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Gate Hill Cooperative
Gate Hill Cooperative, also known as The Land, is an experimental artists’ colony and intentional community located in Stony Point, Rockland County, New York. It is often viewed as an extension of Black Mountain College in Western North Carolina. Founding community Gate Hill Cooperative was founded in 1953 by former Black Mountain College (BMC) students Paul and Vera Williams. Its inspiration came from playwright and critic Paul Goodman's publication '' Communitas: Means of Livelihood and Ways of Life'' and his teaching when he served as faculty at the BMC Summer Institute of 1950. The group forming the immediate basis for the Gate Hill Cooperative included BMC instructors Karen Karnes, David Weinrib, John Cage, David Tudor, and poet and potter M.C. Richards, whose ideas on community living were also a major catalyst for the creation of the cooperative. Among the artists, composers, filmmakers, choreographers, poets, and potters who moved to Gate Hill Cooperative later on w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Art Colony
Art colonies are organic congregations of artists in towns, villages and rural areas, who are often drawn to areas of natural beauty, the prior existence of other artists, art schools there, or a lower cost of living. They are typically mission-driven planned communities, which administer a formal process for awarding artist residencies. A typical mission might include providing artists with the time, space, and support to create, fostering community among artists, and providing arts education, including lectures and workshops. Early 20th century American guest-host models include MacDowell in Peterborough, New Hampshire and Yaddo in Saratoga Springs, New York. Two primary organizations serving artist colonies and residential centres are Res Artis in Amsterdam, and the Alliance of Artists Communities, in Providence, Rhode Island. Taiwan's Intra Asia Network is a less formal body working to advance creative communities and exchanges throughout Asia. Collectively, these gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Willem De Kooning
Willem de Kooning ( , ; April 24, 1904 – March 19, 1997) was a Dutch-American abstract expressionist artist. Born in Rotterdam, in the Netherlands, he moved to the United States in 1926, becoming a US citizen in 1962. In 1943, he married painter Elaine de Kooning, Elaine Fried. In the years after World War II, De Kooning painted in a style that came to be referred to as abstract expressionism or "action painting", and was part of a group of artists that came to be known as the New York School (art), New York School. Other painters in this group included Jackson Pollock, Elaine de Kooning, Lee Krasner, Franz Kline, Arshile Gorky, Mark Rothko, Hans Hofmann, John Ferren, Nell Blaine, Adolph Gottlieb, Anne Ryan (artist), Anne Ryan, Robert Motherwell, Philip Guston, Clyfford Still, and Richard Pousette-Dart. De Kooning's retrospective held at Museum of Modern Art, MoMA in 2011–2012 made him one of the best-known artists of the 20th century. Early life, family and education W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Shirley Clarke
Shirley Clarke (née Brimberg; October 2, 1919 – September 23, 1997) was an American filmmaker. Life Born Shirley Brimberg in New York City, she was the daughter of a Polish-immigrant father who made his fortune in manufacturing. Her mother was the daughter of a multimillionaire Jewish manufacturer and inventor. The eldest of three daughters, her sister was the writer Elaine Dundy. Her interest in dance began at an early age, but met with the disapproval of her father, a violent bully. Clarke attended Stephens College, Johns Hopkins University, Bennington College, and University of North Carolina. As a result of dance lessons at each of these schools, she trained under the Martha Graham technique, the Humphrey-Weidman technique, and the Hanya Holm method of modern dance. She married Bert Clarke to escape her father's control, so she could study dance under the masters in New York City. Their daughter Wendy was born in 1944. Her marriage to Bert ended in divorce in 1963. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
James Broughton
James Broughton (November 10, 1913 – May 17, 1999) was an American poet and poetic filmmaker. He was part of the San Francisco Renaissance, a precursor to the Beat poets. Broughton was an early bard of the Radical Faeries, as well as a member of The Sisters of Perpetual Indulgence, serving the community as Sister Sermonetta. Life and career Broughton was born to wealthy parents in Modesto, California. His father died when he was five years old in the 1918 influenza epidemic, and he spent his childhood in San Francisco. Before he was three, "Sunny Jim" experienced a transformational visit from his muse, Hermy, which he describes in his autobiography, ''Coming Unbuttoned'' (1993): Broughton was kicked out of military school for having an affair with a classmate, and attended Stanford University before dropping out just before his class graduated in 1935. In 1945, he won the Alden Award given by the Stanford Dramatists' Alliance for his original screenplay ''Summer Fury''. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Robert Duncan (poet)
Robert Edward Duncan (January 7, 1919 – February 3, 1988) was an American poetry, American poet and a devotee of H.D., Hilda "H.D." Doolittle and the Western esoteric tradition who spent most of his career in and around San Francisco. Though associated with any number of literary traditions and schools, Duncan is often identified with the poets of the New American Poetry and Black Mountain poets, Black Mountain College. Duncan saw his work as emerging especially from the tradition of Ezra Pound, Pound, William Carlos Williams, Williams and D. H. Lawrence, Lawrence. Duncan was a key figure in the San Francisco Renaissance. Overview As a poet and intellectual, Duncan's presence was felt across many facets of popular culture. His name is prominent in the history of pre-Stonewall riots, Stonewall gay culture and in the emergence of Bohemianism, bohemian socialist communities of the 1930s and 1940s, in the Beat Generation, and in the cultural and political upheaval of the 1960s, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Intermedia
Intermedia is an art theory term coined in the mid-1960s by Fluxus artist Dick Higgins to describe the strategies of interdisciplinarity that occur within artworks existing between artistic genres. It was also used by John Brockman to refer to works in expanded cinema that were associated with Jonas Mekas' Film-Makers’ Cinematheque. Gene Youngblood also described intermedia, beginning in his ''Intermedia'' column for the Los Angeles Free Press beginning in 1967 as a part of a global network of multiple media that was expanding consciousness. Youngblood gathered and expanded upon intermedia ideas from this series of columns in his 1970 book '' Expanded Cinema'', with an introduction by Buckminster Fuller. Over the years, intermedia has been used almost interchangeably with multi-media and more recently with the categories of digital media, technoetics, electronic media and post-conceptualism. Characteristics The areas such as those between drawing and poetry, or betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Judson Dance Theater
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance. History Judson Dance Theater grew out of a composition class held at Merce Cunningham's studio, taught by Robert Dunn, a musician who had studied experimental music theory with John Cage. ''A Concert of Dance'', the first Judson concert, took place on July 6, 1962, and included the work of 14 choreographers performed by 17 people, some of whom were students in the Dunn composition class. Other performers in the concert were members of the Merce Cunningham Dance Company, as well as visual artists, filmmakers, and composers. The concert included works by Yvonne Rainer, Steve Paxton, David Gordon, Alex and Deborah Hay, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Happening
A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow in 1959 to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happening" in the spring of 1959 at an art picnic at George Segal's farm to describe the art pieces being performed. The first appearance in print about one was in Kaprow's famous "Legacy of Jackson Pollock" essay that was published in 1958 but primarily written in 1956. "Happening" also appeared in print in one issue of the Rutgers University undergraduate literary magazine, ''Anthologist''. The form was imitated and the term was adopted by artists across the U.S., Germany, and Japan. Happenings are difficult to describe, in part because each one is unique. One definition comes from Wardrip-Fruin and Montfort in ''The New Media Reader'', "The term 'happening' has been used to describe many performances and events, organized by Allan Kaprow and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental performance art, art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic Harry Ruhé describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance art, performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
