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Gaspar Cassadó
Gaspar Cassadó i Moreu (30 September or 5 October 1897 – 24 December 1966) was a Catalan cellist and composer of the early 20th century. Biography Gaspar Cassadó i Moreu was born in Barcelona to a church musician father, Joaquim Cassadó, and began taking cello lessons at age seven. When he was nine, he played in a recital where Pablo Casals was in the audience; Casals immediately offered to teach him. The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris. In 1914 World War I broke out and his brother Agustí died a victim of an epidemic. Gaspar returned to Barcelona and began to offer concerts with the main orchestras of Spain. From 1918 he also performed in France and Italy, thanks to his friendship with Alfredo Casella. In 1920 he toured Argentina. From 1922 he began to make known his own compositions, both pieces for cello and concerts, chamber music, oratorios and a sardana. He also made transcriptions for cello. In 1923 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Concerto In D Minor (Cassadó)
Gaspar Cassadó's Cello Concerto in D minor was first performed in 1926 by Cassadó and Pablo Casals, to whom the work was dedicated. The concerto consists of two movements: :I. Allegro non troppo :II. Andante con variazioni e Allegro finale: Andante con sentimento austero – Allegro ritmico e piuttosto moderato. This piece, like the Suite for Cello Solo, has folk music elements: Spanish, Oriental, and Impressionistic. Gaspar Cassadó studied composition with Maurice Ravel Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism in music, Impressionism along with his elder contemporary Claude Debussy, although both composer ... and Ravelian "carnival music" can be heard in the second theme of the first movement. The second movement is a theme and variations. An attacca leads to a pentatonic Rondo. Recordings * 2002 – Martin Ostertag, cello; Baden-Badener Philharmonie conducted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoltán Kodály
Zoltán Kodály (, ; , ; 16 December 1882 – 6 March 1967) was a Hungarian composer, ethnomusicologist, music pedagogue, linguist, and philosopher. He is well known internationally as the creator of the Kodály method of music education. Life Born in Kecskemét, Kingdom of Hungary, Kodály learned to play the violin as a child. In 1900, he entered the Department of Languages at the University of Budapest and at the same time Hans von Kössler's composition class at the Royal Hungarian Academy of Music. After completing his studies, he studied in Paris with Charles-Marie Widor for a year. In 1905 he visited remote villages to collect songs, recording them on phonograph cylinders. In 1906 he wrote a thesis on Hungarian folk song, "Strophic Construction in Hungarian Folksong". At around this time Kodály met fellow composer and compatriot Béla Bartók, whom he took under his wing and introduced to some of the methods involved in folk song collecting. The two became life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Quotation
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation). Sometimes the quotation is done for the purposes of characterization, as in Puccini's use of ''The Star-Spangled Banner'' in reference to the American character Lieutenant Pinkerton in his opera ''Madama Butterfly'', or in Tchaikovsky's use of the Russian and French national anthems in the ''1812 Overture'', which depicted a battle between the Russian and French armies. Sometimes, there is no explicit characterization involved, as when Luciano Berio used brief quotes from Johann Sebastian Bach, Ludwig van Beethoven, Alban Berg, Pierre Boulez, Gustav Mahler, Claude Debussy, Paul Hindemith, Maurice Ravel, Arnold Schoenberg, Karlheinz Stockhausen, Richard Strauss, Igor Stravinsky, Anton Webern, and others in his ''Sinfonia (Berio), Sinfonia''. Quotation vs. variation Musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jota (music)
The jota () is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon. It varies by region, having a characteristic form in Aragon (where it is the most important), Mallorca, Catalonia, León, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia. Being a visual representation, the jota is danced and sung accompanied by castanets, and the interpreters tend to wear regional costumes. In Valencia, the jota was once danced during interment ceremonies. The jota tends to have a rhythm, although some authors maintain that the is better adapted to the poetic and choreographic structure. For their interpretation, guitars, bandurrias, lutes, dulzaina, and drums are used in the Castilian style, while the Galicians use bagpipes, drums, and bombos. Theatrical versions are sung and danced with regional costumes and castanets, though such things are not used when dancing the jota in less formal settings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sardana
The ''sardana'' (; plural ''sardanes'' in Catalan) is a Catalan musical genre typical of Catalan culture and danced in circle following a set of steps. The dance was originally from the Empordà region, but started gaining popularity throughout Catalonia from the late 19th century to beginning of the 20th century after the modernisation done by Josep Maria Ventura i Casas. Men and women join together in a circle by holding hands and facing inwards to dance either the historical ''sardana curta'' (with an approximate duration of 5 minutes) or the present-day ''sardana llarga'' (with a duration of approximately 12–13 minutes). Other more unusual sardanes are the ''sardana de lluïment'' and the ''sardana revessa''. The steps are meticulously counted as two- or three-step movements taken sideways within the circle. The direction of the steps is alternated. The hands stay on the hip or shoulder level depending on the step structure. The pattern of the choreography has jumping ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zarabanda
The sarabande (from ) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the cult of Dionysus. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited by Alison Latha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (Cassadó)
The Suite (music), Suite for Solo Cello was written in 1926 by Gaspar Cassadó. This suite for violoncello, like the Cello Concerto in D minor (Cassadó), Cello Concerto and the Piano Trio, came from one of Gaspar Cassadó's most prolific periods, in the mid-1920s. It was dedicated to Francesco von Mendelssohn, "a ''Francesco von'' ''Mendelssohn con affettuosa eprofonda amicizi''." History Cassado may have been influenced by the Cello Suites (Bach), Bach Cello Suites when composing the solo suite in 1926. Cassado's teacher was Pablo Casals, credited for rediscovering the Bach cello suites in the early 20th century. Cassado is Barcelonian, and his family moved to Paris when he was 10 where he started his studies with Casals. Many of Cassado's compositions draw from elements of Spanish folk music and French nationalism. Cassado's Catalans, Catalonian background contributed to the Catlan Cello School and is evident of the virtuoso movement of the 19th century. There may be connection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Stiefel
Operation Atlantis was a project started by Werner Stiefel in 1968 aiming to establish a new, Libertarianism, libertarian nation in international waters. The operation launched a Ferrocement, ferro-cement boat on the Hudson River in December 1971 and piloted it to an area near the Bahamas. Upon reaching its destination, it sank in a hurricane.Halliday, Roy"Operation Atlantis and the Radical Libertarian Alliance: Observations of a Fly on the Wall" Libertarian Nation. 2001. After a number of subsequent failed attempts to construct a habitable sea platform and achieve sovereign status, the project was abandoned. Origin Werner Stiefel was born in Brooklyn, NY in 1921. In 1847, his family established a soap manufacturing business in what later became Germany. His father moved to America in 1910 to establish a new subsidiary of the company, but World War II put the entire company out of business. In 1947, Stiefel, his father, and his brother set up a new business in the United Sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
