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Film Society
A film society is a membership-based club where people can watch screenings of films which would otherwise not be shown in mainstream cinemas. In Spain, Ireland and Italy, they are known as "cineclubs", and in Germany they are known as "filmclubs". They usually have an educational aim, introducing new audiences to different audiovisual works through an organized and prepared program of screenings. Editorial output reinforces the work of these organisations, as they produce hand-programmes, brochures, schedules, information sheets, and even essays, supporting the significance of their exhibitions. A common feature that may characterize a film society screening is that they begin with an introduction of the film to the audience, and end with the promotion of a discussion about the film, where assistants, organizers and sometimes the filmmakers themselves, exchange their views. There are networks in many different countries, and these are organized into federations, councils, colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Club (organization)
A club is an association of people united by a common interest or goal. A service club, for example, exists for voluntary or charitable activities. There are clubs devoted to hobbies and sports, social activities clubs, political and religious clubs, and so forth. History Historically, clubs occurred in all ancient states of which exists detailed knowledge. Once people started living together in larger groups, there was need for people with a common interest to be able to associate despite having no ties of kinship. Organizations of the sort have existed for many years, as evidenced by Ancient Greek clubs and associations ('' collegia'') in Ancient Rome. Origins of the word and concept It is uncertain whether the use of the word "club" originated in its meaning of a knot of people, or from the fact that the members "clubbed" together to pay the expenses of their gatherings. The oldest English clubs were merely informal periodic gatherings of friends for the purpose of din ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melbourne Cinematheque
The Melbourne Cinémathèque is a non-profit film society screening programmes year-round, dedicated to presenting the history of world cinema on the big screen in carefully curated retrospectives. It started out as Melbourne University Film Society (MUFS) in 1948 and changed its name to Cinémathèque in 1984. It screens at the Australian Centre for the Moving Image (ACMI). The Melbourne Cinémathèque screens archival 35mm and 16mm film prints from organisations such as the British Film Institute, Library of Congress (Washington, USA), UCLA Film & TV Archive etc. The Melbourne Cinémathèque's mission is to present films in the medium they were created, and as closely as possible to screen them the way they would have originally screened, (i.e. big screen 16 & 35mm prints, not video or DVD). Programmes include a diverse selection of classic and contemporary films showcasing director retrospectives, special guest appearances and thematic series including archival material and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagannath University Film Society
Jagannath ( or, ଜଗନ୍ନାଥ, lit=Lord of the Universe, Jagannātha; formerly en, Juggernaut) is a deity worshipped in regional Hindu traditions in India and Bangladesh as part of a triad along with his brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, ''Purushottama'', and the '' Para Brahman''. To most Vaishnava Hindus, particularly the Krishnaites, Jagannath is an abstract representation of Krishna, or Vishnu, sometimes as the avatar of Krishna or Vishnu. To some Shaiva and Shakta Hindus, he is a symmetry-filled tantric form of Bhairava, a fierce manifestation of Shiva associated with annihilation. The Jagannathism ( Odia Vaishnavism) — the particular sector of Jagannath as a major deity — emerged in the Early Middle Ages and later became an independent state regional temple-centered tradition of Krishnaism/Vaishnavism. The idol of Jagannath is a carved and decorated wooden stump with large round eyes and a symmet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chokh Film Society
''Chokh'' ( lit. The Eyes) is a 1983 Indian Bengali film directed by Utpalendu Chakrabarty, with Om Puri, Anil Chatterjee, Shyamanand Jalan and Sreela Majumdar in lead roles. The film is set in 1975 and the oppression and exploitation of Jute mill workers in Kolkata. At the 30th National Film Awards he won the awards for Best Feature Film as well as Best Direction award for the director. Plot The film is set during the Emergency period in December 1975. Jadunath a labour union leader, of Jethia Jute Mill in Kolkata has been given death sentence, for the murders of owner Jethia's brother, and another worker, even though he never committed them. Before dying, he pledges his eyes for donation. However, when the mill owner finds about this, he tries to manoeuvre the medical system to get both the eyes for his blind son. Meanwhile, the doctor discovers that the donation papers provided by the Jethia to be fake. Soon the mill workers get united behind the widow of Jadunath and hol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhaka University Film Society
Dhaka University Film Society (DUFS) is a voluntary organization affiliated with the Dhaka University Central Students Union (DUCSU) at University of Dhaka. It is registered under the Film Societies Act 2011 and a member of Federation of Film Societies, Bangladesh (FFSB). DUFS is also registered with the Bangladesh Film Censor Board. Dhaka University Film Society (DUFS) started its journey in 1962 during the Film Society Movement. Since then, the organization’s main mission remains the same, which is to create viewers of good movies with adequate taste. The organization had started its journey with the motto, ‘BETTER FILM, BETTER VIEWERS’. It took three decades of consistent performance and unremitting handwork of hundreds of film enthusiasts to reach DUFS’s present glorious position. Activities As a part of its mission, DUFS have successfully organized many film oriented programs such as: film festivals, appreciation courses, seminars, workshops, rallies, retrospectives a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moviyana Film Society
The Moviyana Film Society ( bn, ম্যুভিয়ানা ফিল্ম সোসাইটি) is one of the largest film culture oriented organisations in Bangladesh. It was established on 10 November 2006. It regularly arranges Film Screenings, Film Festivals, Film Appreciation course and other Film making related courses in different cities of Bangladesh. Film maker & Writer Belayat Hossain Mamun is the founder and incumbent president of this organization. Moviyana Film Society is affiliated to the Federation of Film Societies of Bangladesh (FFSB). Activities Moviyana Film Society also arranged a four-month long workshop on Digital Film Making with Bangladesh Shilpakala Academy from April, 2012. In 2013, Moviyana Film Society organised a 6-day “Film Festival of Women Filmmakers in Bangladesh” at the National Art Gallery Auditorium, featuring 31 films, all by Bangladeshi women directors. Moviyana Film Society organized yearlong film festival titled ‘New Films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federation Of Film Societies Of Bangladesh
Federation of Film Societies of Bangladesh (FFSB) is the umbrella organization of film societies in Bangladesh. FFSB commenced its journey on October 24 in 1973 as a federation for all film societies functioning in Bangladesh. FFSB regularly arranges film screening A film screening is the displaying of a motion picture or film, generally referring to a special showing as part of a film's production and release cycle. To show the film to best advantage, special screenings may take place in plush, low seat-cou ...s, film festivals, film appreciation courses and other film making related courses in different cities of Bangladesh. At the end of year 2018, FFSB had 40 regular film societies on its membership rolls all over Bangladesh. FFSB has focused its activities on the promotion of good cinema, worked to acquire feature and short films to feed its member organizations for screenings, and associate itself with both national and international organizations undertaking similar work. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Flaus
John Flaus (born 1934) is an Australian broadcaster and actor. Filmography *''Rake'' (2014) *''Tracks'' (2013) *''Jack Irish'' (2012-2021) - 3 films and 15 episodes as Wilbur *''Pinion'' (2010) *''I Love You Too'' (2010) *''Mary and Max'' (2009) *''Harvie Krumpet'' (2003) *'' Crackerjack'' (2002) *''The Dish'' (2001) *'' The Castle'' (1997) *'' Lilian's Story'' (1996) *'' The Nun and the Bandit'' (1992) *''Bloodlust'' (1992) *'' See Jack Run'' (1992) *'' Spotswood'' (1992) *''In Too Deep'' (1990) *'' Jigsaw'' (1990) *'' Nirvana Street Murder'' (1990) *'' Warm Nights on a Slow Moving Train'' (1989) *''Grievous Bodily Harm'' (1988) *'' Devil's Hill'' (telefilm) (1988) *''Ghosts of the Civil Dead'' (1988) *''Hungry Heart'' (1987) *''Feathers'' (1987) *''Traps'' (1986) *''My Country'' (1986) *''Bootleg'' (1985) *''Strikebound'' (1984) *''The Plains of Heaven'' (1982) *''Wronsky'' (1980) *''Blood Money'' (1980) *'' Palm Beach'' (1979) *''Newsfront'' (1978) *''The Love Lett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Quinnell
Ken Quinnell (born 1939) is an Australia screenwriter and film director. Journalism Quinell has a background in publishing and freelancejournalism, including working for ''Screen International'' and ''Rolling Stone''. In the 1960s he was a member of the WEA Film Study Group, where he met writers Michael Thornhill and Frank Moorhouse. From 1966 to 1968 Quinnell and Michael Thornhill published ''SCJ: The Sydney Cinema Journal''. Film and television Thornhill and Quinnell have worked in the Australian film industry. Quinnell wrote the screenplays for ''Cathy's Child'' (1979) (with Dick Wordley) adapted from Wordley's novel '' Hoodwink'' (1981); and ''The City's Edge'' (1983), originally titled ''The Running Man''. ''The City's Edge'', which was made for television, was co-written by Robert J. Merritt and W.A. Harbison, adapted from W.A. Harbison's novel. ''Short Changed'' (1985) was also co-written by Merritt. Awards In 1981 Quinnell was nominated for the Australian Film I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Moorhouse
Frank Thomas Moorhouse (21 December 1938 – 26 June 2022) was an Australian writer. He won major Australian national prizes for the short story, the novel, the essay, and for script writing. His work has been published in the United Kingdom, France, and the United States and also translated into German, Spanish, Chinese, Japanese, Serbian, and Swedish. Moorhouse is best known for having won the 2001 Miles Franklin Literary Award for his novel, ''Dark Palace''; which together with ''Grand Days'' and '' Cold Light'', form the "Edith Trilogy" – a fictional account of the League of Nations, which trace the strange, convoluted life of a young woman who enters the world of diplomacy in the 1920s through to her involvement in the newly formed International Atomic Energy Agency after World War II. Early life Moorhouse was born in Nowra, New South Wales, the youngest of three boys, born to a New Zealand-born father, Frank Osborne Moorhouse, OAM, and mother, Purthanry Thanes Mary M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Thornhill
Michael Thornhill (29 March 1941 – 22 January 2022) was a film producer, screenwriter, and director. Career Thornhill had a background in freelance journalism and publishing including working as a film critic. He was a member of the WEA Film Study Group in the 1960s, where he met writers Ken Quinnell and Frank Moorhouse. He wrote film articles on film for the WEA Film Study Group film journal ''Film Digest'' from 1965. He and Quinnell published the film journal ''SCJ: The Sydney Cinema Journal'' from 1966 to 1968. He was the film critic for the ''Sydney Morning Herald'' and ''The Australian'' (1969 to 1973). Thornhill had an extensive career in the Australian film industry. He is best known for his films ''The F.J. Holden'' (1977) and ''Between Wars'' (1974). He worked as a projectionist and film editor before turning to directing short films and documentaries in the late 1960s. Some of his first films were short documentaries made for the Film Australia, Commonwealth Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Stratton
David James Stratton (born 10 September 1939) is an English-Australian award-winning film critic, as both a journalist and interviewer, film historian and lecturer and television personality and producer. Life and career Born in Trowbridge, Wiltshire, England, in 1939, Stratton was sent to Hampshire to see out the war years with his grandmother, an avid filmgoer, where he was taken to the local cinemas regularly and saw a diverse range of movies. He attended Chafyn Grove School from 1948 to 1953 as a boarder. He saw his first foreign film at Bath in 1955— Italian romantic comedy ''Bread, Love and Dreams''. That was soon followed by Akira Kurosawa's Japanese adventure drama classic ''Seven Samurai'' tracked down in Birmingham. At the age of 19, he founded the Melksham and District Film Society. David arrived in Australia in 1963, and soon became involved with the local film society movement. He directed the Sydney Film Festival from 1966 until 1983. At the time, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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