three most popular and famous in the kabuki repertoire. Originally written in 1747 for the bunraku, jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year. Adapted to kabuki, the play was premièred in that mode in January 1748, in the city of Ise, Mie, Ise, in Mie Prefecture. Kataoka Nizaemon IV and Yamamoto Koheiji were two of the actors in this performance, playing Ginpei and Tadanobu/Genkurō respectively. The premiere in Edo was held at the Nakamura-za in May the same year, and in Osaka at the Naka no Shibai just a few months later in August. The play is derived from the world of the ''The Tale of the Heike, Heike Monogatari'', a classical epic which details the rise and fall of the Taira clan of samurai. The latter portions describe the eventual defeat of the Taira in the Genpei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki Characters
is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Theatre of Japan, Japanese theatre, mixing dramatic performance with Japanese traditional dance, traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chūnori
is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the early Edo period, when the art's founder, Izumo no Okuni, formed a female dance troupe that performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satō Tadanobu
was a Japanese samurai of the late-Heian period. He was a follower of Minamoto no Yoshitsune. According to the '' Genpei Jōsuiki'', he was one of the , along with Kamata Morimasa, Kamata Mitsumasa, and Satō Tsugunobu. He was the younger brother of Tsugunobu, and their father was the Ōshū Fujiwara retainer Satō Motoharu. Tsugunobu and his brother Tadanobu "were 'given' to Yoshitsune by Fujiwara no Hidehira when Yoshitsune left Oshu to join Yoritomo." Yoshitsune's retreat Satō is most well known for saving his master Yoshitsune's life at Yoshino, a story recorded in the '' Gikeiki''. The story has become somewhat legendary over the years. Whilst travelling to Kyushu to escape from the troops of his brother Yoritomo, Yoshitsune and his forces were beset by the monks of Zo-o-no, and were facing defeat. Satō volunteered to fight a rearguard action to allow Yoshitsune time to reach safety, and asked for the loan of his master's armour in order to convince the pursui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hanamichi
The is an extra stage section used in Japanese kabuki theater. It is a long, raised platform, running left of centre to the stage through the audience, connecting to the main stage. The is typically used for character entrances and exits, though is also used for asides and scenes that do not take place in the location as scenes on the main stage; the also typically features a trapdoor just before the runway meets the stage, placed to be visible to everyone in the audience, which is commonly used for character entrances. Some kabuki plays also require the use of two , running along the left and right of the audience. History The was first used in 1668 in the , in the form of a simple wooden plank that reached from the centre of the stage to the middle of the theatre. It was not used in performances, but allowed actors to step into the audience after a performance to receive flowers, with the word literally meaning "flower path." The modern style of , sometimes called ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Shapeshifters
Fiction is any creative work, chiefly any narrative work, portraying character (arts), individuals, events, or setting (narrative), places that are imagination, imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to literature, written narratives in prose often specifically novels, novellas, and short story, short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any Media (communication), medium, including not just writings but also drama, live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or character (arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Foxes
The fox appears in the folklore of many cultures, but especially European and East Asian, as a figure of cunning, trickery, or as a familiar animal possessed of magic powers, and sometimes associated with Shapeshifting, transformation. Literature, film, television, games, music, and other forms of cultural expression may reflect the folklore image and reputation. The term wikt:foxy, "foxy" in English language, English ("having the qualities of a fox") can also connote attractiveness, sexiness, or being red-haired. The term "to wikt:outfox, outfox" means "to beat in a competition of wits", similarly to "outguess", "outsmart", and "outwit". In folklore and wisdom Africa In Dogon people, Dogon mythology, the fox is reported to be either the trickster god of the desert, who embodies chaos or a messenger for the gods. There is a Tswana people, Tswana riddle that says that ''"Phokoje go tsela o dithetsenya'' [Only the muddy fox lives] meaning that, in a philosophical sense, 'only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Yashima
Battle of Yashima (屋島の戦い) was one of the battles of the Genpei War on March 22, 1185, in the Heian period. It occurred in Sanuki Province (Shikoku), which is now Takamatsu, Kagawa. Background Following a long string of defeats, the Taira clan retreated to Yashima, today's Takamatsu, just off the coast of Shikoku. Here they had a fortress, and an improvised palace for Emperor Antoku and the imperial regalia, which they had taken earlier in the war. Battle On the 18th, a Minamoto force tried to cross the sea but many of the boats were damaged in a storm. Kajiwara Kagetoki then suggested adding "reverse oars" to the boats, which prompted an argument from Minamoto no Yoshitsune. Finally after the boats were repaired and despite the high winds, Yoshitsune departed with only five of the 200 boats carrying about 150 of his men. After arriving in Tsubaki Bay, in Awa Province, Yoshitsune advanced into Sanuki Province through the night reaching the bay with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satō Tsuginobu
is the most common Japanese surname, representing about 1.5% of Japan's population in March 2023. It is often romanized as Sato, Satou or Satoh. A 2024 study by Hiroshi Yoshida at Tohoku University estimated that if a law requiring spouses to have the same surname is not repealed and the Japanese people do not go extinct due to population decline, then every person in Japan will have the surname Satō by 2531 — legalizing separate surnames for married couples would delay this to . Satō may refer to: Notable people *, Japanese actress and voice actress *, Japanese actress *, Japanese judoka *, Japanese writer *, Japanese diplomat *, Japanese singer *, Japanese voice actress *, Japanese footballer *, Japanese footballer *Akihiro Sato (model), Brazilian model *, Japanese sport shooter *, Japanese politician *, Japanese politician *, Japanese professional wrestler *, Japanese photographer *, Japanese ski jumper *, Japanese shogi player *, Japanese idol, singer, actress and vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taira No Noritsune
was a military leader of the late Heian period of Japan. He was the son of Taira no Norimori. He fought in the Genpei War against the Minamoto clan. Genpei War Noritsune was a commander during the Genpei War. He fought in many battles including the battles of Mizushima and Dan-no-ura. He also fought in the Battle of Ichi-no-Tani, and killed Satō Tsugunobu in the Battle of Yashima. Death He committed suicide in the Battle of Dan-no-ura, while holding a Minamoto warrior under each arm plunging into the sea. His father also committed suicide at the same battle. In the play, he is disguised as the priest 'Yokawa no Kakuhan', until he is forced to confess his true identity by Benkei. See also *''The Tale of Heike is an epic account compiled prior to 1330 of the struggle between the Taira clan and Minamoto clan for control of Japan at the end of the 12th century in the Genpei War (1180–1185). It has been translated into English at least five times. ...'' References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
