Galerie Véro-Dodat
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Galerie Véro-Dodat
The Galerie Véro-Dodat is one of the covered passages of Paris. It is located in the 1st arrondissement, connecting the Rue de Jean-Jacques Rousseau and the Rue Croix-des-Petits-Champs. It was built in 1826. History The Galerie Véro-Dodat was built in 1826 by two charcutiers, connecting the Rue du Bouloi and the Rue de Jean-Jacques Rousseau between the Palais-Royal and Les Halles. This was during the Bourbon Restoration in the early 1800s, when covered passages or ''galeries'' in Paris were growing quickly in popularity. They provided warm, dry places for the wealthy to shop and dine on rainy, muddy days. In a time before paved streets and sewers, the galleries' billiards, bistros and public baths served as a grown-up playground for the emerging middle class. At the height of their popularity in the mid 19th century, there were more than 150 passages. However, with the advent of the department store around 1850, the galleries began to decline. Today, eighteen passages remai ...
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Covered Passages Of Paris
The covered passages of Paris () are an early form of shopping arcade built in Paris, France, primarily during the first half of the 19th century. By 1867, there were approximately 183 covered passages in Paris but many were demolished during Haussmann's renovation of Paris. Only 25 survived into the 21st century, all but one are in the arrondissements (municipal districts) on the Right Bank of the Seine. The common characteristics of the covered passages is that they link at least two streets, have glass ceilings and are pedestrianised, artificially illuminated at night (initially with gas lamps), privately owned, highly ornamented and decorated, and lined with small shops on the ground floor. The passages’ upper floors usually had apartments. Originally, to keep the ''passages'' clean, each would have at the entrance an ''artiste de décrottage'' (a ‘shoe cleaning artist’). From a cultural standpoint, the ''passages'' have served as centers of social interaction: Alfre ...
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Le Charivari
''Le Charivari'' was an illustrated magazine published in Paris, France, from 1832 to 1937. It published caricatures, political cartoons and reviews. After 1835, when the government banned political caricature, ''Le Charivari'' began publishing satires of everyday life. The name refers to the folk practice of holding a charivari, a loud, riotous parade, to shame or punish wrongdoers. History and profile ''Le Charivari'' was started by caricaturist Charles Philipon and his brother-in-law Gabriel Aubert to reduce their financial risk of censorship fines. They also published the satirical, anti-monarchist, illustrated newspaper '' La Caricature'', which had more pages and was printed on more expensive paper. In ''Le Charivari'', they featured humorous content which was not so political. Ownership of the paper changed often due to issues with government censorship, as well as related taxes and fines. ''Le Charivari'' was published daily from 1832 to 1936, and then weekly until 1 ...
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Buildings And Structures Completed In 1826
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building pract ...
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Christian Louboutin Boutique Homme
A Christian () is a person who follows or adheres to Christianity, a monotheistic Abrahamic religion based on the life and teachings of Jesus Christ. Christians form the largest religious community in the world. The words ''Christ'' and ''Christian'' derive from the Koine Greek title (), a translation of the Biblical Hebrew term '' mashiach'' () (usually rendered as ''messiah'' in English). While there are diverse interpretations of Christianity which sometimes conflict, they are united in believing that Jesus has a unique significance. The term ''Christian'' used as an adjective is descriptive of anything associated with Christianity or Christian churches, or in a proverbial sense "all that is noble, and good, and Christ-like." According to a 2011 Pew Research Center survey, there were 2.3 billion Christians around the world, up from about 600 million in 1910. Today, about 37% of all Christians live in the Americas, about 26% live in Europe, 24% live in sub-Saharan Africa, a ...
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Christian Louboutin
Christian Louboutin (; born 7 January 1964) is a French fashion designer. His stiletto footwear incorporates shiny, red-lacquered soles that have become his signature. Initially a freelance designer for fashion houses, he started his shoe salon in Paris, with his shoes finding favour with celebrity clientele. He has partnered with other organizations for projects including limited edition pieces, gallery exhibits, and a custom bar. His company has since branched out into men's luxury footwear, handbags, fragrances, and makeup. Early life Louboutin was born and raised in Paris's 12th arrondissement. He was the only son of Roger, a cabinet-maker, and Irene, a homemaker from Brittany. He had three sisters. Louboutin said in a 2012 interview that he was "much darker-skinned than everyone else in my family. You know, I felt like I wasn't French. My family was very French and so I decided they had probably adopted me. But instead of feeling it was terrible and that I was an outsi ...
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Nemean Lion
The Nemean lion (; ; ) was a mythical lion in Greek mythology that lived at Nemea. Famously one of the mythical beasts killed by Heracles (Hercules) in his 12 labours. Because its golden fur was impervious to attack, it could not be killed with mortals' weapons. Its claws were sharper than mortals' swords and could cut through any strong armour. After Heracles killed the lion, its pelt would come to symbolize Heracles and his strength, being used in art to both recognize the myth itself and to draw connections between Heracles' heroism to others. Mythical Origins Hesiod writes that the Nemean lion is the offspring of Orthus and an ambiguous "she". This "she" is often understood as probably referring to either the Chimera, Echidna or possibly Ceto. The Nemean lion is also, depending on its parentage, brother to the Theban Sphinx and is of the same lineage as others within the Heracles myth, those being Cebreros and the Lernaian Hydra. Apollodorus however depicts the lion ...
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Hercules
Hercules (, ) is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures. The Romans adapted the Greek hero's iconography and myths for their literature and art under the name ''Hercules''. In later Western art and literature and in popular culture, ''Hercules'' is more commonly used than ''Heracles'' as the name of the hero. Hercules is a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition. Mythology Birth and early life In Roman mythology, although Hercules was seen as the champion of the weak and a great protector, his personal problems started at birth. Juno sent two witches to prevent the birth, but they were tricked by one of Alcmene's servants and se ...
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Caduceus
The caduceus (☤; ; , ) is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was borne by other heralds like Iris (mythology), Iris, the messenger of Hera. The short staff is entwined by two serpent (mythology), serpents, sometimes surmounted by wings. In Roman iconography, it was depicted being carried in the left hand of Mercury (mythology), Mercury, the messenger of the gods. Some accounts assert that the oldest imagery of the caduceus is rooted in Mesopotamia with the Sumerian god Ningishzida; his symbol, a staff with two snakes intertwined around it, dates back to 4000 BC to 3000 BC. This iconography may have been a representation of two snakes copulating. As a symbol, it represents Hermes (or the Roman Mercury), and by extension trades, occupations, or undertakings associated with the god. In later Classical antiquity, Antiquity, the caduceus provided the basis for the astronomic ...
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Hermes
Hermes (; ) is an Olympian deity in ancient Greek religion and mythology considered the herald of the gods. He is also widely considered the protector of human heralds, travelers, thieves, merchants, and orators. He is able to move quickly and freely between the worlds of the mortal and the divine aided by his winged sandals. Hermes plays the role of the psychopomp or "soul guide"—a conductor of souls into the afterlife. In myth, Hermes functions as the emissary and messenger of the gods, and is often presented as the son of Zeus and Maia, the Pleiad. He is regarded as "the divine trickster", about which the '' Homeric Hymn to Hermes'' offers the most well-known account. Hermes's attributes and symbols include the herma, the rooster, the tortoise, satchel or pouch, talaria (winged sandals), and winged helmet or simple petasos, as well as the palm tree, goat, the number four, several kinds of fish, and incense. However, his main symbol is the ''caduceus'', a wi ...
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Balcony
A balcony (from , "scaffold") is a platform projecting from the wall of a building, supported by columns or console brackets, and enclosed with a balustrade, usually above the ground floor. They are commonly found on multi-level houses, apartments and cruise ships. Types The traditional Maltese balcony is a wooden, closed balcony projecting from a wall. In contrast, a Juliet balcony does not protrude out of the building. It is usually part of an upper floor, with a balustrade only at the front, resembling a small loggia. A modern Juliet balcony often involves a metal barrier placed in front of a high window that can be opened. In the UK, the technical name for one of these was officially changed in August 2020 to a ''Juliet guarding''. Juliet balconies are named after William Shakespeare's Juliet who, in traditional staging of the play ''Romeo and Juliet'', is courted by Romeo while she is on her balcony—although the play itself, as written, makes no mention of a balcony, ...
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La Caricature (1830–1843)
''La Caricature'' was a satirical weekly French periodical that was distributed in Paris between 1830 and 1843 during the July Monarchy. Its cartoons repeatedly attacked King Louis Philippe I, Louis Philippe, whom it typically depicted as a pear. History ''La Caricature morale, politique et littéraire'' was published from 1830 to 1843. Auguste Audibert was editor and Charles Philipon (1800–1861) was director and main author. Honoré de Balzac and Louis Desnoyers assisted Philipon in writing some of the magazines issues. Primary artists were Honoré Daumier and Jean Ignace Isidore Gérard Grandville with caricature contributions from many artists including Henry Monnier, Alexandre Decamps, Auguste Raffet, Paul Gavarni, Achille Devéria, Auguste Desperret, Eugène Forest, Benjamin Roubaud. The journal was founded after the censorship laws had been relaxed following the July Revolution of 1830 in which Louis Philippe came to power. It covered both politics and art. 251 issues a ...
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