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François Habeneck
François Antoine Habeneck (22 January 1781 – 8 February 1849) was a French classical violinist and conductor. Early life Habeneck was born at Mézières, the son of a musician in a French regimental band. During his early youth, Habeneck was taught by his father, and at the age of ten played concertos in public. In 1801, he entered the Conservatoire de Paris, where he studied under Pierre Baillot and obtained the violin first prize in 1804. In the same year, he joined the orchestra of the Opéra-Comique, but shortly afterwards moved to that of the Paris Opera. He conducted student concerts at the Conservatoire from 1806 onwards. Career at the Paris Opera On 1 June 1817, Habeneck became an assistant conductor (''chef d'orchestre adjoint'') of the Paris Opera, a post he held until 1 January 1819, when he was replaced by J.-J. Martin.Wild 1989, . On 1 April 1820, on a trial basis, Henri Valentino replaced J.-J. Martin as second conductor (''deuxième chef d'orchestre, à ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Pougin
Arthur Pougin ( 6 August 1834 – 8 August 1921) was a French musical and dramatic critic and writer. He was born at Châteauroux (Indre) and studied music at the Conservatoire de Paris under Alard (violin) and Reber (harmony). In 1855 he became conductor at the Théâtre Beaumarchais, and afterward leader at Musard's concerts, subconductor at the Folies-Nouvelles, and from 1860 to 1863 he was first violin at the Opéra-Comique. He was in turn '' feuilletoniste'' to ''Le Soir'', ''La Tribune'', '' L'Événement'' and '' Le Journal Officiel'', besides being a frequent contributor to all the important French musical periodicals. His work in connection with Fétis's '' Biographie universelle'', for which he prepared a supplement (two volumes, 1878–80), has, however, been found to be lacking in thoroughness. He edited the new edition of Clément and Larousse's ''Dictionnaire lyrique Pierre Athanase Larousse (23 October 18173 January 1875) was a French grammarian, lexicograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Berlioz)
The ''Grande Messe des morts'' (or Requiem), Op. 5, by Hector Berlioz was composed in 1837. The ''Grande Messe des Morts'' is one of Berlioz's best-known works, with a tremendous orchestration of woodwind and brass instruments, including four antiphonal offstage brass ensembles. The work derives its text from the traditional Latin Requiem Mass. It has a duration of approximately ninety minutes, although there are faster recordings of under seventy-five minutes. History In 1837, Adrien de Gasparin, the Minister of the Interior of France, asked Berlioz to compose a Requiem Mass to remember soldiers who died in the Revolution of July 1830. Berlioz accepted the request, having already wanted to compose a large orchestral work. Meanwhile, the orchestra was growing in size and quality, and the use of woodwinds and brass was expanding due to the increasing ease of intonation afforded by modern instruments. Berlioz later wrote, "if I were threatened with the destruction of the whole of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mémoires (Berlioz)
The ''Mémoires de Hector Berlioz'' are an autobiography by French composer Hector Berlioz. First serialised in several contemporary journals including ''Journal des Débats'' and ''Le Monde Illustré'',HBerlioz.com , Original scan of a Mémoires serialisation in ''Le Monde Illustré'' their compilation into one book was completed on New Year's Day, 1865 Cairns, David (1999, 2000). Berlioz: Servitude and Greatness (1832-1869). Paperback, p.727 |
Hector Berlioz
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Lalo
Édouard-Victoire-Antoine Lalo (27 January 182322 April 1892) was a French composer. His most celebrated piece is the '' Symphonie espagnole'', a five-movement concerto for violin and orchestra, which remains a popular work in the standard repertoire. Biography Lalo was born in Lille, in the northernmost part of France. He attended that city's conservatoire in his youth. Beginning at age 16, he studied at the Paris Conservatoire under François Antoine Habeneck. Habeneck conducted student concerts at the Conservatoire from 1806 and became the founding conductor of the Orchestre de la Société des Concerts du Conservatoire in 1828. For several years, Lalo worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, in which he played the viola and later, second violin. His earliest surviving compositions are songs and chamber works (two early symphonies were destroyed). In 1865, Lalo married Julie Besnier de Maligny, a cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Le Cieux
Léon Le Cieux (12 May 1821 – 15 February 1873) was a French classical violinist. Biography Born in Bayeux, the son of a doctor, Le Cieux found in his father's home the greatest facilities to satisfy a vocation, which had been announced early in his life. His first violin master was an artist from Bayeux, named Trébutien, who made him begin at the age of thirteen, in one of the concerts of the local philharmonic society. Received with enthusiasm by his fellow citizens, Le Cieux continued to work with ardour and, in December 1844, he was admitted to the Conservatoire de Paris. Although over the age limit, he entered Habeneck's class where he remained until June 1846. He left the Conservatoire without taking part in the end-of-year competitions and began, from then on, to perform in the concerts and musical soirées in Paris where he acquired a certain vogue despite the inequalities of his talent. His urban and distinguished ways allowed him to create, as an accompanying teach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Léonard
Hubert Léonard (7 April 1819 – 6 May 1890) was a famous Belgian violinist, born in Liège. His earliest preparatory training was given by a prominent teacher of the time, , after which he entered the Paris Conservatoire in 1836. There he studied for three years under François Antoine Habeneck. In 1844 he started his extended tours which established his reputation as one of the greatest of virtuosos. From 1848 to 1867 he held the position of principal professor of violin playing at the Brussels Conservatoire, having succeeded the celebrated Charles de Bériot. Owing to ill health, he resigned and settled in Paris, where he spent the rest of his life, and where he gave lessons. Among his notable students were Alfred De Sève, Martin Pierre Marsick, Henri Marteau, Henry Schradieck, and César Thomson César Thomson (18 March 1857 – 21 August 1931) was a Belgian violinist, teacher, and composer. Biography He was born in Liège in 1857. At age seven, he entered the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Delphin Alard
Jean-Delphin Alard (8 March 181522 February 1888) was a French violinist, composer, and teacher. He was the son-in-law of Jean-Baptiste Vuillaume, and had Pablo de Sarasate amongst his students. Biography Alard was born in Bayonne, the son of an amateur violinist. From 1827 he was a pupil of F. A. Habeneck at the Paris Conservatoire, where he succeeded Pierre Baillot as professor in 1843, retaining the post till 1875. He was also a pupil of François-Joseph Fétis. His playing was full of fire and point, and his compositions had a great success in France, while his violin school had a wider vogue and considerably greater value. He was a representative of the modern French school of violin playing, composed nocturne A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensembl ...s, duets, é ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g. presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concertos and Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
