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Freeform Crochet And Knitting
Freeform crochet and knitting is a seemingly random combination of crochet, knitting and in some cases other fibre arts to make a piece that is not constrained by patterns, colours, stitches or other limitations. The roots of this art are thought to be in Irish crochet, whose own identity came to the fore in the 1960s and 1970s. The late 20th and early 21st centuries have seen a revival and progression of this form of textile expression. Well known freeformers include Penny O'Neill, James Walters, Sylvia Cosh, Jenny Dowde, Jan Messent, Margaret Hubert, Myra Wood, Hannah Martin, and Prudence Mapstone. One feature of this freeform art is that group pieces can be made by people of varying expertise and experience. Leftover and scrap yarn can be made into ''scrumbles'' that can later be joined together. The name 'scrumbles' was coined by James Walter and Sylvia Cosh during the 1990s and has remained the term since. However Jenny Dowde in her books ''Freeform Knitting & Crochet'', ...
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Crochet
Crochet (; ) is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread (yarn), thread, or strands of other materials. The name is derived from the French term ''crochet'', meaning 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time. Etymology The word crochet is derived from the Old French ''crochet'', a diminutive of ''croche'', in turn from the Germanic languages, Germanic ''croc'', both meaning "hook". It was used in 17th-century French lace-making, where the term ''crochetage'' designated a stitch used to join separate pieces of lace. The word ''crochet'' ...
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Knitting
Knitting is a method by which yarn is manipulated to create a textile, or fabric. It is used to create many types of garments. Knitting may be done by hand or by machine. Knitting creates stitches: loops of yarn in a row, either flat or in ''the round'' (tubular). There are usually many ''active stitches'' on the knitting needle at one time. Knitted fabric consists of a number of consecutive rows of connected loops that intermesh with the next and previous rows. As each row is formed, each newly created loop is pulled through one or more loops from the prior row and placed on the ''gaining needle so'' that the loops from the prior row can be pulled off the other needle without unraveling. Differences in yarn (varying in fibre type, ''weight'', uniformity and ''twist''), needle size, and stitch type allow for a variety of knitted fabrics with different properties, including color, texture, thickness, heat retention, water resistance, and integrity. A small sample of kn ...
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Fiber Art
Fiber art (fibre art in British spelling) refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility. History The term fiber art came into use by curators and arts historians to describe the work of the artist-craftsman following World War II. Those years saw a sharp increase in the design and production of "art fabric." In the 1950s, as the contributions of craft artists became more recognized—not just in fiber but in clay and other media—an increasing number of weavers began binding fibers into nonfunctional forms as works of art. The 1960s and 70s brought an international revolution in fiber art. Beyond weaving, fiber structures were created through knotting, twining, plaiting, coiling, pleating, lashing, interlacing, and even braiding. Artists in th ...
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Stitch (textile Arts)
In the textile arts, a stitch is a single turn or loop of thread, or yarn. Stitches are the fundamental elements of sewing, knitting, embroidery, crochet, and needle lace-making, whether by hand or machine.Picken (1957), p. 322 A variety of stitches, each with one or more names, are used for specific purposes. Sewing, embroidery, and lace Examples include: * Backstitch * Overcast stitch * Cross stitch * Buttonhole or blanket stitch * Chain stitch * Knot stitch These stitches and their variations are named according to the position of the needle and direction of sewing (''running stitch'', ''backstitch''), the form or shape of the stitch (''chain stitch'', ''feather stitch'') or the purpose of the stitch ( tailor's tack, ''hem stitch'').''Reader's Digest'' (1976), pp. 122–143 Sewing machine stitches are classified by their structure: *Chain stitch, made with one thread *Lockstitch, made with two threads *Overlock, made with one to five threads *Coverstitch, made with t ...
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Irish Lace
Irish lace has always been an important part of the Irish needlework tradition. Both needlepoint and bobbin laces were made in Ireland before the middle of the eighteenth century, but never, apparently, on a commercial scale. It was promoted by Irish aristocrats such as Lady Arabella Denny, the famous philanthropist, who used social and political connections to support the new industry and promote the sale of Irish lace abroad. Lady Denny, working in connection with the Dublin Society, introduced lace-making into the Dublin workhouses, especially among the children there. It is thought that it was an early form of Crochet, imitating the appearance of Venetian Gros Point lace. History The lace making skill soon spread beyond Dublin to the poorest parts of the country, and proved a popular means for young women to help support their families. Lace-making required little equipment beyond bobbins and fine cotton or linen thread, and a great deal of patience, so was suitable for r ...
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Yarn Bombing
Yarn bombing (or yarnbombing) is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting. Motivation While other forms of graffiti may be expressive, decorative, territorial, socio-political commentary, advertising or vandalism, yarn bombing was initially almost exclusively about reclaiming and personalizing sterile or cold public places. It has since developed with groups graffiti knitting and crocheting worldwide, each with their own agendas and public graffiti knitting projects being run. According to Manuela Farinosi and Leopoldina Fortunati, yarn bombing has become synonymous with the current feminist movement due in part to the reclamation of the traditionally feminine arts of knitting and/or crocheting to partake in the traditionally masculine and male-dominated graffiti scene. The wo ...
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Crochet
Crochet (; ) is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread (yarn), thread, or strands of other materials. The name is derived from the French term ''crochet'', meaning 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time. Etymology The word crochet is derived from the Old French ''crochet'', a diminutive of ''croche'', in turn from the Germanic languages, Germanic ''croc'', both meaning "hook". It was used in 17th-century French lace-making, where the term ''crochetage'' designated a stitch used to join separate pieces of lace. The word ''crochet'' ...
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