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Gapless Playback
Gapless playback is the uninterrupted playback of consecutive audio tracks, such that relative time distances in the original audio source are preserved over track boundaries on playback. For this to be useful, other artifacts (than timing-related ones) at track boundaries should not be severed either. Gapless playback is common with compact discs, gramophone records, or tapes, but is not always available with other formats that employ compressed digital audio. The absence of gapless playback is a source of annoyance to listeners of music where tracks are meant to segue into each other, such as some classical music (opera in particular), progressive rock, concept albums, electronic music, and live recordings with audience noise between tracks. Causes of gaps Playback latency Various software, firmware, and hardware components may add up to a substantial delay associated with starting playback of a track. If not accounted for, the listener is left waiting in silence as the pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format co-developed by Philips and Sony to store and play digital audio recordings. It employs the Compact Disc Digital Audio (CD-DA) standard and was capable of holding of uncompressed stereo audio. First released in Japan in October 1982, the CD was the second optical disc format to reach the market, following the larger LaserDisc (LD). In later years, the technology was adapted for computer data storage as CD-ROM and subsequently expanded into various writable and multimedia formats. , over 200 billion CDs (including audio CDs, CD-ROMs, and CD-Rs) had been sold worldwide. Standard CDs have a diameter of and typically hold up to 74 minutes of audio or approximately of data. This was later regularly extended to 80 minutes or by reducing the spacing between data tracks, with some discs unofficially reaching up to 99 minutes or which falls outside established specifications. Smaller variants, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). In sound recording and reproduction a song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Quick fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocal plosives and percussion sounds. Professional turntablists and DJs in hip hop music use faders on a DJ mixer, notably the horizontal crossfader, in a rapid fashion while simultaneously manipulating two or more record players (or other sound sources) to create ''scratching'' and develop beats. Club DJs in house music and techno use DJ mixers, two or more sound s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foobar2000
foobar2000 (often abbreviated as fb2k or f2k) is a freeware audio player for Microsoft Windows, iOS, Android, macOS, and formerly Windows Phone, developed by Peter Pawłowski. It has a modular design, which provides user flexibility in configuration and customization. Standard "skin" elements can be individually augmented or replaced with different dials and buttons, as well as visualizers such as waveform, oscilloscope, spectrum, spectrogram (waterfall), peak and smoothed VU meters, which all of them are analysis-oriented, at least for built-in visualizations. foobar2000 offers third-party user interface modifications through a software development kit (SDK). foobar2000 supports many audio file formats, has many features for organizing metadata, files, and folders, and has a converter interface for use with command line encoders. To maximize audio fidelity in cases where resampling or downscaling in bit depth is required, it provides noise shaping and dithering. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nero AG
Nero AG (known as Ahead Software AG until 2005) is a German computer software company that is especially well known for its CD/ DVD/ BD burning suite, ''Nero Burning ROM''. The company's main product is Nero 2019, a piece of software that comprises burning, file conversion, media management, and video editing functions and was updated on an annual basis, though new releases have not occurred for several years. History Richard Lesser founded the company as ''Ahead Software GmbH'' in 1995. The company changed its name (and legal form) to ''Ahead Software AG'' in 2001, and again to Nero AG in 2005. The Nero Group includes foreign subsidiaries in Glendale, California, United States (''Nero Inc.'', founded in 2001), in Yokohama, Japan (''Nero K.K.'', founded in 2004), and Hangzhou, China (''Nero Ltd.'', founded in 2007). The USA and Japan operations are sales offices, while the Chinese subsidiary operates exclusively to provide internal development services for the company. In M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-4 Part 14
MP4 (formally MPEG-4 Part 14), is a digital multimedia container format most commonly used to store video and audio, but it can also be used to store other data such as subtitles and still images. Like most modern container formats, it allows streaming over the Internet. The only filename extension for MPEG-4 Part 14 files as defined by the specification is .mp4. MPEG-4 Part 14 is a standard specified as a part of the MPEG-4 specifications, formally as ISO/ IEC 14496-14:2003. Unlike the audio-only compression formats MP3 and MP2, MP4 is a container format that can hold various types of media from various codecs. During the 2000s, portable media players were sometimes erroneously advertised as "MP4 players", even if they may play a different format like AMV video and not necessarily the MPEG-4 Part 14 format. Data streams Most kinds of data can be embedded in MPEG-4 Part 14 files through ''private streams''. A separate hint track is used to include streaming information in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advanced Audio Coding
Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. It was developed by Dolby, AT&T, Fraunhofer and Sony, originally as part of the MPEG-2 specification but later improved under MPEG-4.ISO (2006ISO/IEC 13818-7:2006 – Information technology — Generic coding of moving pictures and associated audio information — Part 7: Advanced Audio Coding (AAC), Retrieved on 2009-08-06ISO (2006, Retrieved on 2009-08-06 AAC was designed to be the successor of the MP3 format (MPEG-2 Audio Layer III) and generally achieves higher sound quality than MP3 at the same bit rate. AAC encoded audio files are typically packaged in an MP4 container most commonly using the filename extension .m4a. The basic profile of AAC (both MPEG-4 and MPEG-2) is called AAC-LC (''Low Complexity''). It is widely supported in the industry and has been adopted as the default or standard audio format on products including Apple's iTunes Store, Nintendo's Wii, DSi and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LAME
LAME is a software encoder that converts digital audio into the MP3 audio coding format. LAME is a free software project that was first released in 1998 and has incorporated many improvements since then, including an improved psychoacoustic model. The LAME encoder outperforms early encoders like L3enc and possibly the "gold standard encoder" MP3enc, both marketed by Fraunhofer. LAME was required by some programs released as free software in which LAME was linked for MP3 support. This avoided including LAME itself, which used patented techniques, and so required patent licenses in some countries. All relevant patents have since expired, and LAME is now bundled with Audacity. History The name LAME is a recursive acronym for "LAME Ain't an MP3 Encoder". Around mid-1998, Mike Cheng created LAME 1.0 as a set of modifications against the 8Hz-MP3 encoder source code. After some quality concerns were raised by others, he decided to start again from scratch based on the dist10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Chrome
Google Chrome is a web browser developed by Google. It was first released in 2008 for Microsoft Windows, built with free software components from Apple WebKit and Mozilla Firefox. Versions were later released for Linux, macOS, iOS, iPadOS, and also for Android (operating system), Android, where it is the default browser. The browser is also the main component of ChromeOS, where it serves as the platform for web applications. Most of Chrome's source code comes from Google's free and open-source software project Chromium (web browser), Chromium, but Chrome is licensed as proprietary freeware. WebKit was the original Browser engine, rendering engine, but Google eventually Fork (software development), forked it to create the Blink (browser engine), Blink engine; all Chrome variants except iOS used Blink as of 2017. , StatCounter estimates that Chrome has a 65% worldwide usage share of web browsers, browser market share (after peaking at 72.38% in November 2018) on personal comput ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus (audio Format)
Opus is a Lossy audio compression, lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently speech coding, code speech and general audio in a single format, while remaining latency (audio), low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors. Opus replaces both Vorbis and Speex for new applications. Opus combines the speech-oriented Linear predictive coding, LPC-based SILK algorithm and the lower-latency Modified discrete cosine transform, MDCT-based CELT algorithm, switching between or combining them as needed for maximal efficiency. Bitrate, audio bandwidth, complexity, and algorithm can all be adjusted seamlessly in each frame. Opus has the low algorithmic delay (26.5 ms by default) necessary for use as part of a real-time communication link, networked music performances, and live lip sync; by trading off quality or bitrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speex
{{More citations needed, date=May 2025 The Speex project is an attempt to create a free software speech codec, unencumbered by patent restrictions. Speex is licensed under the BSD License and is used with the Xiph.org Foundation's Ogg container format. The Speex coder uses the Ogg bitstream format, and the Speex designers see their project as complementary to the Vorbis general-purpose audio compression project. Description Unlike many other speech codecs, Speex is not targeted at cell phones but rather at voice over IP (VoIP) and file-based compression. The design goals have been to make a codec that would allow both very good quality speech and low bit rate, which led to the development of a codec with multiple bit rates. Very good quality also meant the support of wideband (16 kHz sampling rate) in addition to narrowband (telephone quality, 8 kHz sampling rate). Designing for VoIP instead of cell phone use means that Speex must be robust to lost packets, but not to cor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vorbis
Vorbis is a free and open-source software project headed by the Xiph.Org Foundation. The project produces an audio coding format and software reference encoder/decoder ( codec) for lossy audio compression, libvorbis. Vorbis is most commonly used in conjunction with the Ogg container format and it is therefore often referred to as Ogg Vorbis. Version 1.0 of Vorbis was released in May 2000. Since 2013, the Xiph.Org Foundation has stated that the use of Vorbis should be deprecated in favor of the Opus codec, an improved and more efficient format that has also been developed by Xiph.Org. Name Vorbis is named after the character Exquisitor Vorbis in the '' Discworld'' novel '' Small Gods'' by Terry Pratchett. The Ogg format is named after ''ogging'', jargon from the computer game '' Netrek''. Development Vorbis is a continuation of audio compression development started in 1993 by Chris Montgomery. Intensive development began following a September 1998 letter from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musepack
Musepack or MPC is an open source lossy audio codec, specifically optimized for transparent compression of stereo audio at bitrates of 160–180 (manual set allows bitrates up to 320) kbit/s. It was formerly known as MPEGplus, MPEG+ or MP+. Development of MPC was initiated in 1997 by Andree Buschmann and later assumed by Frank Klemm, and as of 2004 is maintained by the Musepack Development Team (MDT) with assistance from Buschmann and Klemm. Encoders and decoders are available for Microsoft Windows, Linux and Mac OS X, and plugins for several third-party media players available from the Musepack website, licensed under the GNU Lesser General Public License (LGPL) or BSD licenses, and an extensive list of programs supporting the format. Technical details Musepack was developed using the MP2 codec as a starting point, but many features have since been added, including: * subband selectable M/S encoding (as in AAC) * Huffman coding (as in MP3 and AAC, but more efficient) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
