Françoys Bernier
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Françoys Bernier
Françoys Joseph Arthur Maurice Bernier (12 July 19273 February 1993) was a Canadian pianist, conductor, radio producer, arts administrator, and music educator. He served as the music director of the Montreal Festivals from 1956 to 1960 and was an active conductor and a producer for CBC Radio during the 1950s and early 1960s. He was the General Director of the Orchestre Symphonique de Québec from 1960 to 1966 and then the orchestra's Music Director from 1966 to 1968. He was also active as a teacher of conducting at a number of universities, notably serving as the first director of the Music Department at the University of Ottawa. Family background and education Bernier was born into a prominent family of musicians in Quebec City. He was the son of cellist and music critic Maurice Bernier, the brother of cellist Pierre Bernier and pianist Gabrielle Bernier, and the nephew of pianist Gabrielle Bernier and of keyboardist and composer Conrad Bernier. His earliest musical educatio ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Joseph-Arthur Bernier
Joseph-Arthur Bernier (19 March 1877 – 28 April 1944) was a Canadian organist, pianist, composer, and music educator. Born in Lévis, Quebec, he was the senior member of a prominent family of musicians from Quebec City. He is the father of pianist Gabrielle Bernier, cellist Maurice Bernier, and composer and keyboardist Conrad Bernier, and the grandfather of musicians Françoys Bernier, Madeleine Bernier, and Pierre Bernier. His compositional output includes 4 masses, several motets, pieces for solo organ, a ''Berceuse'' for violin, a ''Pastorale'' for oboe, a ''Cantilène'' for cello, and a ''Mazurka'' for piano. Bernier was a pupil of Gustave Gagnon and Philéas Roy in Quebec City, and Alexandre Guilmant and Félix Fourdrain in Paris. He served as organist at several churches in Quebec City, including St-Sauveur Church (1892–1908), Notre-Dame-de-Jacques-Cartier Church (1908–17), and St-Jean-Baptiste Church (1917–1944). He also gave recitals throughout the United States ...
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Hermann Scherchen
Hermann Scherchen (21 June 1891 – 12 June 1966) was a German conductor. Life Scherchen was born in Berlin. Originally a violist, he played among the violas of the Bluthner Orchestra of Berlin while still in his teens. He conducted in Riga from 1914 to 1916 and in Königsberg from 1928 to 1933, after which he left Germany in protest of the new Nazi regime and worked in Switzerland. Along with the philanthropist Werner Reinhart, Scherchen played a leading role in shaping the musical life of Winterthur for many years, with numerous premiere performances, the emphasis being placed on contemporary music. From 1922 to 1950, he was the principal conductor of the city orchestra of Winterthur (today known as Orchester Musikkollegium Winterthur). Making his debut with Arnold Schoenberg's ''Pierrot Lunaire'', he was a champion of 20th-century composers such as Richard Strauss, Anton Webern, Alban Berg and Edgard Varèse, and actively promoted the work of younger contemporary composers ...
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Sergiu Celibidache
Sergiu Celibidache (; 14 August 1996) was a Romanian conductor, composer, musical theorist, and teacher. Educated in his native Romania, and later in Paris and Berlin, Celibidache's career in music spanned over five decades, including tenures as principal conductor of the Munich Philharmonic, Berlin Philharmonic, Sicilian Symphony Orchestra and several other European orchestras. Later in life, he taught at Mainz University in Germany and the Curtis Institute of Music in Philadelphia, Pennsylvania. Celibidache frequently refused to release his performances on commercial recordings during his lifetime, claiming that a listener could not have a "transcendental experience" outside the concert hall. Many of the recordings of his performances were released posthumously. He has nonetheless earned international acclaim for his interpretations of the classical repertoire and was known for a spirited performance style informed by his study and experiences in Zen Buddhism. He is regarded a ...
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Musical Analysis
Musical analysis is the study of musical structure in either compositions or performances. According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Bent, "its emergence as an approach and method can be traced back to the 1750s. However it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, "to explain by means of nalysisis to decompose, to mutilate the spirit of a work". Analyses Some analysts, such as Donald Tovey (whose '' Essays in Musical Analysis'' are among the most accessible musical analyses) have presented their analyses in prose. Others, such as Hans Keller (who devised ...
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