Fuck Off (art Exhibition)
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Fuck Off (art Exhibition)
''Fuck Off'' () was a contemporary art exhibition which ran alongside the Third Shanghai Biennale (2000) in Shanghai, China. The exhibition's title translates as "Uncooperative Attitude" in Chinese, but the blunter English language sentiment was deemed preferable. The exhibition encompassed Conceptual art, conceptual, Performance art, performance, and protest art. Overview The exhibition was held in aEastlink Gallerywarehouse by Feng Boyi and the 43-year-old Ai Weiwei, and is revered by many young Chinese artists. Ai encapsulated ''Fuck Off'''s artistic-curatorial attitude with one set of photos in which he gives Finger (gesture), the finger in turn to the White House, the Forbidden City, and the viewer, and another in which he drops an ancient Han Dynasty Chinese vase, which smashes at his feet. Coinciding with the Shanghai Biennale, the opening of the exhibition embodied an uncooperative attitude towards the establishment, as summed up in the closing line of the exhibition catalog ...
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Pinyin
Hanyu Pinyin (), often shortened to just pinyin, is the official romanization system for Standard Mandarin Chinese in China, and to some extent, in Singapore and Malaysia. It is often used to teach Mandarin, normally written in Chinese form, to learners already familiar with the Latin alphabet. The system includes four diacritics denoting tones, but pinyin without tone marks is used to spell Chinese names and words in languages written in the Latin script, and is also used in certain computer input methods to enter Chinese characters. The word ' () literally means "Han language" (i.e. Chinese language), while ' () means "spelled sounds". The pinyin system was developed in the 1950s by a group of Chinese linguists including Zhou Youguang and was based on earlier forms of romanizations of Chinese. It was published by the Chinese Government in 1958 and revised several times. The International Organization for Standardization (ISO) adopted pinyin as an international standard ...
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He Yunchang
He Yunchang (born 1967), also known as A Chang, is a Chinese performance artist. Life and career He Yunchang was born in Kunming, southwest China, in 1967. He graduated from the Yunnan Art Institute in 1991 with a degree in oil painting and moved to Beijing in 1998, where he developed conceptual performances. Often held in nature and contrasting the natural world with the body's limits, his performances were based on He's ideas of space and time. Most of the performances had no outcome. His original performances were held in Kunming, but eventually expanded to Beijing. His 1999 Kunming performance ''Dialogue with Water'' is documented with the artist dangling from a crane above an active river, extending a knife to cut the river's flow. In ''Wrestle: One and One Hundred'' (2001), He wrestled one hundred Kunming men and mostly lost. Despite his failures, the works became mythical in their audacity, like folklore. He is known for his endurance performance works. In 2004, he c ...
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Lin Yilin
Lin Yilin (; born 1964) is a Chinese performance artist. Biography Lin was born in Guangzhou, Guangdong, China in 1964. He completed his undergraduate education at Guangzhou Academy of Fine Arts and graduated in 1987. Lin's work is typically site-specific and especially crafted for the place of its performance. Lin was a core member and co-founder of the Big Tail Elephant Group, a Guangzhou-based performance and intervention based artist collective with an interest in urban development. His work from this time aims to address the rapid urbanization and economic growth seen in China during the 1990s. Lin used bricks as a motif and sculptural object to further call out these themes. One of his most notable works from this period is ''Safely Maneuvering across Linhe Road'' (1995) in which Lin moved a wall of concrete blocks across a busy street in Guangzhou, interrupting the flow of traffic. In 2001, Lin moved to New York City. As a result his interest in globalization has expanded ...
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Huang Yan (artist)
Huang Yan (born 1966 in Jilin province, China) is a multimedia artist, Taoist, and businessman based in Beijing. He graduated from the Changchun Normal Academy in 1987, and is currently a lecturer at Changchun University. In 1999, Huang Yan began a series of paintings/photographs of traditional Chinese landscape paintings using the human body as a canvas, called ''Chinese Landscapes''. Both Feng Boyi and Ai Weiwei noticed his artwork, including it in their controversial ''Fuck Off'' exhibition in 2000 in Shanghai. His art can relate to Chinese people and their culture, even though it is still considered contemporary art. The landscape paintings he uses come from the Song Dynasty, which is what most consider the most "Chinese-looking". On the other hand, the human body was seldom used in ancient Chinese art, which is what makes this art very contemporary. Career Huang started his career as a poet and was recognized as an artist who used creative mediums such as the human body, ox ...
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Ding Yi (artist)
Ding Yi (Chinese: 丁㇠; born 1962) is a Chinese contemporary artist currently based in Shanghai. He is a pivotal figure in the development of geometric abstraction in China, and is currently a professor at the Shanghai Institute of Visual Arts. Early life Ding Yi grew up during the Cultural Revolution. He studied in the art program at your middle school, and the art education he received in Shanghai was in general not systematic. The uniquely nonlinear curriculum included making bricks for bomb shelters, drawing propaganda posters, performing in public spaces, and studying design and Chinese ink painting. He studied decorative design at the Shanghai School of Arts and Crafts from 1980 to 1983, and then went on to major in Chinese ink painting in the art program of Shanghai University from 1986 to 1990. He also took part in a number of art exhibitions in 1985 and 1986. Career Ding Yi's enduring method of incorporating crosses into his work emerged in the late 1980s. He e ...
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Chen Shaoxiong
Chen Shaoxiong (born 1962 - 26 November 2016) was an artist living and working in Beijing, China. Chen Shaoxing worked across mediums including paint, photography, and collage, though he has become increasingly focused on the combination of ink, video, and installation. Early life Chen Shaoxiong was born in 1962 in Shantou, a city in the eastern part of Guangdong province. Chen Shaoxiong graduated from Guangzhou Fine Art Academy in 1984, trained in Chinese ink. In 1990, he was a founder of conceptual art group Big Tail Elephant Group with Lin Yilin, Liang Juhui, and Xu Tan. Artist profile Chen belongs to a generation of Chinese artists who grew up during a period of significant political, socio-economic and cultural change in China, when information and images were routinely suppressed and restricted, and when distinctions between fact and fiction were blurred. Perhaps because of this experience, Chen is acutely conscious and skeptical of the ways in which history is misread an ...
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Cao Fei
Cao Fei ( zh, 曹斐; born 1978) is a Chinese multimedia artist born in Guangzhou, China, Guangzhou. Her work, which includes video, performance, and digital media, examines the daily life of Chinese citizens born after the Cultural Revolution. Her work explores China's widespread internet culture as well as the borders between dreams and reality. Cao has captured the rapid social and cultural transformation of contemporary China, highlighting the impact of foreign influences from the USA and Japan. Some of her work is owned and displayed by Solomon R. Guggenheim Museum, The Solomon R. Guggenheim Museum. In 2021 she won the Deutsche Börse Photography Foundation Prize. Career Early years Cao received her B.F.A. from Guangzhou Academy of Fine Arts in 2001. During her time there, Cao presented her first performance work, ''The Little Spark'' (1998), set in the affiliated Middle School of Guangzhou Academy of Fine Arts. She then created her first film, ''Imbalance 257'' (1999), wh ...
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Ai Wei Wei
Ai Weiwei (, ; born 28 August 1957) is a Chinese contemporary artist, documentarian, and activist. Ai grew up in the far northwest of China, where he lived under harsh conditions due to his father's exile. As an activist, he has been openly critical of the Chinese Government's stance on democracy and human rights. He investigated government corruption and cover-ups, in particular the Sichuan schools corruption scandal following the collapse of " tofu-dreg schools" in the 2008 Sichuan earthquake. In 2011, Ai Weiwei was arrested at Beijing Capital International Airport on 3 April, for "economic crimes". He was detained for 81 days without charge. Ai Weiwei emerged as a vital instigator in Chinese cultural development, an architect of Chinese modernism, and one of the nation's most vocal political commentators. Ai Weiwei encapsulates political conviction and his personal poetry in his many sculptures, photographs, and public works. In doing this, he makes use of Chinese art forms ...
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Chinese Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and history. Early " Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large works ...
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Chinese Modern Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by overseas Chinese, Chinese residing outside of China can also be considered a part of Chinese art when it is based in or draws on Chinese culture, heritage, and Chinese history, history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling Dynasty, dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Art of Europe, Western classical styles of art. Decorative arts are extremely important in Chinese art, and m ...
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