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Fat Cat Records
FatCat Records is an English independent record label based in Brighton. The label's output reaches into many styles including experimental rock, electronica, psychedelic folk, contemporary classical, noise and post-punk. Notable artists that have released music on the label include Sigur Rós, Múm, Animal Collective, Frightened Rabbit, Shopping, The Twilight Sad, Vashti Bunyan and We Were Promised Jetpacks. History 1989–2001 FatCat originally began in 1989 as a record store in Crawley, West Sussex, formed by Alex Knight, Dave Cawley and Andy Martin. It moved to central London in 1990, and originally specialised in Detroit and Chicago-based techno and house music. The store closed down in 1997, and the record label was born in its place, initially releasing dance and electronic 12"s. The label moved to Brighton in 2001. 2000s As well as Sigur Rós, another Icelandic band, Múm, were signed and proved successful for the label. The same year also saw the establishment of ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Múm
Múm (stylized in lowercase) () is an Icelandic indietronica band whose music is characterized by soft vocals, electronic glitch beats and effects, and a variety of traditional and unconventional instruments. History The band was formed in 1997 by original members Gunnar Örn Tynes and Örvar Þóreyjarson Smárason, who were joined by twin sisters Gyða and Kristín Anna Valtýsdóttir. According to Kristín, the band's name was not intended to mean anything. Gyða left the band to return to her studies after the release of ''Finally We Are No One''. In early 2006, Kristín also left the band, although it was not officially announced until 23 November of that year. With only Tynes and Smárason remaining in the group, a large group of new musicians were brought on board: guitarist/vocalist/violinist Ólöf Arnalds, trumpet/keyboard player Eiríkur Orri Ólafsson, vocalist/ cellist Hildur Guðnadóttir, percussionist Samuli Kosminen, and multi-instrumentalist/vocalist Mr. Si ...
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Set Fire To Flames
Set Fire to Flames was a Canadian instrumental music ensemble consisting of thirteen musicians from Montreal, Quebec." Set Fire to Flames Sings Reign Rebuilder Review"
''BBC'', Dan Hill, 2002.
The band was often considered a side project of , as the two groups shared several members.


History

Set Fire to Flames was initiated by David Bryant. The group released two s on

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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s. History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite songs on r ...
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Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, Atkins ...
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Record Store
A record shop or record store is a retail outlet that sells recorded music. In the late 19th century and the early 20th century, record shops only sold gramophone records, but over the 20th century, record shops sold the new formats that were developed, such as eight track tapes, compact cassettes and compact discs (CDs). Today in the 21st century, record stores sell CDs, vinyl records and in some cases, DVDs of movies, TV shows, cartoons and concerts. Some record stores also sell music-related items such as posters of bands or singers, -related clothing items and even merchandise such as bags and coffee mugs. Even when CDs became popular during the 1990s, people in English-speaking countries still used the term "record shop" to describe a shop selling sound recordings such as CDs. With the vinyl revival of the 21st century, often generating more income than CDs, the name is again accurate. Modern era United Kingdom Prior to the 2000s, more record shops were privately run, ...
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We Were Promised Jetpacks
We Were Promised Jetpacks are a Scottish indie rock band originally from Edinburgh, formed in 2003. The band consists of Adam Thompson (vocals, guitar), Sean Smith (bass) and Darren Lackie (drums). Stuart McGachan (keyboards, guitar) was a member of the band from 2012 to 2015. On 2 July 2019, founding member Michael Palmer (guitar) announced that he was leaving the band. The band's debut album, '' These Four Walls'', was released on 15 June 2009 on Fat Cat Records. In October 2011 the band released their second full-length album, ''In the Pit of the Stomach''. They released ''E Rey: Live in Philadelphia'', a recording of the last show of their 2012 tour, in February 2014. The band's third album, '' Unravelling'', was released in October 2014. In March 2018 the band began recording their fourth album. The album, titled '' The More I Sleep The Less I Dream'', was released on 14 September 2018. Their fifth album, ''Enjoy the View'', was released on 10 September 2021. The band ha ...
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Vashti Bunyan
Vashti Bunyan (born Jennifer Vashti Bunyan, 1945) is an English singer-songwriter. Beginning her career in the mid-1960s, she released her debut album, ''Just Another Diamond Day'', in 1970. The album sold very few copies and Bunyan, discouraged, abandoned her musical career. By 2000, her album had acquired a cult following; it was re-released and Bunyan recorded more songs, initiating the second phase of her musical career after a gap of thirty years. She subsequently released two more albums: ''Lookaftering'' in 2005, and ''Heartleap'' in 2014. Early life and education Bunyan was born in South Tyneside in 1945 to John Bunyan and Helen Webber, the youngest of three children. She was told that she was named after a boat that belonged to her father, a name that was also a nickname for her mother inspired by queen Vashti. The family moved to London when she was six months old. Although she has been said to be descended from ''The Pilgrim's Progress'' author John Bunyan, this is a ...
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The Twilight Sad
The Twilight Sad are a Scottish post-punk/indie rock band, comprising James Graham (vocals), Andy MacFarlane (guitar), Johnny Docherty (bass), Brendan Smith (keyboards) and Grant Hutchison (drums). They have released five studio albums, as well as several EPs, live recordings and singles. Their 2007 debut album, '' Fourteen Autumns & Fifteen Winters'', drew widespread acclaim from critics, who noted Graham's thick Scottish accent and MacFarlane's dense sonic walls of shoegazing guitar and wheezing accordion. The Twilight Sad's notoriously loud live performances have been described as "completely ear-splitting", and the band toured for the album across Europe and the United States throughout 2007 and 2008. Sessions inspired by stripped-down and reworked live performances yielded the 2008 mini-album, '' Here, It Never Snowed. Afterwards It Did''. The band's second album, ''Forget the Night Ahead'', marked a shift in their direction; lyrically more personal and musically darker and ...
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