Felipe Guaman Poma De Ayala
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Felipe Guaman Poma De Ayala
Felipe Guaman Poma de Ayala (ca. 1535Fane, 165 – after 1616), also known as Huamán Poma or Wamán Poma, was a Quechua nobleman known for chronicling and denouncing the ill treatment of the natives of the Andes by the Spanish after their conquest.Adorno, RolenaFelipe Guamán Poma de Ayala’s ''Nueva crónica y buen gobierno'' (''New Chronicle and Good Government'').''Early Ibero/Ango Americanist Summit: New World Antiquities and Histories.'' (retrieved 8 Sept 2009) Today, Guamán Poma is noted for his illustrated chronicle, '' Nueva corónica y buen gobierno''.Fane, 166 Biography The son of a noble family from the central southern Peruvian province of Lucanas located in the modern day department of Ayacucho, he was a direct descendant of the eminent indigenous conqueror and ruler Huaman-Chava-Ayauca Yarovilca-Huanuco,Hamilton, RolandTable of Contents and Excerpt, Guaman Poma de Ayala, the First New Chronicle and Good Government.''University of Texas Press.'' 2009 (retriev ...
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Self-portrait
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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