Fritz Geißler (composer)
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Fritz Geißler (composer)
Fritz Geißler (or Geissler) (16 September 1921 in Wurzen, Saxony – 11 January 1984 in Bad Saarow, Brandenburg) was one of the most important Musical composition, composers of the German Democratic Republic. The son of Elsa and Walther Geißler, he was raised in modest circumstances. His first violin lessons came from the leader of a local tenants' association's mandolin-band, himself a pipe-fitter. Following graduation from public school, Geissler went into training with the town-pipers band of Naunhof. After the conclusion of this most inauspicious education he earned the means to continue private lessons in violin, piano, and music theory as a bar and coffee house fiddler in Leipzig. Later, in 1979, he used his experiences from this time in his opera ''Die Stadtpfeifer'' ("The Town Pipers"). In 1940 he was conscripted into the Wehrmacht as a musician, and ordered to Guernsey in 1942, where he served in the Luftwaffe's musical corps. In 1945 he became a prisoner of war of th ...
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Wurzen
Wurzen () is a town in the district Leipzig (district), Leipzig Land (voting) and Muldental (number plates), in Saxony, Germany. It is situated next to the river Mulde, here crossed by two bridges, 25 km east of Leipzig, by rail N.E. of Leipzig Leipzig–Dresden railway, on the main line via Riesa to Dresden. It has a cathedral dating from the twelfth century, a castle, at one time a residence of the bishops of Meissen and later utilized as law courts, several schools, an agricultural college and a police station including a prison. History Founded after 600 by Slavic peoples, Slavs, Wurzen is first mentioned in the act of donation from Otto I in 961 as a "Burgward" civitas vurcine. Situated in the "anderen Gau Neletici", it was a town early in the twelfth century when Herwig of Meissen, Herwig, bishop of Meissen, founded a Collegiate church here. In 1581 it passed to the elector of Saxony. During the Thirty Years' War (1637) it was sacked by the Sweden, Swedish army and burned ...
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Peter Hermann (composer)
Peter Hermann or Herrmann may refer to: * Peter Hermann (actor) (born 1967), American actor * Peter Hermann (cyclist) (born 1963), Liechtenstein track cyclist * Peter Hermann (footballer) (born 1952), German football coach and former player * Peter Herrmann (1941–2015), German composer * Peter Herrmann (social philosopher), German philosopher * Peter Herrmann (judoka) in 1966 European Judo Championships * Peter Herrmann, voice actor in ''Happy Tree Friends'' See also * Hermann (name) * Pete Herman Pete Herman (February 12, 1896 – April 13, 1973) was one of the all-time great bantamweight world champions. An American of Italian heritage and descent, Herman was born Peter Gulotta in New Orleans, Louisiana, and fought from 1912 until 1927. ...
(1896–1973), American boxer {{hndis, Hermann, Peter ...
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Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. Other types of serialism also work with sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called " parameters"), such as duration, dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architecture, and the musical concept has also been adapted in literature. Integral serialism or total serialism is the use of series for aspects su ...
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Staatskapelle Dresden
The Sächsische Staatskapelle Dresden (), or Saxon State Orchestra Dresden, is one of the oldest orchestras in the world, created by order of Maurice, Elector of Saxony in 1548. Under communist East Germany and until 1992 it was called Staatskapelle Dresden; an earlier name was Kurfürstlich-Sächsische und Königlich-Polnische Kapelle, or Electoral Saxon and Royal Polish Orchestra. It is a constituent body of the Semper Opera House, along with two choruses and a ballet troupe, where it plays in the pit for opera and on a platform for its own concert series. History Heinrich Schütz was associated with the orchestra early in its existence. In the 19th century, Carl Maria von Weber and Richard Wagner each served as ''Hofkapellmeister''. In the 20th century, Richard Strauss became closely associated with the orchestra as both conductor and composer, which premiered several of his works. Karl Böhm and Hans Vonk were notable among the orchestra's chief conductors in that they se ...
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Gewandhausorchester Leipzig
The Leipzig Gewandhaus Orchestra (Gewandhausorchester; also previously known in German as the Gewandhausorchester Leipzig) is a German symphony orchestra based in Leipzig, Germany. The orchestra is named after the concert hall in which it is based, the Gewandhaus ("Garment House"). In addition to its concert duties, the orchestra also performs frequently in the Thomaskirche and as the official opera orchestra of the Leipzig Opera. History The orchestra's origins can be traced to 1743, when a society called the ''Grosses Concert'' began performing in private homes. In 1744 the ''Grosses Concert'' moved its concerts to the "Three Swans" Tavern. Their concerts continued at this venue for 36 years, until 1781. In 1780, because of complaints about concert conditions and audience behavior in the tavern, the mayor and city council of Leipzig offered to renovate one storey of the Gewandhaus (the building used by textile merchants) for the orchestra's use. The motto ''Res severa est veru ...
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Der Zerbrochne Krug
''The Broken Jug'' (, , also sometimes translated ''The Broken Pitcher'') is a comedy written by the German playwright Heinrich von Kleist. Kleist first conceived the idea for the play in 1801 after looking at a copper engraving in Heinrich Zschokke's house entitled "Le juge, ou la cruche cassée". In 1803, challenged over his ability to write comedy, Kleist dictated the first three scenes of the play, though it was not completed until 1806. Johann Wolfgang von Goethe first staged the play in Weimar, where it premiered on 2 March 1808. ''The Broken Jug'' follows the story of a judge who presides over a trial where he has to settle the question of who had broken a jug in the room of a young woman late one night, while himself acting highly suspiciously both before and throughout the whole trial. Characters *Adam – the judge. *Eve – a country girl. *Licht – the judge's secretary. *Walter – the man who comes to inspect Adam and the way he runs his court. *Frau Marthe – Ev ...
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Heinrich Von Kleist
Bernd Heinrich Wilhelm von Kleist (; 18 October 177721 November 1811) was a German poet, dramatist, novelist, short story writer and journalist. His best known works are the theatre plays ''The Prince of Homburg'', '' Das Käthchen von Heilbronn'', '' The Broken Jug'', ''Amphitryon'' and ''Penthesilea'', and the novellas '' Michael Kohlhaas'' and '' The Marquise of O.'' Kleist shot himself together with a close female friend who was terminally ill. The Kleist Prize, a prestigious prize for German literature, is named after him, as was the Kleist Theater in his birthplace Frankfurt an der Oder. Life Kleist was born into the von Kleist family in Frankfurt an der Oder in the Margraviate of Brandenburg, a province of the Kingdom of Prussia. After a scanty education, he entered the Prussian Army in 1792, served in the Rhine campaign of 1796, and retired from the service in 1799 with the rank of lieutenant. He studied law, philosophy, natural sciences and latin at the Viadrina Un ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of Musical instrument, instruments—traditionally a group that could fit in a Great chamber, palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for ...
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Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian language, Italian verb ''cantare'', "to sing") is a vocal music, vocal Musical composition, composition with an musical instrument, instrumental accompaniment, typically in several movement (music), movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice Madrigal (music), madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantatas; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Teleman ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with Glossary of ballet, its own vocabulary. Ballet has been influential globally and has defined the foundational ballet technique, techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work of art, work comprises the choreography (dance), choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery ...
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Lothar Voigtländer
Lothar Voigtländer (born 3 September 1943) is a German composer. Life Voigtländer was born in Leisnig. He received his formative musical education between 1954 and 1962 as a choirboy and later as choir prefect in the Dresdner Kreuzchor under Rudolf Mauersberger. From 1961 to 1968 he studied conducting with Rolf Reuter and music composition with Fritz Geißler at the Leipzig Academy of Music and from 1970 to 1972 as a master student at the Akademie der Künste der DDR with Günter Kochan. Since 1973 Voigtländer has worked as a freelance artist in Berlin. In 1984 he founded together with Georg Katzer the "Society for electroacoustic music". In 1992 he received a guest professorship at the University of Paris, was chairman of the Berlin Composers' Association from 1990 to 1996, member of the Federal Executive Board of the German Composers' Association and vice-chairman of the works committee of the Gesellschaft für musikalische Aufführungs- und mechanische Vervielfältigungsr ...
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