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Farrukh Beg
Farrukh Beg ( Persian: فرخ بیگ) (ca. 1547), also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as “unrivaled in the age.” Farrukh Beg was credited with painting a plethora of Persian and Mughal paintings, a handful of which survive today. His work showed his distinct training in Persian manuscript painting, which later on evolved to include more experimental techniques such as atmospheric perspective and modeling. Beg had produced miniature paintings under the patronage of five known rulers in West Asia and South Asia: Ibrahim Mirza of Safavid Mashhad, Mirza Muhammad Hakim of Kabul, Akbar in Mughal India and later his son Jahangir, and Ibrahim Adil Shah II of the Sultanate of Bijapur. His distinct style came to be revered by his contemporaries and patrons, due to a distinct homogeneity, evolving as a result of his Persian training and experiences in cosmopol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farrukh Beg
Farrukh Beg ( Persian: فرخ بیگ) (ca. 1547), also known as Farrukh Husayn, was a Persian miniature painter, who spent a bulk of his career in Safavid Iran and Mughal India, praised by Mughal Emperor Jahangir as “unrivaled in the age.” Farrukh Beg was credited with painting a plethora of Persian and Mughal paintings, a handful of which survive today. His work showed his distinct training in Persian manuscript painting, which later on evolved to include more experimental techniques such as atmospheric perspective and modeling. Beg had produced miniature paintings under the patronage of five known rulers in West Asia and South Asia: Ibrahim Mirza of Safavid Mashhad, Mirza Muhammad Hakim of Kabul, Akbar in Mughal India and later his son Jahangir, and Ibrahim Adil Shah II of the Sultanate of Bijapur. His distinct style came to be revered by his contemporaries and patrons, due to a distinct homogeneity, evolving as a result of his Persian training and experiences in cosmopol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Paintings
Mughal painting is a style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greater Khorasan
Greater Khorāsān,Dabeersiaghi, Commentary on Safarnâma-e Nâsir Khusraw, 6th Ed. Tehran, Zavvâr: 1375 (Solar Hijri Calendar) 235–236 or Khorāsān ( pal, Xwarāsān; fa, خراسان ), is a historical eastern region in the Iranian Plateau between Western and Central Asia. The name ''Khorāsān'' is Persian and means "where the sun arrives from" or "the Eastern Province".Sykes, M. (1914). "Khorasan: The Eastern Province of Persia". ''Journal of the Royal Society of Arts'', 62(3196), 279-286.A compound of ''khwar'' (meaning "sun") and ''āsān'' (from ''āyān'', literally meaning "to come" or "coming" or "about to come"). Thus the name ''Khorasan'' (or ''Khorāyān'' ) means "sunrise", viz. " Orient, East"Humbach, Helmut, and Djelani Davari, "Nāmé Xorāsān", Johannes Gutenberg-Universität Mainz; Persian translation by Djelani Davari, published in Iranian Languages Studies Website. MacKenzie, D. (1971). ''A Concise Pahlavi Dictionary'' (p. 95). London: Oxford Univers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Babur
Babur ( fa, , lit= tiger, translit= Bābur; ; 14 February 148326 December 1530), born Mīrzā Zahīr ud-Dīn Muhammad, was the founder of the Mughal Empire in the Indian subcontinent. He was a descendant of Timur and Genghis Khan through his father and mother respectively.F. LehmannẒahīr-al-Dīn Moḥammad Bābor In Encyclopædia Iranica. Online Ed. December 1988 (updated August 2011). "Bābor, Ẓahīr-al-Dīn Moḥammad son of Umar Sheikh Mirza, (6 Moḥarram 886-6 Jomādā I 937/14 February 1483 – 26 December 1530), Timurid prince, military genius, and literary craftsman who escaped the bloody political arena of his Central Asian birthplace to found the Mughal Empire in India. His origin, milieu, training, and education were steeped in Muslim culture and so Bābor played significant role for the fostering of this culture by his descendants, the Mughals of India, and for the expansion of Islam in the Indian subcontinent, with brilliant literary, artistic, and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbarnama
The ''Akbarnama'', which translates to ''Book of Akbar'', the official chronicle of the reign of Akbar, the third Mughal Emperor (), commissioned by Akbar himself and written by his court historian and biographer, Abu'l-Fazl ibn Mubarak. It was written in Persian, which was the literary language of the Mughals, and includes vivid and detailed descriptions of his life and times. It followed the ''Baburnama'', the more personal memoir by his grandfather, Babur, founder of the dynasty. It was produced in the form of lavishly illustrated manuscripts. The work was commissioned by Akbar, and written by Abul Fazl, who was one of the ''Nine Jewels'' (Hindustani: Navaratnas) of Akbar's royal court. It is stated that the book took seven years to be completed. The original manuscripts contained many miniature paintings supporting the texts, thought to have been illustrated between and 1594 by at least forty-nine different artists from Akbar's imperial workshop, representing the best of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baburnama
The ''Bāburnāma'' ( chg, ; literally: ''"History of Babur"'' or ''"Letters of Babur"''; alternatively known as ''Tuzk-e Babri'') is the memoirs of Ẓahīr-ud-Dīn Muhammad Bābur (1483–1530), founder of the Mughal Empire and a great-great-great-grandson of Timur. It is written in the Chagatai language, known to Babur as ''Türki'' ("Turkic"), the spoken language of the Andijan- Timurids. During the reign of emperor Akbar, the work was translated into Persian, the usual literary language of the Mughal court, by a Mughal courtier, Abdul Rahim Khan-i-Khanan, in AH 998 (1589–90 CE). Bābur was an educated Timurid prince and his observations and comments in his memoirs reflect an interest in nature, society, politics and economics. His vivid account of events covers not just his own life, but the history and geography of the areas he lived in as well as the people with whom he came into contact. The book covers topics as diverse as astronomy, geography, statecraft, milita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamsa Of Nizami
The ''Khamsa'' ( fa, خمسه, 'Quintet' or 'Quinary', from Arabic) or ''Panj Ganj'' ( fa, پنج گنج, 'Five Treasures') is the main and best known work of Nizami Ganjavi. Description The ''Khamsa'' is in five long narrative poems: * '' Makhzan-ol-Asrâr'' (, 'The Treasury or Storehouse of Mysteries'CHARLES-HENRI DE FOUCHÉCOUR, "IRAN:Classical Persian Literature" in ''Encyclopædia Iranica''), 1163 (some date it 1176) * ''Khosrow o Shirin'' (, ' Khosrow and Shirin'), 1177–1180 * ''Leyli o Majnun'' (, 'Layla and Majnun'), 1192 * ''Eskandar-Nâmeh'' (, 'The Book of Alexander'), 1194 or 1196–1202 * ''Haft Peykar'' (, 'The Seven Beauties'), 1197 The first of these poems, '' Makhzan-ol-Asrâr'', was influenced by Sanai's (d. 1131) monumental ''Garden of Truth''. The four other poems are medieval romances. Khosrow and Shirin, Bahram-e Gur, and Alexander the Great, who all have episodes devoted to them in Ferdowsi's ''Shahnameh'', appear again here at the center of three of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain-i-Akbari
The ''Ain-i-Akbari'' ( fa, ) or the "Administration of Akbar", is a 16th-century detailed document recording the administration of the Mughal Empire under Emperor Akbar, written by his court historian, Abu'l Fazl in the Persian language. It forms Volume III and the final part of the much larger document, the '' Akbarnama'' (''Account of Akbar''), also by Abu'l-Fazl, and is itself in three volumes. Contents The ''Ain-i-Akbari'' is the third volume of the ''Akbarnama'' containing information on Akbar's reign in the form of administrative reports, similar to a gazetteer. In Blochmann's explanation, "it contains the 'āīn' (i.e. mode of governing) of Emperor Akbar, and is in fact the administrative report and statistical return of his government as it was about 1590."Blochmann, H. (tr.) (1927, reprint 1993). ''The Ain-I Akbari by Abu'l-Fazl Allami'', Vol. I, Calcutta: The Asiatic Society, preface (first edition) The ''Ain-i-Akbari'' is divided into five books. The first book cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lahore
Lahore ( ; pnb, ; ur, ) is the second most populous city in Pakistan after Karachi and 26th most populous city in the world, with a population of over 13 million. It is the capital of the province of Punjab where it is the largest city. Lahore is one of Pakistan's major industrial and economic hubs, with an estimated GDP ( PPP) of $84 billion as of 2019. It is the largest city as well as the historic capital and cultural centre of the wider Punjab region,Lahore Cantonment globalsecurity.org and is one of Pakistan's most , progressi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rawalpindi
Rawalpindi ( or ; Urdu, ) is a city in the Punjab province of Pakistan. It is the fourth largest city in Pakistan after Karachi, Lahore and Faisalabad, and third largest in Punjab after Lahore and Faisalabad. Rawalpindi is next to Pakistan's capital Islamabad, and the two are jointly known as the "twin cities" because of the social and economic links between them. Rawalpindi is on the Pothohar Plateau, known for its ancient Hindu and Buddhist heritage, especially in the neighbouring town of Taxila, a UNESCO World Heritage Site. In 1765, the ruling Gakhars were defeated and the city came under Sikh rule, becoming an important city within the Sikh Empire based at Lahore. The city's ''Babu Mohallah'' neighbourhood was once home to a community of Jewish traders that had fled Mashhad, Persia, in the 1830s. The city was conquered by the British Raj in 1849, and in the late 19th century became the largest garrison town of the British Indian Army's Northern command as its clim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haft Awrang
''Haft Awrang'' ( fa, هفت اورنگ, meaning "Seven Thrones") by the Persian poet Jami is a classic of Persian literature composed some time between 1468 and 1485. Jami completed the work as seven books following a masnavi format: * "Selselat adh-dhahab" (, "Chain of Gold"): a collection of didactic anecdotes * "Yusof-o Zulaikhā" (, " Joseph and Zulaikha"): the romance of Joseph and Zulaikha, wife of Potiphar based on the Islamic traditions. * "Sabhat al-abrār" (, "Rosary of the Pious"): another collection of didactic anecdotes * "Salaman-o Absāl" (, Salaman and Absal): A doomed romance between a prince and his nursemaid. The original story is Greek, translated in the early Islamic times to Arabic by Ibn Hunain and then rendered into Persian poem by Jami. Dehkhoda suggests this story might have an Israelite origin. * "Tohfat ol-ahrār (, "Gift of the Free") * "Layli-o Majnun" (, "Layla and Majnun") * "Kheradnāma-i Eskandari" (, "Alexander's Book of Wisdom") account ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ibrahim Mirza
Prince Ibrahim Mirza, Solṭān Ebrāhīm Mīrzā, in full Abu'l Fat'h Sultan Ibrahim Mirza ( fa, ابوالفتح سلطان ابراهیم میرزا) (April 1540 – 23 February 1577) was a Persian prince of the Safavid dynasty, who was a favourite of his uncle and father-in-law Shah Tahmasp I. He is now mainly remembered as a patron of the arts, especially the Persian miniature. Although most of his library and art collection was apparently destroyed by his wife after his murder, surviving works commissioned by him include the manuscript of the '' Haft Awrang'' of the poet Jami which is now in the Freer Gallery of Art in Washington D.C. Biography He was a grandson of the founder of the Safavid dynasty, Ismail I (1487–1524) by Ismail's fourth son, prince Bahram Mirza Safavi (1518–1550), who was governor of Khorasan (1529–32), Gilan (1536–37) and Hamadan (1546–49), and also a commissioner of manuscripts. Two of his uncles and two of his brothers were to rebel agai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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