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Frederic George Stephens
Frederic George Stephens (10 October 1827 – 9 March 1907) was a British art critic, and one of the two 'non-artistic' members of the Pre-Raphaelite Brotherhood. Life Stephens was born to Septimus Stephens of Aberdeen and Ann (née Cook) in Walworth, London and grew up in nearby Lambeth. Because of an accident in 1837, he was physically disabled and was educated privately. He later attended University College School, London. In 1844 he entered the Royal Academy Schools where he first met John Everett Millais and William Holman Hunt. He joined their Pre-Raphaelite Brotherhood in 1848, often modelling for them in pictures including Millais's '' Ferdinand Lured by Ariel'' (1849) and Ford Madox Brown's ''Jesus Washing Peter's Feet'' (1852–1856; Tate, London). There is a pencil portrait of Stephens by Millais dated 1853 in the collection of the National Portrait Gallery. Stephens was so disappointed by his own artistic talent that he took up art criticism and stopped paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic George Stephens
Frederic George Stephens (10 October 1827 – 9 March 1907) was a British art critic, and one of the two 'non-artistic' members of the Pre-Raphaelite Brotherhood. Life Stephens was born to Septimus Stephens of Aberdeen and Ann (née Cook) in Walworth, London and grew up in nearby Lambeth. Because of an accident in 1837, he was physically disabled and was educated privately. He later attended University College School, London. In 1844 he entered the Royal Academy Schools where he first met John Everett Millais and William Holman Hunt. He joined their Pre-Raphaelite Brotherhood in 1848, often modelling for them in pictures including Millais's '' Ferdinand Lured by Ariel'' (1849) and Ford Madox Brown's ''Jesus Washing Peter's Feet'' (1852–1856; Tate, London). There is a pencil portrait of Stephens by Millais dated 1853 in the collection of the National Portrait Gallery. Stephens was so disappointed by his own artistic talent that he took up art criticism and stopped paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cruikshank
George Cruikshank (27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. Early life Cruikshank was born in London. His father, Edinburgh-born Isaac Cruikshank, was one of the leading caricaturists of the late 1790s and Cruikshank started his career as his father's apprentice and assistant. His older brother, Isaac Robert, also followed in the family business as a caricaturist and illustrator. Cruikshank's early work was caricature; but in 1823, at the age of 31, he started to focus on book illustration. He illustrated the first, 1823 English translation (by Edgar Taylor and David Jardine) of ''Grimms' Fairy Tales'', published in two volumes as ''German Popular Stories''. On 16 October 1827, he married Mary Ann Walker (1807–1849). Two years after her death, on 7 March 1851, he m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Bewick
Thomas Bewick (c. 11 August 17538 November 1828) was an English wood-engraver and natural history author. Early in his career he took on all kinds of work such as engraving cutlery, making the wood blocks for advertisements, and illustrating children's books. He gradually turned to illustrating, writing and publishing his own books, gaining an adult audience for the fine illustrations in ''A History of Quadrupeds''. His career began when he was apprenticed to engraver Ralph Beilby in Newcastle upon Tyne. He became a partner in the business and eventually took it over. Apprentices whom Bewick trained include John Anderson, Luke Clennell, and William Harvey, who in their turn became well known as painters and engravers. Bewick is best known for his '' A History of British Birds'', which is admired today mainly for its wood engravings, especially the small, sharply observed, and often humorous vignettes known as tail-pieces. The book was the forerunner of all modern field guides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Alma-Tadema
Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema ; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom becoming the last officially recognised denizen in 1873. Born in Dronryp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in London, England in 1870 and spent the rest of his life there. A classical-subject painter, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean Sea and sky. Alma-Tadema was considered one of the most popular Victorian painters. Though admired during his lifetime for his draftsmanship and depictions of Classical antiquity, his work fell into disrepute after his death, and only since the 1960s has it been re-evaluated for its importance within nineteenth-century British art. Biography Early life Lourens Alma Tadema was born on 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Duff Traill
Henry Duff Traill (14 August 1842 – 21 February 1900) was a British author and journalist. Life Born at Blackheath, he belonged to an old Caithness family, the Traills of Rattar, and his father, James Traill, was the stipendiary magistrate of Greenwich and Woolwich Police Court. He was sent to the Merchant Taylors' School, where he rose to be head of the school and obtained a scholarship at St John's College, Oxford. Initially destined for the profession of medicine, Traill took his degree in natural sciences in 1865 but then he read for the bar and was called in 1869. In 1871 he received an appointment as an Inspector of Returns for the Board of Education, a position which left him leisure to cultivate his gift for literature. In 1873 he became a contributor to the ''Pall Mall Gazette'', then under the editorship of Frederick Greenwood. He followed Greenwood to the '' St. James's Gazette'' when in 1880 the ''Pall Mall Gazette'' took for a time the Liberal side, and he contin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grosvenor Gallery
The Grosvenor Gallery was an art gallery in London founded in 1877 by Sir Coutts Lindsay and his wife Blanche. Its first directors were J. Comyns Carr and Charles Hallé. The gallery proved crucial to the Aesthetic Movement because it provided a home for those artists whose approaches the more classical and conservative Royal Academy did not welcome, such as Edward Burne-Jones and Walter Crane. History The gallery was founded in Bond Street, London, in 1877 by Sir Coutts Lindsay and his wife Blanche. They engaged J. Comyns Carr and Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the British mainstream, including Edward Burne-Jones, Walter Crane and other members of the Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsew ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwin Landseer
Sir Edwin Henry Landseer (7 March 1802 – 1 October 1873) was an English painter and sculptor, well known for his paintings of animals – particularly horses, dogs, and stags. However, his best-known works are the lion sculptures at the base of Nelson's Column in Trafalgar Square. Life Landseer was born in London, the son of the engraver John Landseer A.R.A. and Jane Potts. He was something of a prodigy whose artistic talents were recognised early on. He studied under several artists, including his father, and the history painter Benjamin Robert Haydon, who encouraged the young Landseer to perform dissections in order to fully understand animal musculature and skeletal structure. Landseer's life was entwined with the Royal Academy. At the age of just 13, in 1815, he exhibited works there as an “Honorary Exhibitor”. He was elected an Associate at the minimum age of 24, and an Academician five years later in 1831. He was an acquaintance of Charles Robert Leslie, who d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mulready
William Mulready (1 April 1786 – 7 July 1863) was an Irish genre painter living in London. He is best known for his romanticising depictions of rural scenes, and for creating Mulready stationery letter sheets, issued at the same time as the Penny Black postage stamp. Life and family William Mulready was born in Ennis, County Clare. Early in his life, in 1792, the family moved to London, where he was able to get an education and was taught painting well enough so that he was accepted at the Royal Academy School at the age of fourteen. In 1802, he married Elizabeth Varley (1784–1864), a landscape painter. She came from a family of established artists; her brothers included John Varley, friend of William Blake, Cornelius Varley, and William Fleetwood Varley. Their three children, Paul Augustus (1805–1864), William (1805–1878), and Michael (1807–1889) also became artists. His relationship with his wife however deteriorated gradually over the years, which is detailed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Germ (periodical)
''The Germ, thoughts towards nature in art and literature'' (1850) was a periodical established by the Pre-Raphaelite Brotherhood to disseminate their ideas. The magazine was edited by William Michael Rossetti. ''The Germ'' was renamed ''Art and Poetry, being Thoughts towards Nature, conducted principally by Artists'' for its last two issues. It was not a success, only surviving for four issues between January and April 1850. Illustrations were provided by members of the brotherhood. Every issue began with an original etching. William Holman Hunt provided an illustration to Woolner's poem ''My Beautiful Lady'' in the first issue. Collinson illustrated his own poem, ''The Child Jesus'', in the second issue. Madox Brown created a two-page illustration of the King Lear and his daughters for the third issue, accompanying his article on the mechanics of a history painting. Walter Deverell depicted ''Viola and Olivia'' from Shakespeare's ''Twelfth Night'' in the last issue. ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
